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Info
| Uploaded | Dec 30, 2011 |
|---|---|
| Pages | 41 |
| Duration | 3:07 |
| Measures | 97 |
| Key signature | 4 flats |
| Parts | 22 |
| Part names |
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| License | All rights reserved |
| Privacy | Everyone can see this score |
Comments (7)
Very Nice!
Thanks so much! That means a lot!
Yes! It really took me to an enchanted land! Very well done!
hahahaha thanks! i wasn't trying to seem rude or anything. i just really had no clue what the first guy was saying!
15 years old? Nice. It seems like a really happy piece. If that makes sense...Kinda like a circus tune. Sorry if that's not what you're aiming for haha But I was kinda moving my head side to side to the beat. That's great and you've never taken theory or anything, you have the basic ability to just "Hear". That sounds like, "What are you talking about of course I can hear what makes sense or not" but you'd be surprised how people can't hear different pitches even if they clash like a C and a C3. I suggest take the advice form the other person below whether you want to continue exploring composing or not. You could make some really good pieces. He wasn't criticizing you, just giving advice to what "he" thought could make it better. No matter how good your piece is, someones gonna say, "Hey what if you tried this?". I played the "unfinished symphony" once. It's a wonderful piece depending on the listener, and I couldn't help but thing, "Why did he do this at one part or etc. etc.??". Keep it man, for not having "any knowlege of composing", everything fit fine haha. See ya!
Thanks for the advice, but i don't really want to change anything. I'm just a 15 year old having some fun. I've never taken a music theory class or anything like that before, so I'm just sorta doing what i want without any knowledge of composing. It sounds the way I want it to. So that's all I really care about right now.
Its enchanted mood is apparent; it, however, lacks variation in instrumentation and orchestration (utilizing the entire ensemble, more or less, throughout might not achieve the desired affect in the listener) as well as form (beginning with a bang and ending with a bang makes a good transition to the soft and subtle quite difficult). I'd recommend utilizing different orchestration within the given instrumentation as well as a form that arches.