I'm trying to arrange a string quartet cover of Bird Set Free by Sia and I have most of it done. I just need help with some of the parts where, in the song, Sia is just riffing and singing kind of free in the background. Her doing that makes it really dramatic and highlights the climax which is why I want to try and imitate it. But I can't figure out the notes or how to write it (the rhythms, ornamentations, etc.). So if anyone would be interested in helping me out I'd really appreciate it! Just let me know and I'll send you the piece.
If you're just stopping by for the first time, welcome! What you're likely to find here is exactly what the group's title is, everything marimba. If you're not a percussionist you're still welcome to stick around, but you may not fit in as well as some of the other people. So if you made it this far into this paragraph I'm sure you'd love being in this group, so go ahead and join us, check out some mallet pieces, and maybe even submit some of your own. :)
Hey, I'm relatively new to composing and I would really appreciate feedback on this piece. Especially on the beginning transition. But other than that please enjoy it.
What soundfont do you use? I tried many but still not happy. Thanks.
Can we have a thread where people post all of the different things about how to play woodwinds, starting with the basics of how the sound is produced and how the keys work, and going to various techniques such as fluttertonguing and other things? I think it would be a help for composers who want to write for woodwinds but don't play them (such as myself). I know the basics from Orchestration by Samuel Adler, but it would be nice to have them explained from actual wind players.
i am new here.
please can you hear to my music
and tell me your thoughts.
perhaps i can improve it.
So, I just hit the big 300 mark! What should I do? I Was thinking of revamping/ finishing the old old old Phantom of the opera string quartet I had done a million years ago Lol So If you have a suggestion of a piece I should arrange, or an interesting idea for an original, Then feel free to share! Thanks!!!
So this coming year is my senior year of high school and I would like to compile all of the major pit moments and sections into one medley, but I have not been able to figure out a good way to do so. If anyone is interested in helping out, please let me know.
Is anyone interested in co-writing a song?
Wassup musescore family. So if you haven't heard already I'll be dropping a 2k17 Rap / R&B Mix consisting of some of the hottest & most popular tunes of the year. It's a priority of mine to entertain my followers & supporters so comment below what songs you'd like to hear in this year's mix! Hurry & reply because it'll be dropping very soon & must be tunes from this year! COMMENT!
Wassup y'all.. This is a just message to all the arrangers/composers in this group no matter what age, race or gender. I just wanted to remind you to keep grinding & improving. There's always going to be room for improvement, no matter how "good" or "bad" you are at what you do. Even though I may not know most of you we all have one thing in common: a love for music. It's amazing how much love we all share for music because music can literally change lives.. it changed mine. Before music I felt like I didn't have a purpose. I'd join clubs and play sports but I never truly felt at home. This was until I joined band my 8th grade year & my life began to change for the better. Since then I knew that music is what I wanted to do for the rest of my life, particularly band. I've grown a lot over the past years playing wise and arranging wise & I'm even drum major now for my high school. But saying all this to say, never give up on your dreams despite all the negative encounters that may come your way. I believe everyone has a purpose in this world & ours is to make the world a better place through MUSIC. Sounds corny but that's just what I truly believe & I'm positive that all of you are gonna be something in the future. Keep up the good work man & always remember that the sky ISN'T the limit, but your mindset is. Stay blessed family.
give me feedback and advice on my arrangements please
I have a song for a percussion chamber ensemble. I plan for it to be played live but need some opinions and advice on it first. Please comment and tell me what you think of the score and read the description to see what it's about. Please enjoy and I'll soon post a Expert-Level Mallet quartet.
Writing for strings can be a difficult process and there are so many variables whenever you delve into writing for string players. This strategy may help with some problems, but not all problems will be fixed automatically.
Use counterpoint to help add to your melodies. Keep in mind that you need to be acquainted with counterpoint and counterpoint isn't always easy. If you need help with counterpoint, I'll give you some advice.
- Whenever you have only one line [melody], use the following intervals: Unison, major/minor seconds, Major/minor thirds, Perfect fourths/fifths (watch out and don't use fifths more than once), Major/minor sixths, Octaves or perfect eights... Notice there aren't any Dissonant or augmented values [you're allowed to write them If you don't want strict counterpoint]!
- If you have two voices and want to make each voice singable, be sure to use the following intervals: Unison, Major/minor thirds, Perfect fifths [watch out for paralles] (fourths make it harder for your singers), Major/minor sixths, and Octaves/perfect eights... Notice there aren't any Dissonant or augmented values [you're allowed to write them If you don't want strict counterpoint]!
That's all you need to know. Start with writing for solo instead of a duet. After you learned a little more about counterpoint from that; Write one (more) solo for viola. Afterwards, write a duet piece for any 2 string instruments; Follow the advice for singable voices.
NOTE: THIS ISN'T ALL THERE IS TO COUNTERPOINT IF YOU WANT TO LEARN MORE, GO TO THIS VIDEO SERIES ON YOUTUBE: https://youtu.be/JcqrGLvs95M?list=PLA660D90FB432BD69. TURN UP YOUR VOLUME CAUSE IT'S A BIT SILENT.