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Reverie (original)

in Piano

I’ve been playing/listening to a lot of Grieg’s lyric pieces recently, and one of my favorites is “Phantom” from opus 62 - I just love the texture and mood of the piece. Last week, I sat down at the piano and the the first lines of a new piece came to mind... so this is an original, coming from the feeling Grieg’s “Phantom” gave me. I hope you enjoy it; feedback always welcomed.

https://musescore.com/user/29824729/scores/5766211

Vibrato for Trumpet

in Brass

Hey all!
This one is mainly a question for high brass but if any other could help me that would be great. I'm in 11th grade and I am a 3rd year trumpet. Right now, we are focusing on marching songs, but after Football season, we mainly play concert songs. One of those is a pretty well known trumpet piece called "A Trumpeter's Lullaby". I normally am a second chair but my band director "surprised me" and gave me solo. I've played it before but never solo. Since I am doing the solo, should I use vibrato at the appropriate times? If so, what method should I use? I obviously wouldn't use the wind speed method. So I would either use my hand or move my jaw slightly. Which one should I use? Let me know!
Thanks!
TheBlueTrumpeteer

Polonaise in Bb, Feedback Wanted

I have been composing a polonaise in Bb for the past few days. The A section of the polonaise is what I have written down. The A section of the A section is what my first few questions are about and is the exclusively diatonic section. The B section of the A section is more chromatic. I am asking these questions because they came up to me after listening to my own polonaise a few times.

1) Is the bass in the A section of the A section(bars 1-8 and 23-30) too dense?

2) In the consequent phrase(bars 5-8), is the bass too close to the melody? Should I bring it down an octave?

3) In the B section of the A section(bars 9-22), am I handling my chromaticism correctly or not?
 
4) Is it too much of me to expect a pianist to play a polonaise rhythm in octaves for the whole B section of the A section?

5) Do I smoothly transition into the inversion(left hand becomes right hand kind of inversion) or not?
 
6) Is my A section too repetitive with 2 periods and a motive sandwiched between the 2 periods and the repeat sign?

7) Is 30 bars enough for the A section of a piece that I expect to be 200 or so bars long, or should I extend my A section further? 

Here is the link to my polonaise score:

https://musescore.com/user/50070/scores/5682039

How else do you think it could be improved? Right now, I'm thinking of what to put in the B section of my polonaise.

Offering scores

I arrange simple but effective numbers for small drum and bugle corps. I haven't been able to figure out how to upload my scores to "give back" for some of the scores I've downloaded to build on. I'd appreciate any advice

Sheet Music Plus

Just to let people know, especially my followers, I have created my very own account of Sheet Music Plus, and many of the songs I have posted here on musescore.com will soon be transferred over to that website. (Some of them already have been, including Hallelujah and Only Time.) Once they have been transferred, they will no longer be available on this website. Just as a warning.

If you REALLY like the songs, go ahead and buy them on Sheet Music Plus:  
https://www.sheetmusicplus.com/publishers/austin-kitchell-sheet-music/3014088?isPLP=1