Can you recommend me some pieces for viola to play alone? Maybe J.S.Bach (please don't say Prelude suite nº1) something short, about two pages, not much difficult... I hope you found something for me! Thank you! <3
One of the main problems every saxophone player faces at some point is: “what and how to practise”. I just wanted to share some experience and knowledge on the topic - I’ve been a practising saxophone player for about 18 years already. This is not a complete guide or an instruction, but a note containing some suggestions. Though I am more into practising improvisation now, I’ve tried to mention some more general practise activities here .
So let’s just go through an example of daily practice schedule:
Whenever I have time I get back to some breathing exercises (see my article on breathing) - 3-5 minutes or so - as breathing is one of the most important things for producing great sound, and cool sound is what we are constantly aiming for.
- Long tones
- indispensable both for embouchure and for breathing skills. Moreover, different dynamics, cresc, dim, steady tone, etc. - at least 15 minutes. Be aware of your intonation and timbre during this exercise! You may want to use some tuner. Also read the article about embouchure posted in this group, I find it important. One of saxophone myths is that “only beginners should practise long tones”. I like to compare that with sports: every sportsman warms up before actually starting doing sports; long tones - is a warm-up for professional wind player, we need that to be in good shape, that’s of vital importance!
- practising overtones and matching them to standard fingerings. Try to match the “full” timbre and pitch of overtone when playing tones using “normal” fingerings. There are several books on the topic, a good place to start is the corresponding section of David Liebman’s “Developing a personal saxophone sound”
- Techniques you need:
tonguing exercises for “junior” saxophonists , different articulations - for all sax players (it’s extremely helpful to start with simulating articulation of your favourite saxophonists, especially for jazz-oriented musician) for more advanced players the list might look like this: flutter tonguing, split tones (multiphonics), altissimo, growl, circular breathing, etc.
- Scales and arpeggios.
All kinds of scales and arpeggios you need; a plenty of things for jazz players: all modes of major/minor scale, diminished and augmented scale, melodic minor scale (actually there are tons of scales, see the fundamental work of “Yusef Lateef “Repository of Scales and Melodic Patterns”) , triads and 7th/9th chords (including augmented ones) arpeggios, studying chord/scale theory (check Mark Levine’s “Jazz Theory Book”). David Baker’s “Creative.Approach To Practicing Jazz” is a good source of ideas. “ I am not too familiar with classical stuff, so feel free to post your thoughts and share your experience in comments.
Both classical (for developing your overall playing technique, like “Daily exercises for saxophone” by H.Klose) and jazz (elements you need for improvisation - enclosure, 3 to b9, licks and patterns:II-V7, all kinds of cadences, cycle of fifths, etc.. Just remember to practice things in all 12 keys whenever it is possible. Here are the authors of literature on the topic: Jerry Coker (co-writer of “Patterns for jazz” and the author of a bunch of other books), David Baker (“How To Play Bebop” in 3 parts, etc.), and, of course, the educational books with playalongs by Jamey Aebersold.
- Practising improvisation.
That is: studying transcribed solos (and the process of solo transcription itself, of course) - remember analysing not only the notes played in different harmonic situations, but also the master’s articulation and time feeling (is he behind, before or on the beat?; learning tunes with chord progressions, applying patterns, licks and everything you’ve learnt in steps 5 and 6 and, finally, several minutes of “just improvising” to track your progress and just for pleasure. There is a really cool book called “Elements Of The Jazz Language For The Developing Improvisor” by Jerry Coker, I highly recommend it. The same author has an article entitled “How to practice improvisation” in his “Complete Method for Improvisation” book (part of this article was included in Jamey Aebersold’s “Jazz Handbook”)
If you have any questions or if you have something to add to this article - please don’t hesitate to do it in comments!
I'm in eigth grade and I have learned control of the lower register and I am trying to learn altissimo notes. I made the all state band and the highest band at my high school.
Only just joined this - looking really for some direction. Have been learning for 1 month so know my notes, practice every day . . . . what should I be ding? What should I be expecting?????
Hi guys I am a intermediate flute player, please give some seggestions for sight reading peices! Thanks!
I'm a bassoon player and composer who would appreciate advice on writing for strings. Please comment some general rules and techniques for string composition. Any help is appreciated. Thanks!
Hey guys! This is a new ensemble I created a few days ago and we have a serious woodwind deficit as of now... we have three total woodwind players, compared to 7 violins and 14 synths.
I've posted this in a few other MuseScore groups in hopes of attracting a bit more attention to it, and it's worked so far! Here's the rest of the original post.
I'm creating an online orchestra dedicated to performing the works of young composers and putting the videos on YouTube. In the process, composers will get feedback from performers, performers will get more experience playing in different settings, and both will form connections that will be extremely useful (hopefully) in the music industry long-term! It's also a great chance for publicity.
Currently, I'm looking for performers, composers, and editors alike willing to help make this happen.
If you want to join, here's a link to a Discord server dedicated to making this happen!
In anticipation of a few questions, here's an FAQ.
How will you coordinate this?
Our current plan is to have one major piece every two months. Pieces will be member-submitted and member-selected. Parts, an MP3 of the piece being performed by synth instruments, and a metronome MP3 will be sent out. Members will have these two months to work up their part(s) and record themselves playing in time with the metronome that was sent. All members will submit their parts to an official email for the orchestra, which will be made at a later date. Editors will then take over and edit the tracks together.
It will then be posted to an official YCOO YouTube channel with credits to the composer and performers in the description.
What instruments can join?
Currently, standard orchestra and wind ensemble instruments. Non-standard instruments may be accepted, but should not expect a part in every major piece. Right now, we especially need woodwinds, specifically on flute/picc, saxophone, clarinet, and bassoon. We'd also love more low strings, like string bass and cello. But we won't turn you away if you already play an instrument we have lots of. The more, the merrier!
What kind of music will be played?
Orchestral music, wind ensemble music, chamber music, solos. We currently plan to only do original music by young composers but may be open to doing covers once the group has been established.
Chamber music and solos? How will that work?
While the major projects will happen every other month, members will be allowed to arrange small ensembles. Chamber ensembles and solos will be entirely member-run: members will choose a piece, form a small ensemble, send out parts on their own, come up with their own deadlines, and edit the audio and video on their own. Only when the product is complete will it be sent up to us admins to publish it on the YouTube channel.
Is there an audition required?
No. However, if you submit a track of low quality, it may not be used. (Low quality can be defined as: badly out of tune, very bad audio quality, not with the metronome, or played with a bunch of mistakes.)
Video? Will we have to submit videos of ourselves?
No. Submitting videos of yourself playing is entirely optional.
Do you have to play in every major piece?
Nope. We won't kick you out for inactivity.
If you have any other questions let me know and I'll do my best to answer! In case you don't want to scroll back up, here's that link again.
Here's a link if you're interested but can't join the Discord so we can still get your information.
Hello, I just wrote my first piece entitled "A Rainy Day" for a sax quartet and I would LOVE any feedback. Please listen to it and help me. It would be greatly appreciated. (Just listen to it on my profile)
I really would love some feed back on these two original compositions. Please let me know if I can do anything to make these better. The pieces arn't really that hard, but if there is something as is odd, please point it out.
Thanks in advance!
here is one of my works
please give me your thoughts.
Welcome to the Saxophone group! Here is some Information for you and links to sax scores and other sax-related groups on MuseScore.
First of all, this particular group (Saxophone) is kind of “basic” saxophone group, containing discussions and articles about saxophone. To read an article - just scroll down after clicking the "discussions" section. You will recognize an article in "discussions" by the [article] prefix in its title.
You are very welcome to make more posts!
Then, here are some links to other saxophone-related groups including sets of valuable saxophone scores:
1) Saxophone ensembles group (quartets,quintets,etc.) -
2) Jazz Standards Lead Sheets -
3) Sax arrangements group - saxophone arrangements of rock/pop music or movies’/games’ soundtracks
4) Sax solo transcriptions -
5) Collection of scores: sax solo or with accompanying instrument - https://musescore.com/groups/saxophone/discuss/5015764
Feel free to create discussions and articles, to add your scores and to comment!
I'm trying to arrange a string quartet cover of Bird Set Free by Sia and I have most of it done. I just need help with some of the parts where, in the song, Sia is just riffing and singing kind of free in the background. Her doing that makes it really dramatic and highlights the climax which is why I want to try and imitate it. But I can't figure out the notes or how to write it (the rhythms, ornamentations, etc.). So if anyone would be interested in helping me out I'd really appreciate it! Just let me know and I'll send you the piece.
Would anyone here be willing to arrange Crazy la Paint by Minimusicman for a saxophone quartet of two altos, a tenor, and a bari? I think it could really sound great and be lots of fun since it kind of has the feel of an energetic reel, but I'm definitely not up to the task yet.
This is Joshua, and I'm a composer and a performer and a new admin for the group Saxophone Ensembles. I just wanna generate some discussion and get some activity for these forums. Alex has done a really great job so far with his helpful information. Now, it's my turn: to do this, I think the best way to start would be a feedback form: post your scores to the group or just post a link in this chat and I'll do my best to give feedback. Arrangements or original compositions, I'd love to look at all of them and give feedback. This is just to raise some awareness for this community and also get activity going. Expect more discussions and whatnot in the near future.
So, if you want any feedback, I'd be happy to give some to your saxophone score. Post to this discussion or just send to me and I'll take a look at it.
What soundfont do you use? I tried many but still not happy. Thanks.
Can we have a thread where people post all of the different things about how to play woodwinds, starting with the basics of how the sound is produced and how the keys work, and going to various techniques such as fluttertonguing and other things? I think it would be a help for composers who want to write for woodwinds but don't play them (such as myself). I know the basics from Orchestration by Samuel Adler, but it would be nice to have them explained from actual wind players.
i am new here.
please can you hear to my music
and tell me your thoughts.
perhaps i can improve it.
So, I just hit the big 300 mark! What should I do? I Was thinking of revamping/ finishing the old old old Phantom of the opera string quartet I had done a million years ago Lol So If you have a suggestion of a piece I should arrange, or an interesting idea for an original, Then feel free to share! Thanks!!!