Actually, surprisingly nice. You found a theme in that phrase that culminated in its final instance in measure 31, and it sounded alright. However, try to avoid moving in parallel fourths and fifths. While it might sound nice to the ear, it takes the music nowhere and forces you to remain in the same key area.
For your next effort, try to incorporate more harmonic movement (chord changes) so the piece takes the listener on a journey,
Thanks! Since it was my first time I kinda did it kind of safe and also being a trombonist i don't get a lot of other cord parts ( like 7ths and 6ths with roots) so i was a little uncertain what to do for cords. haha.
Comments (2)
Actually, surprisingly nice. You found a theme in that phrase that culminated in its final instance in measure 31, and it sounded alright. However, try to avoid moving in parallel fourths and fifths. While it might sound nice to the ear, it takes the music nowhere and forces you to remain in the same key area.
For your next effort, try to incorporate more harmonic movement (chord changes) so the piece takes the listener on a journey,
Thanks! Since it was my first time I kinda did it kind of safe and also being a trombonist i don't get a lot of other cord parts ( like 7ths and 6ths with roots) so i was a little uncertain what to do for cords. haha.