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Vibrato for Trumpet

in Brass

Hey all!
This one is mainly a question for high brass but if any other could help me that would be great. I'm in 11th grade and I am a 3rd year trumpet. Right now, we are focusing on marching songs, but after Football season, we mainly play concert songs. One of those is a pretty well known trumpet piece called "A Trumpeter's Lullaby". I normally am a second chair but my band director "surprised me" and gave me solo. I've played it before but never solo. Since I am doing the solo, should I use vibrato at the appropriate times? If so, what method should I use? I obviously wouldn't use the wind speed method. So I would either use my hand or move my jaw slightly. Which one should I use? Let me know!
Thanks!
TheBlueTrumpeteer

Songs for alto and bari sax

So I have been playing alto for almost two years and I started on the bari sax and I'm pretty good. But all my band music was thrown out for my alto sax(didn't play bari in my band) and I'm looking for songs to play and learn. I want to get better at Bari for the upcoming school year since thats why I'm playing the bari over the summer. Thanks! Hard, easy and in between songs are just fine :)

Polonaise in Bb, Feedback Wanted

I have been composing a polonaise in Bb for the past few days. The A section of the polonaise is what I have written down. The A section of the A section is what my first few questions are about and is the exclusively diatonic section. The B section of the A section is more chromatic. I am asking these questions because they came up to me after listening to my own polonaise a few times.

1) Is the bass in the A section of the A section(bars 1-8 and 23-30) too dense?

2) In the consequent phrase(bars 5-8), is the bass too close to the melody? Should I bring it down an octave?

3) In the B section of the A section(bars 9-22), am I handling my chromaticism correctly or not?
 
4) Is it too much of me to expect a pianist to play a polonaise rhythm in octaves for the whole B section of the A section?

5) Do I smoothly transition into the inversion(left hand becomes right hand kind of inversion) or not?
 
6) Is my A section too repetitive with 2 periods and a motive sandwiched between the 2 periods and the repeat sign?

7) Is 30 bars enough for the A section of a piece that I expect to be 200 or so bars long, or should I extend my A section further? 

Here is the link to my polonaise score:

https://musescore.com/user/50070/scores/5682039

How else do you think it could be improved? Right now, I'm thinking of what to put in the B section of my polonaise.

Competition!!!

The rules are simple.

Compose a piece of sheet music!
It doesn't have to be original but it does need to have alto sax and optional accompaniment.
There is no "Prize" but you do get to know that your piece was the one that I liked the best. There are no losers.
Submissions go in the comments.
Let the games begin!

Notation be like

So I usually am not in the presence of staff paper, and I absolutely love graph paper for many things, so I created my own system of notation for when I have graph paper but no staff paper. It’s rudimentary and inefficient, but it makes practical sense. It’s not really meant to play off of, it’s more meant to keep track of rhythms and pitches for future use. Currently I’m using this system to transcribe and transport the sax solo from Youngblood Brass Band’s “Brooklyn” into Flat.io without changing tabs or removing instruments. I’m mildly proud of this system; I’ve used it in the past, up to a year ago, but I’ve refined it.