If its not asking too much i would like to have a sound effect for a gock shot on snare drum. If there already is one then someone tell me how to get the drumset sound for it.
I find that it's annoying that no one really plays flute any more. I am a PROUD flute player!
Hey all! I'm going to audition for my local junior orchestra in the fall, and need some advice... here are the requirements:
A solo or piece of your choosing that fully demonstrates your finest playing, such as a piece you are working on in lessons or a piece you performed with your school
A classical concerto for your instrument of your choice
Major scales and arpeggios up to four flats and sharps
Melodic minor scales and arpeggios up to four sharps and flats
I have the last four down, I just need help finding a solo piece. If any of you have any suggestions, i'm in need!
I'm in a Gr. 9 band class and there's only three flutes. we have the main parts a lot and no one can ever hear us. anyone else have this problem.#lettheflutesbeheard
When I'm writing for any ensemble that contains the MDL instruments i always experience a glitch that happens after i stop playing the score. I will usually click the stop button and when it does a huge bang of all of the instruments in MDL being used come at unison and full volume. This will happen a few times and after so many MDL will start glitching and it will make the velocity go all over the place. It makes it sound almost corrupt. I know it isnt corrupt because after restarting the platform everything is fine. Then the sound happens again and it goes haywire and i have to restart the program once again. I've experienced this before but only now has it become extremely prominent. This is my main issue however the problem with shots also bothers me. The unaccented taps are louder than a rim shot. I can get around it by using a ping shot (which is slightly louder but it is still a bit quieter than an accented note) however i still prefer to use a rimshot. Thanks for listening! Hope you can figure out the problem soon.Reply
Hello MuseScore DCI community! I have decided to attempt a transcription of the Blue Devils' 2019 show, "Ghostlight"! As I am rather new to this (compared to the likes of /TheMTCrew or /dillonreese), any and all constructive feedback is welcome!
The score can be found here: https://musescore.com/user/177701/scores/5642986
honestly i feel like the flute doesnt have much RESPECT in the woodwind section
They sound so good and help everyone else!
does anybody have any tips for adjusting to playing flute with braces??
I am looking for some songs from the forties/fifties/love songs to play for a 50th wedding anniversary. A solo or duet would do.
this is the best form of my mary had a little lamb parody (it sounds dumb, but it actually sis one of my better pieces)
Check it out!
This is a pep band arrangement of a mary had a little lamb inspired piece (I promise it isn't as stupid as it sounds)
This is a mary had a little lamb inspired piece for pep band. It is not as dumb as it sounds, trust me
I want to find out which one is the more favored show. There will be four different shows for each corps. In the comments pick your favorite out from each corps.
I'm sorry if i miss some corps ( I know i didn't get them all), tell me other corps that I missed in the comments.
After I get some vote on the shows, I'm going to put out what percent of people voted for each show.
1: 2014- "Tilt"
2: 2016- "Downside up"
3: 2011- "Brave New World"
4: 2010- "Metropolis"
1: 2014- "Felliniesque"
2: 2017- "Metamorph"
3: 2007- "Winged Victory"
4: 1994- "My Spanish Heart"
1: 2013- "E = MC²"
2: 2011- "Rach Star"
3: 2007- "Triple Crown"
4: 2015- "Inferno"
1: 2008- "Spartacus"
2: 2015- "City of Light"
3: 1996- "A Defiant Heart: The Music of Dmitri Shostakovitch"
4: 2005- "Rhapsody"
1: 2016- "Drum Corpse Bride"
2: 2006- "¡danzón! '
3: 2013-"Piano Man"
4: 2007- "The Chase"
1: 2017- "i"
2: 1995- "Legacy"
3: 2006- "Dark Knights"
4: 1993- "The Next Generation"
1: 2011- "Between Angels and Demons"
2: 2000- "We are the Future"
3: 1987- "Appalachian Spring"
4: 1993- "In the Spring, At the Time When Kings Go Off to War"
1: 2016- "Continuum"
2: 2001- "Late Night Jazz"
3: 2003- "Colors"
4: 1996- "The Voices of Jazz"
1: 2011- "New York Morning"
2: 2005- "The Carmen Project"
3: 1990- "Undiscovered Madison"
4: 2003- "GOLD, GREEN AND RED: The Music of Benoit Jutras"
Santa Clara Vanguard:
1: 1989- "Phantom of the Opera"
2: 2016- "Force of Nature"
3: 1999- "Inventions for a New Millennium"
4: 1995- "Not the Nutcracker"
1: 1993- "Selections from Candide"
2: 2003- "Visions of Blue"
3: 2010- "Houdini"
4: 1999- "Ivan the Terrible"
1: 2002- "You Are My Star"
2: 2017- "Wicked Games"
3: 2000- "RED"
4: 2010- "Thy Kingdom Come"
Clarinet 1, 2, and 3 all play as separate sections. The Clarinet 1 section always has all of the try hards on that row. They can never really play together with each other because they are always trying to show that they can play their parts better than all of us sitting behind them. Whenever there is a really technical part (With lots of INK! LOL!) they are the ones who are NEVER afraid to try it, while playing confidently at full volume. Basically these are the only players you can hear out of the entire section for most of the piece. The Clarinet 2 and 3 sections are more unified than the first. We are the players that sit behind and we are the first to be ok with not knowing how to play our part and pulling our clarinets down and letting the firsts handle those difficult parts. The ONLY thing these two rows can do better than first is stay playing together. This is because before even discussing, it is understood that when it comes to the difficult parts we all collectively REST. while they continue. You can never hear us when we are playing by ourselves, and you won't ever hear us playing over the Clarinet 1 row like we are supposed to, because we are always unsure of how our parts are supposed to sound.
So, you know how I have been working on the 50 follower special composition right? Well, I am 2/3 of the way through it and even include a short bit of canon in the composition. But after this canonic moment, I can't seem to make further progress. I know that I want to go back to G major by means of a plagal cadence(which would require me to substitute C major for C#°) and that I want to end the piece with a plagal cadence.
I have been having this composers block for about a week now. I usually embrace it and just move on to composing something else, but this is a 50 follower special composition that I have been working on.