Hey guys! This is my first cadence. I made it for my middle school, which has been using the same boring cadence for over 10 years for every single parade. So I wrote this one to see if they'll play it (I'm going into high school now). It's pretty basic, but we start band in 6th grade at my school, so it needs to be to make it playable. anyway, enjoy!
If you like Skrillex, or if you just want something new to play please check this out. Be warned, I added absolutely zero stickings. All I added were the drumline parts. I started out thinking of it like a warm-up, then approached it as a percussion-heavy feature. So, try it, with the bass up, and you might like it.
If its not asking too much i would like to have a sound effect for a gock shot on snare drum. If there already is one then someone tell me how to get the drumset sound for it.
When I'm writing for any ensemble that contains the MDL instruments i always experience a glitch that happens after i stop playing the score. I will usually click the stop button and when it does a huge bang of all of the instruments in MDL being used come at unison and full volume. This will happen a few times and after so many MDL will start glitching and it will make the velocity go all over the place. It makes it sound almost corrupt. I know it isnt corrupt because after restarting the platform everything is fine. Then the sound happens again and it goes haywire and i have to restart the program once again. I've experienced this before but only now has it become extremely prominent. This is my main issue however the problem with shots also bothers me. The unaccented taps are louder than a rim shot. I can get around it by using a ping shot (which is slightly louder but it is still a bit quieter than an accented note) however i still prefer to use a rimshot. Thanks for listening! Hope you can figure out the problem soon.Reply
this is the best form of my mary had a little lamb parody (it sounds dumb, but it actually sis one of my better pieces)
Check it out!
So, you know how I have been working on the 50 follower special composition right? Well, I am 2/3 of the way through it and even include a short bit of canon in the composition. But after this canonic moment, I can't seem to make further progress. I know that I want to go back to G major by means of a plagal cadence(which would require me to substitute C major for C#°) and that I want to end the piece with a plagal cadence.
I have been having this composers block for about a week now. I usually embrace it and just move on to composing something else, but this is a 50 follower special composition that I have been working on.