I’m thinking of a lot lol.
I wanna hear yours though!
You know what I’m talking about.
Hey guys there this song I’ve been listening to and I love it and I was wondering if anyone can make it for a string quartet (2 violins, one viola, and one cello) it’s called baba yetu.
Does any one have Glory of Love - Peter Cetera for a string quartet? (Violin x2 Cello Viola) Thanks
Love for those gone ahead...
Any advice? I'd like to know more about my transitions, and maybe how to get a better soundfont for the tremolos. Thanks!
Second movement of The raven suite..
I have auditions coming up and I need a few songs that I can look into to start playing. Sophisticated Lady is the current piece I'm playing, but I'm curious as to what other classic jazz songs feature the bari sax.
I know I haven't been active in this group, but let's change that! We should add like a TON of scores to help boost morale, or ask people to join to keep things fresh! I'd hate to see this group get lost in time...
Hi, I was wondering, are there any flute players that have Mark Karen’s ‘The Flute Etudes’ book? I’m trying to help out a friend after hearing that the flute etudes used by TMEA are among some of the hardest. I know that most of them that were selected by the author are in public domain, but I don’t know which ones. If you could tell me which etudes are used in the book, that’d be greatly appreciated.
So after listening to Bach's Cello Suites and his Flute Partita, I figured I would do a similar thing but for bassoon. The fact that I am writing for bassoon is partly why I decided to start with an overture instead of a prelude(French overture if you want to get into the specific type based on speed pattern). That isn't to say that the slow section won't include some fast 16ths but I have been adding long notes as I see fit.
I only have 13 measures so far, so I'm not thinking of uploading the piece yet. But I can only use the singing method for the alto range and low soprano pretty much(my natural soprano has gotten limited and squeaky over the years, and not because I overused my soprano so unlike before where I could easily sing up to a high G in my soprano, I can barely get a high C out) which means that as soon as the notes are in the range of a bass voice or a low tenor, I can't use the singing method to check for slur placement at all and in the soprano range, it isn't going to be all that accurate(Not that I would have the bassoon going into a soprano range all that often anyway).
And I myself do not play bassoon, partly because the instrument, even at beginner quality is like $3000 worth. Whereas my beginner quality flute, I got for less than $100. That is quite the price difference between the cheapest and most expensive woodwind at beginner quality, excluding auxiliaries.
If I did play bassoon at an advanced level, I could just write down the notes that I want without worrying about slurs, play the notes as written, and see where I run out of breath and how I naturally phrase it. The breath and phrasing together would determine where to put the slurs. But because I don't play bassoon, and I don't have a friend who I know is a bassoonist, this method won't work either.
So if my vocal range is limited pretty much to alto and low soprano making the singing method not viable for bassoon and I don't play bassoon, nor know a friend who plays bassoon, how am I supposed to determine where to put the slurs in my Bassoon Suite?
im starting rp for people that wanna know about undertale or love in general all ocs are welcome and just start