I reached the 50 followers milestone. Now just to finish my 50 follower special composition. I can't promise when it will be done but right now I'm halfway through it.
Hej alle herinde.
Jeg er ved at skrive noget kormusik, men har følgende problem som jeg håber I kan hjælpe med.
1. Hvordan får jeg skrevet 3/2 ind midt i et stykke? Jeg kan ikke se at der er mulighed for det.
2. Hvordan kan jeg opsætte et nyt stykke så det bliver skrevet som dobbelt-kor?
Håber at høre fra nogen af jer.
If you don't know already, I am now almost at 50 followers. Currently I have 39 followers so just 11 more and I will have reached the 50 follower mark. I had maybe like 4 followers 2 years ago. So clearly, I'm doing something right. My most recent score called The Storm just brought me 2 more followers. I suppose they followed me hoping to someday see the entire suite that I plan on The Storm being a part of. That suite I call Weather Music. Maybe I should compose another part of the suite for that 50 followers mark, upload it when I reach 50 followers, and then whenever I have finished the suite, upload it in its entirety.
If you want to listen to what I have so far of The Storm, here it is:
It just so happens that I have been getting rain for 3 days straight here in Ohio.
Update 1: 6/18/2019
Oh my goodness, 4 followers in a single day. That is a record for me, I am now at 43 followers. I don't know if the follower milestone or finishing the composition will come first. If the follower count does come first, that's fine. I'm not pushing myself to finish the 50 follower composition.
Update 2: 6/19/2019
Wow, 5 followers in 1 day. I don't think I will finish my 50 follower composition before I reach 50 followers. Often my composition process is slow, so don't be surprised if a week has passed and I still haven't finished the composition yet. I will get it done when I get it done. I emphasize quality over quantity with my compositions.
Update 3: 6/24/2019
I'm just 1 away from reaching the 50 followers mark. As for the composition, I'm about halfway through composing it.
Hi, I was wondering, are there any flute players that have Mark Karen’s ‘The Flute Etudes’ book? I’m trying to help out a friend after hearing that the flute etudes used by TMEA are among some of the hardest. I know that most of them that were selected by the author are in public domain, but I don’t know which ones. If you could tell me which etudes are used in the book, that’d be greatly appreciated.
Welcome to the new Vocal Music group. Please starting adding scores so we can listen and have a lot of fun!
Hey Everyone! I totally agree with the mission statement here. But I want to point out that vocal and choral music is different. I've started my own group, Vocal Music, to show off vocal solos rather than the choral music shown here. I'd love for any and everyone to join my group. I don't mean to steal anyone from this group, please stay here and contribute here, but I have a new group for vocal solos rather than choral music.
So after listening to Bach's Cello Suites and his Flute Partita, I figured I would do a similar thing but for bassoon. The fact that I am writing for bassoon is partly why I decided to start with an overture instead of a prelude(French overture if you want to get into the specific type based on speed pattern). That isn't to say that the slow section won't include some fast 16ths but I have been adding long notes as I see fit.
I only have 13 measures so far, so I'm not thinking of uploading the piece yet. But I can only use the singing method for the alto range and low soprano pretty much(my natural soprano has gotten limited and squeaky over the years, and not because I overused my soprano so unlike before where I could easily sing up to a high G in my soprano, I can barely get a high C out) which means that as soon as the notes are in the range of a bass voice or a low tenor, I can't use the singing method to check for slur placement at all and in the soprano range, it isn't going to be all that accurate(Not that I would have the bassoon going into a soprano range all that often anyway).
And I myself do not play bassoon, partly because the instrument, even at beginner quality is like $3000 worth. Whereas my beginner quality flute, I got for less than $100. That is quite the price difference between the cheapest and most expensive woodwind at beginner quality, excluding auxiliaries.
If I did play bassoon at an advanced level, I could just write down the notes that I want without worrying about slurs, play the notes as written, and see where I run out of breath and how I naturally phrase it. The breath and phrasing together would determine where to put the slurs. But because I don't play bassoon, and I don't have a friend who I know is a bassoonist, this method won't work either.
So if my vocal range is limited pretty much to alto and low soprano making the singing method not viable for bassoon and I don't play bassoon, nor know a friend who plays bassoon, how am I supposed to determine where to put the slurs in my Bassoon Suite?
im starting rp for people that wanna know about undertale or love in general all ocs are welcome and just start
pleaz spam discussions
I decided to write a piece with 3 completely random songs to challenge myself. I believe it will help me in the future when I write professionally and need to transition between movements.
Please critique this piece! Or at least some feedback (thoughts, opinions, requests) would be nice.
If you stick around for updates, expect a big run after where Moonlight Sonata left off. It will help to transition back into Hymn of Acxiom.
- The harp part is a sound effect, not an actual part to be played
- All diddled phrases are to be played as normal rolls
- I will update sticking soon
- This piece will eventually come full circle and will end with the ending of the first unoriginal piece
- I changed all the settings so the sheet music would look as close to Sibelius as possible, but they don't go through well online
- I used two soundfonts
- Hymn to Acxiom
- La Marseillaise (French National Anthem, only minor section)
- The second half of Beethoven's Moonlight Sonata mvmt. 3
Hey, folks. Having reached the heady number of 10 members, let's have a contest. Who can post a piece with the best police whistle sound? In case of a tie, the winner will be the one who can have the piece include the most kinds of police sirens and whistle sounds (for instance a bobby's whistle or a traffic cop whistle or one from France) but it must have at least one police whistle sound. Be creative. All right, creative sound effects people, let's see what you got. I almost forgot, you have to also make the soundfont effect (sf2 or sfz) available to the group so they can use it in their own pieces. You can't just make a wav file and post it using youtube. sorry.
I am looking for a Police Whistle sound I need for an old Sci-fi score I want to revise.