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Educational "essential rudiments" percussion posters for free!

Good day! My name is Mikhail Kirilin, i'm the PR manager of Musescore. We prepared an educational posters with essential rudiments exercises for percussionists. Here's the photo how this one looks like: 
https://sun9-8.userapi.com/c854532/v854532527/11ee70/K10NmaHZH2g.jpg

We will be glad to send those for FREE — right now i've got 20 physically posters.The only condition is: the posters are available to teachers, educators and studio professionals only. 

Here's the form to sign: 
https://forms.gle/nyzRe2ZZKU8zeY9KA

All i need in exchange, will be the photo of this poster in a classroom/studio :)

For those, who want to use this one in a digital form

  1. I can send you the digital mockup — it's easy to print because it is black/white. Text me with direct message or mail m.kirilin@musescore.com">m.kirilin@musescore.com
  2. We've uploaded notations to Musescore account: https://musescore.com/mdl/checkitout

Hope that you like our idea. We'll make more free posters soon after this :)

Arranging Presto Agitato, Any suggestions for the sixteenths?

I am arranging Beethoven's Moonlight Sonata for a string quartet. I might add a double bass if I think it is necessary, but so far, no issues with it being a quartet, at least not in the first and second movements. Now I'm arranging the Presto Agitato and as if it wasn't hard enough with the need to smoothly transition from the viola to the violin in those sixteenths, if I keep the interval relationship, the notes are going to be too high. I could get away with this octave displacement in the previous 2 movements(With the first movement, I basically did this octave displacement for the entire bass line to fit it into the cello), but now, the octaves the sixteenths are in are crucial to getting the right sound out of the Presto Agitato.

There are 2 things I can think of as to how to get the Presto Agitato to sound right, one of which keeps the instrumentation, and another of which keeps the original octaves.

Option 1: Add Double Bass

This would keep the original octaves, and I could have it play the bass line and have the sixteenths start in the cello and rise upwards to the viola and second violin.

Option 2: Move bass line to Viola for first measure of each arpeggio run

This would keep the instrumentation I have going of a string quartet and for everything except the bass line, the original octaves would be kept as well.

Which one of these 2 options do you think would be better? Any other suggestions?

NOTE: I'm only asking about the arpeggio runs, the scales and Alberti bass are easier to arrange.

I need Suggestions

I would like to take some stories and turn them in to music. A great example of this is Peter and the Wolf composed by Prokofiev.
https://www.youtube.com/watch?v=MfM7Y9Pcdzw&t=1252s

If you have any short stories you have written or read comment them and i might make it into a piece of music.
When i grow up i would like to write music scores for movies. I have watched a few videos on how John Williams has scored some movies using different themes and motifs and instruments for each character. Please leave your suggestions