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Bleach- Treachery, Work in progress

 I've been working on my arrangement of this piece and was wondering what you guys thought of it so far. From what I have gotten from listening to this piece like a quadrilion times, its basically a few measure just repeated over and over. So to try to make it more exciting I've tried to really diversify the left hand. What do you think?
https://musescore.com/user/28269424/scores/5646906

Big Issues

When I'm writing for any ensemble that contains the MDL instruments i always experience a glitch that happens after i stop playing the score. I will usually click the stop button and when it does a huge bang of all of the instruments in MDL being used come at unison and full volume. This will happen a few times and after so many MDL will start glitching and it will make the velocity go all over the place. It makes it sound almost corrupt. I know it isnt corrupt because after restarting the platform everything is fine. Then the sound happens again and it goes haywire and i have to restart the program once again. I've experienced this before but only now has it become extremely prominent. This is my main issue however the problem with shots also bothers me. The unaccented taps are louder than a rim shot. I can get around it by using a ping shot (which is slightly louder but it is still a bit quieter than an accented note) however i still prefer to use a rimshot. Thanks for listening! Hope you can figure out the problem soon.Reply

Reached composers block

So, you know how I have been working on the 50 follower special composition right? Well, I am 2/3 of the way through it and even include a short bit of canon in the composition. But after this canonic moment, I can't seem to make further progress. I know that I want to go back to G major by means of a plagal cadence(which would require me to substitute C major for C#°) and that I want to end the piece with a plagal cadence.

I have been having this composers block for about a week now. I usually embrace it and just move on to composing something else, but this is a 50 follower special composition that I have been working on.

Sie können jetzt die Braut küssen

 
"Unsere Hochzeit fand in der St. John the Evangelist Church von Ford End in Chelmsford statt, und unser Empfang fand auf den Feldern eines Bauern auf dem Weg der Kirche statt. Dies ist das Dorf, in dem Rob gewachsen ist, seit er ein Kind war und seine Eltern noch dort leben. Es ist die Verkörperung eines englischen Dorfes mit seiner roten Telefonzelle vor der Kirche, seinen grünen Feldern, seinen weißen Barrieren und seinem gesunden Gemeinschaftsgeist, den wir lieben. 

 Es bedeutete uns und Robs Familie viel, uns in einer so glücklichen und vertrauten Umgebung zu heiraten, und wir fanden es toll, dass wir nach der Zeremonie eine Prozession bilden und sanft unter der Sonne unseres Empfangs wandeln konnten. "


„Wir hielten unsere traditionellen Gelübde, weil wir beide das Gefühl und die Worte des ursprünglichen Gelübde lieben, aber fragten wir den Priester hinzufügen“ Sie können jetzt die Braut küssen „am Ende (die nicht immer enthalten ist in den traditionellen Diensten), weil ich den Moment liebe 
brautkleid schlicht
, in dem alle Gäste mit einem Lächeln strahlen und sich in fröhlichen Applaus stürzen.