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I need some new song ideas

A friend and I are seniors in high school and we have a band. I play alto saxophone and he plays drum set. We have played at basketball games, in school concerts, and background music at various school events. Our next (and possibly last) performance is going to be at our graduation, so obviously we want it to be our best performance yet. Our problem is we cannot seem to find a good song/songs to play. We are looking for something fast, upbeat, and fun. Somewhere between 3 to 15 minutes would be perfect. Some of the songs we have played before include: Shipping Up To Boston, Megalovania, Blue (Da Ba Dee), 300 Violin Orchestra, Harder Better Faster Stronger, Eye Of The Tiger, ect. Hopefully that gives you a good idea of the type of music we enjoy playing.

Any song suggestions would be very helpful. Also, if you have any other places I could post this question please let me know. Thanks in advance for any suggestions anyone gives.

Flute Sonata in Eb, need some feedback

If you haven't seen it yet, here is the link to my flute sonata:

https://musescore.com/user/50070/scores/5703661

I nicknamed it The Haydn Sonata because I am trying to get across a Haydnesque feel to it. I have noticed these things predominant in each composer of the Classical Period Trifecta:

  • Haydn: Humor, melodic and harmonic surprises
  • Mozart: Alberti bass, effortless grace
  • Beethoven: Sheer power, even when the melody is more lyrical


Haydn is the one who inspired me to write this flute sonata. I wrote the sonata exposition in just an hour and this is the first sonata for a duet that actually has a finished exposition.

There are quite a few surprises in my sonata exposition. Here they are:

Bar 5: Sudden entry of the flute and absence of the piano 
Bar 6: Sudden reentry of the piano 
Bar 10: Short diminuendo, like the theme isn't quite done yet 
Bar 11: Short staccato variant of the theme over a syncopated bass 
Bar 14: Sudden forte cadence, theme is now finished 
Bar 15: Piano dynamic in transition material right after a cadence at forte, sudden absence of the flute 
Bar 21: Forte dynamic when transition material is taken up an octave, flute comes back 
Bar 26: Piano dynamic yet again, descending trill motive 
Bar 41: Very busy texture as the repeat comes closer 
Bar 47: Sudden change in texture, sudden dynamic change as it repeats

I'm wondering, is my sonata exposition Haydnesque in its nature? I tried to get a Haydnesque feel to it by being more humorous than serious with the music. Anything impossible for the flutist? Does it feel like a Molto Allegro to you(tempo is at quarter note = 140 BPM)? Or should I just take the Molto off and just have Allegro as my tempo marking? 

Songs for alto and bari sax

So I have been playing alto for almost two years and I started on the bari sax and I'm pretty good. But all my band music was thrown out for my alto sax(didn't play bari in my band) and I'm looking for songs to play and learn. I want to get better at Bari for the upcoming school year since thats why I'm playing the bari over the summer. Thanks! Hard, easy and in between songs are just fine :)

Finally! [Where are you at in BotW?]

I have finally found the last Korok seed! Making it 900!

I have 900 seeds
120 shrines 
All DLC shrines
All DLCs 
28 heart ccontainers
full stamina vessel 
over 122,000 rupees
All Molduga's defeated
All Hinox's Defeated
All Stone Talus's Defeated
All rare horses 
And All Locations!

Whew! Finally! And the best part?

I get to do it all again in Master Mode lol! 

Where are you at in Breath Of The Wild? :D

Polonaise in Bb, Feedback Wanted

I have been composing a polonaise in Bb for the past few days. The A section of the polonaise is what I have written down. The A section of the A section is what my first few questions are about and is the exclusively diatonic section. The B section of the A section is more chromatic. I am asking these questions because they came up to me after listening to my own polonaise a few times.

1) Is the bass in the A section of the A section(bars 1-8 and 23-30) too dense?

2) In the consequent phrase(bars 5-8), is the bass too close to the melody? Should I bring it down an octave?

3) In the B section of the A section(bars 9-22), am I handling my chromaticism correctly or not?
 
4) Is it too much of me to expect a pianist to play a polonaise rhythm in octaves for the whole B section of the A section?

5) Do I smoothly transition into the inversion(left hand becomes right hand kind of inversion) or not?
 
6) Is my A section too repetitive with 2 periods and a motive sandwiched between the 2 periods and the repeat sign?

7) Is 30 bars enough for the A section of a piece that I expect to be 200 or so bars long, or should I extend my A section further? 

Here is the link to my polonaise score:

https://musescore.com/user/50070/scores/5682039

How else do you think it could be improved? Right now, I'm thinking of what to put in the B section of my polonaise.

Sheet Music Plus

Just to let people know, especially my followers, I have created my very own account of Sheet Music Plus, and many of the songs I have posted here on musescore.com will soon be transferred over to that website. (Some of them already have been, including Hallelujah and Only Time.) Once they have been transferred, they will no longer be available on this website. Just as a warning.

If you REALLY like the songs, go ahead and buy them on Sheet Music Plus:  
https://www.sheetmusicplus.com/publishers/austin-kitchell-sheet-music/3014088?isPLP=1

The Drifting Waltz - for solo piano by Sahir Haider

 Hi Everyone,

Please check out my piece for solo piano called "The Drifting Waltz". Here's a video of me performing it along with the score:  
https://www.youtube.com/watch?v=8JEVArci6uQ

And here's the musescore sheet music link: 
https://musescore.com/user/25828516/scores/5759589/s/0aktCw
You can find a description of the piece in either link.  Would love to know what you guys think about it.

Thanks :)