00:00

Für Elise


Uploaded on Dec 22, 2011

Bagatelle No. 25 in A minor (WoO 59 and Bia 515) for solo piano, commonly known as “Für Elise”, is one of Ludwig van Beethoven's most popular compositions. It is usually classified as a bagatelle, but it is also sometimes referred to as an Albumblatt.

The score was not published until 1867, 40 years after the composer's death in 1827. The discoverer of the piece, Ludwig Nohl, affirmed that the original autographed manuscript, now lost, was dated 27 April 1810.

The version of “Für Elise” we hear today is an earlier version that was transcribed by Ludwig Nohl. There is a later version, with drastic changes to the accompaniment which was transcribed from a later manuscript by Barry Cooper. The most notable difference is in the first theme, the left-hand arpeggios are delayed by a 16th note beat. There are a few extra bars in the transitional section into the B section; and finally, the rising A minor arpeggio figure is moved later into the piece. The tempo marking Poco Moto is believed to have been on the manuscript that Ludwig Nohl transcribed (now lost). The later version includes the marking Molto Grazioso. It is believed that Beethoven intended to add the piece to a cycle of bagatelles.

It is not certain who “Elise” was. Max Unger suggested that Ludwig Nohl may have transcribed the title incorrectly and the original work may have been named “Für Therese”, a reference to Therese Malfatti von Rohrenbach zu Dezza (1792–1851). She was a friend and student of Beethoven's to whom he proposed in 1810, though she turned him down to marry the Austrian nobleman and state official Wilhelm von Droßdik in 1816.

According to a 2010 study by Klaus Martin Kopitz, there is evidence that the piece was written for the German soprano singer Elisabeth Röckel (1793–1883), later the wife of Johann Nepomuk Hummel. “Elise”, as she was called by a parish priest (she called herself “Betty” too), had been a friend of Beethoven's since 1808. In the meantime, the Austrian musicologist Michael Lorenz has shown that Rudolf Schachner, who in 1851 inherited Therese von Droßdik's musical scores, was the illegitimate son of Babette Bredl (who in 1865 let Nohl copy the autograph in her possession). Thus the autograph must have come to Babette Bredl from Therese von Droßdik's estate and Kopitz's hypothesis is refuted.

In 2012, the Canadian musicologist Rita Steblin suggested that Juliane Katharine Elisabet Barensfeld, who used “Elise” as a variant first name, might be the dedicatee. Born in Regensburg and treated for a while as child prodigy, she first travelled on concert tours with Beethoven's friend Johann Nepomuk Mälzel, also from Regensburg, and then lived with him for some time in Vienna where she received singing lessons from Antonio Salieri. Steblin argues that Beethoven dedicated this work to the 13-year-old Elise Barensfeld as a favour to Therese Malfatti who lived opposite Mälzel's and Barensfeld's residence and who might have given her piano lessons. Steblin admits that question marks remain for her conclusion.

The piece is in A minor and is set in 3/8 time. It begins with an A minor theme marked Poco moto (little movement), with the left hand playing arpeggios alternating between A minor and E major. It then moves into a brief section based around C major and G major, before returning to the original theme. It then enters a lighter section in the subdominant key of the relative major of A minor (C major), F major. It consists of a similar texture to the A section, where the right hand plays a melody over left hand arpeggios. It then enters a 32nd note C major figure before returning to the A section. The piece then moves to an agitated theme in D minor with an A pedal point, as the right hand plays diminished chords. This section then concludes with an ascending A minor arpeggio before beginning a chromatic descent over two octaves, and then returning to the A section. The piece ends in its starting key of A minor with an authentic cadence. Despite being called a bagatelle, the piece is in rondo form. The structure is A–B–A–C–A. The first theme is not technically difficult and is often taught alone as it provides a good basic exercise for piano pedalling technique. However, much greater technique is required for the B section as well as the rapid rising A minor figure in the C section.

Kopitz presents the finding by the German organ scholar Johannes Quack that the letters that spell Elise can be decoded as the first three notes of the piece. Because an E♭ is called an Es in German and is pronounced as “S”, that makes E–(L)–(I)–S–E: E–(L)–(I)–E♭–E, which by enharmonic equivalents sounds the same as the written notes E–(L)–(I)–D♯–E.

piano Classical For no no. A popular minor beethoven por bagatelle Fur moll 59 25 woo elise albumblatt bia 515 pour poco moto

Pages 4
Duration 03:35
Measures 106
Key signature natural
Parts 1
Part names Piano
Privacy Everyone can see this score
License None (All rights reserved)
Show more Show less

This score appears in:


Your comment


Comments

this is my all time fave song to play on the piano I started playing it by ear when I was 3 years old. thank u so much its so beautiful💗
click on the download button, and then it will come up with a list of options... i always click on the PDF, but that's just me.
This is one of Beethoven's easier works that I learned a year ago! I still love it, and I can play it by ear!
I think it should go a little faster. Just a suggestion!
Most excellent, thanks!

Discovered 2 mistakes, at least compared to urtext.
Bar 29 bass secton should be: G-E-G-E-G-F
Bar 33 lower section has CE, should be CEG
just wanna know if it's the original or not....
I do my best to make it as the original. However, incorrect notes may, unfortunately, occur.
It doesn't seem very difficult to play with this arrangement
this song seemed sooooo confusing so i never learned it, now that i looked at it, i can sight read it with ease!
Wtf this looked harder when I was in grade 3
Is there an issue with the bar counting between measures 18 and 23?
Hey guys, I wanted your opinion: I've been playing piano for about a year, and the hardest piece I have played so far is the engagement party song from La La Land. Some parts from that song gave me a challenge but I successfully learned it, do you guys think I should give this song a try?
I've always thought this song was hard and after 6 years of playing piano, I finally learned it and it's actually really easy. I wish I had learned it earlier. Even if you don't think you can learn it, still try. Start slow and then slowly get faster until you are up to tempo. Right after this song, I'm diving into learning "Flight of the Bumblebee" which I'm pretty scared for, but I think I can do it. Just believe in yourself and you'll learn this song in no time.
Honestly, this song is the easiest I've learnt. When I was about 10 I found this in a book and attempted. Now I know it off by heart. And yes, I would recommend learning it :)
yes! La La Land's songs are beautiful! Just keep practicing and it will eventually become easy! Yesterday I started playing Faded by Alan Walker and I kept practicing last night and today I practiced for an hour and it's easy for me now!
not to brag or anything but if you guys want a challenge you guys can try La Campanella
which I have played successfully but it takes time.
Hes a beginner. I’m honestly still scared about attempting La Campanella as I still have some difficulty playing certain Chopin songs
but all in all La Campanella is one of the most hardest pieces in Piano
That’s true. But a beginner would have a harder time as compared to someone who has played for a few years. But yeah, La Campanella is really hard. I want to attempt Hungarian Rhapsody no.2 first because I prefer it over La Camp
oof....... i completed La Campanella a while ago..... Chopin songs need Flavour in music so ofcourse its harder to master
Very beautiful melody and fun to play! Thank you!😁
I usually play another style of music. I do play some classical songs, but never tried für elise... I think every pianist should know it, so I am going to try it. I am however a bit annoyed at bars 78.
tuyệt vời , tôi đã học 5 tháng có đánh đc ko
I know this song because some little kids sang an easy one at my school (no piano).
anyway good job!
Sorry for bothering, But do you mind If I take your version and upload a harder version of this? (You will get full credit for original transcripting)