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The Best of Laugh Silly Each Month Contest

I'd like to try something fun in my new role as co-administrator of Laugh Silly. Each Month, I will name the best laugh-inducing, silly composition submitted during the month, at least according to me and then post the winners here.
You are also welcome to nominate what you think are the best of the month, also.

August 2016......

Questions about arranging

I am currently arranging some pop music. I have some questions for anyone that would be willing to help an amateur:
1. In pop music, sometimes artists embellish a little with vocals and etc. Is it better to use complex rhythms to come close to what the artist does, insert an simpler rhythm, or change it all together?
2. In giving out the melody parts, I don't really want to give it to the trumpets every time because they always get it, and the flutes are usually really hard to hear? What other options do I have that will actually sound good? I know that just about every instrument can play melody, but I also know that if not executed correctly it could be a disaster.
3. Does anyone have any suggestions for songs that I could do?

musical chairs competition

here is an idea for a new competition
someone will start a composition with maybe 5-10 bars and then another person will continue it for another 5-10 measures, and then the next person and so on until the game will unexpectedly end (the music stops, in other words) and the last one to enter when the music stops (as determined randomly by the one running the competition) wins.
any takers or anyone want to start a piece?

Marching Band + WGI template feedback & arranging process question

I've made a couple templates for marching band over at https://musescore.org/en/node/111531. I was looking for your ideas on them. Specifically:
1. How did your maching band handle percussion parts? Were they written with the wind parts, or were the parts that came with the arrangement usually re-written to suit your specific ensemble?
2. For the "WGI" scores (which could also double as the percussion parts for a marching band that writes them separately), do you agree with my selection of instrumentation? It's clearly nuts to try to believe that there's any "standard" pit, but do I have good starting points for both?

What is your pit writing process?

Over in the discussion for one of my suggested new score templates (at https://musescore.org/en/node/111531), the question of what the usual writing process for pit parts is came up. If you have some perspective, I'd like to read it.
Also, I have two templates WGI that could also be the templates for pit parts if you're in a marching band that usually writes their pit parts separately.

constructive criticism on my string trio please

Ive been playing music myself for a fair while now but never really done much composing so im giving it a go.
I play mainly clarinet, guitar and a little piano so would love to see if some people who are more familiar with strings and musical composition can give me an idea of how this first piece ive tried to write is like.
So yeh any comments would be great

thanks.

https://musescore.com/user/9450766/scores/2091476