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Saxophone scores and groups

 Welcome to the Saxophone group! Here is some Information for you and links to sax scores and other sax-related groups on MuseScore.  

First of all, this particular group (Saxophone) is kind of “basic” saxophone group, containing discussions and articles about saxophone. To read an article - just scroll down after clicking the "discussions" section. You will recognize an article in "discussions" by the [article] prefix in its title.

You are very welcome to make more posts!  

Then, here are some links to other saxophone-related groups including sets of valuable saxophone scores:  

1) Saxophone ensembles group (quartets,quintets,etc.) - 
https://musescore.com/groups/saxophone-ensembles
2) Jazz Standards Lead Sheets
https://musescore.com/groups/jazz-standards-leadsheets
3) Sax arrangements group - saxophone arrangements of rock/pop music or movies’/games’ soundtracks      
https://musescore.com/groups/sax-arrangements
4) Sax solo transcriptions
https://musescore.com/groups/sax-solo-transcriptions
5) Collection of scores: sax solo or with accompanying instrument - https://musescore.com/groups/saxophone/discuss/5015764

Feel free to create discussions and articles, to add your scores and to comment! 

Help With Arrangement

I'm trying to arrange a string quartet cover of Bird Set Free by Sia and I have most of it done. I just need help with some of the parts where, in the song, Sia is just riffing and singing kind of free in the background. Her doing that makes it really dramatic and highlights the climax which is why I want to try and imitate it. But I can't figure out the notes or how to write it (the rhythms, ornamentations, etc.). So if anyone would be interested in helping me out I'd really appreciate it! Just let me know and I'll send you the piece.

Hey There

If you're just stopping by for the first time, welcome! What you're likely to find here is exactly what the group's title is, everything marimba. If you're not a percussionist you're still welcome to stick around, but you may not fit in as well as some of the other people. So if you made it this far into this paragraph I'm sure you'd love being in this group, so go ahead and join us, check out some mallet pieces, and maybe even submit some of your own. :)

Guaranteed Feedback on Saxophone Scores

Hey, everyone!

This is Joshua, and I'm a composer and a performer and a new admin for the group Saxophone Ensembles. I just wanna generate some discussion and get some activity for these forums. Alex has done a really great job so far with his helpful information. Now, it's my turn: to do this, I think the best way to start would be a feedback form: post your scores to the group or just post a link in this chat and I'll do my best to give feedback. Arrangements or original compositions, I'd love to look at all of them and give feedback. This is just to raise some awareness for this community and also get activity going. Expect more discussions and whatnot in the near future.

So, if you want any feedback, I'd be happy to give some to your saxophone score. Post to this discussion or just send to me and I'll take a look at it.

Collection of scores: sax solo or with accompanying instrument

This is a collection of scores for sax+accompaniment (sax+piano or sax+guitar) or solo scores, mostly of classical style, provided by ORWELL6 ( https://musescore.com/user/139709 ), checked by me. I also added some scores there. Please feel free to post more scores of this type (post in this group for now and paste the link to it in comments).

The idea is: If we get more shit music of this type, we will create a separate group of classical sax scores, which will contain this set as a part of it.

Lower lip position moving?

It is not discussed too often, but in fact each note fingered on the horn has an “optimal” spot (for lower lip) on the reed. It’s worth covering the edge of the reed with your lower lip for lower notes, whilst uncovering the read is done for higher notes - this allows more of the higher overtones to come out. That is accomplished by lower lip forward and backward movement (not up and down, which results in “biting”): less of the lip’s fleshier area and lip rolling away from the edge of the reed for higher tones (let’s say beginning with higher B - above the staff) and more of the fleshier area and rolling in the direction of the edge of the reed in case of lower tones. You can read more about the lip movement and embouchure in Chapter 6 of David Liebman’s “Developing a personal saxophone sound”

What do you think about this suggestions and what is your experience? I am eager to know how the stuff with lower lip works for you.