I am looking for loud fun stand tunes for our low brass. We play loud and proud. obnoxiously loud just like brass is supposed to. If yall know of any loud exciting stand tunes for low brass I would appreciate it. Have a nice day
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Hey all! I'm going to audition for my local junior orchestra in the fall, and need some advice... here are the requirements:
A solo or piece of your choosing that fully demonstrates your finest playing, such as a piece you are working on in lessons or a piece you performed with your school
A classical concerto for your instrument of your choice
Major scales and arpeggios up to four flats and sharps
Melodic minor scales and arpeggios up to four sharps and flats
I have the last four down, I just need help finding a solo piece. If any of you have any suggestions, i'm in need!
hi does anyone know of any medium level music
I recently finished writing a chamber piece for flute, oboe, and harp. I'm hoping to enter it in a competition this fall, so any feedback would be greatly appreciated!
Any of my kind present?
honestly i feel like the flute doesnt have much RESPECT in the woodwind section
A bit impossible
Unless you're insane
Hello everyone. I know no one has really used this group but I just wanted to talk a little about something odd that's been occurring recently. It seems that Disney/Lucasfilm has been cracking down big time on people using copyrighted music specifically from Star Wars. I just had an arrangement of the "Imperial March in a Major Key" taken down, and I noticed that one of my favorite Star Wars horn quartets on MuseScore was copyright struck and removed from the user Klevdogk's page. 4Horns' arrangement of "Jedi Steps and Finale" from The Force Awakens is gone too. In fact, if you search "Star Wars" on MuseScore, just about all that comes up is music from Rogue One, the only Star Wars movie that didn't have its music written by John Williams. Oddly enough, all arrangements of John Williams' other compositions, such as my horn quartet arrangement of Superman and Raider's March, are completely intact. I find this situation to be totally bizarre. Does anyone have any thoughts on this?
I am looking for some songs from the forties/fifties/love songs to play for a 50th wedding anniversary. A solo or duet would do.
this is the best form of my mary had a little lamb parody (it sounds dumb, but it actually sis one of my better pieces)
Check it out!
So, you know how I have been working on the 50 follower special composition right? Well, I am 2/3 of the way through it and even include a short bit of canon in the composition. But after this canonic moment, I can't seem to make further progress. I know that I want to go back to G major by means of a plagal cadence(which would require me to substitute C major for C#°) and that I want to end the piece with a plagal cadence.
I have been having this composers block for about a week now. I usually embrace it and just move on to composing something else, but this is a 50 follower special composition that I have been working on.