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Help needed from flutists/flautists(?)

Hi, I was wondering, are there any flute players that have Mark Karen’s ‘The Flute Etudes’ book? I’m trying to help out a friend after hearing that the flute etudes used by TMEA are among some of the hardest. I know that most of them that were selected by the author are in public domain, but I don’t know which ones. If you could tell me which etudes are used in the book, that’d be greatly appreciated.

Can a bassoonist help me here?

So after listening to Bach's Cello Suites and his Flute Partita, I figured I would do a similar thing but for bassoon. The fact that I am writing for bassoon is partly why I decided to start with an overture instead of a prelude(French overture if you want to get into the specific type based on speed pattern). That isn't to say that the slow section won't include some fast 16ths but I have been adding long notes as I see fit.

I only have 13 measures so far, so I'm not thinking of uploading the piece yet. But I can only use the singing method for the alto range and low soprano pretty much(my natural soprano has gotten limited and squeaky over the years, and not because I overused my soprano so unlike before where I could easily sing up to a high G in my soprano, I can barely get a high C out) which means that as soon as the notes are in the range of a bass voice or a low tenor, I can't use the singing method to check for slur placement at all and in the soprano range, it isn't going to be all that accurate(Not that I would have the bassoon going into a soprano range all that often anyway).

And I myself do not play bassoon, partly because the instrument, even at beginner quality is like $3000 worth. Whereas my beginner quality flute, I got for less than $100. That is quite the price difference between the cheapest and most expensive woodwind at beginner quality, excluding auxiliaries.

If I did play bassoon at an advanced level, I could just write down the notes that I want without worrying about slurs, play the notes as written, and see where I run out of breath and how I naturally phrase it. The breath and phrasing together would determine where to put the slurs. But because I don't play bassoon, and I don't have a friend who I know is a bassoonist, this method won't work either.

So if my vocal range is limited pretty much to alto and low soprano making the singing method not viable for bassoon and I don't play bassoon, nor know a friend who plays bassoon, how am I supposed to determine where to put the slurs in my Bassoon Suite?

Check out my new personal project!

 
       I decided to write a piece with 3 completely random songs to challenge myself. I believe it will help me in the future when I write professionally and need to transition between movements. 
Please critique this piece! Or at least some feedback (thoughts, opinions, requests) would be nice. 
If you stick around for updates, expect a big run after where Moonlight Sonata left off. It will help to transition back into Hymn of Acxiom. 
Notes: 
- The harp part is a sound effect, not an actual part to be played 
- All diddled phrases are to be played as normal rolls 
- I will update sticking soon 
- This piece will eventually come full circle and will end with the ending of the first unoriginal piece 
- I changed all the settings so the sheet music would look as close to Sibelius as possible, but they don't go through well online 
- I used two soundfonts 
Pieces Used: 
- Hymn to Acxiom 
- La Marseillaise (French National Anthem, only minor section) 
- The second half of Beethoven's Moonlight Sonata mvmt. 3 
https://musescore.com/user/29037990/scores/5600413 
Please critique! 
Thanks, Pete-Michael