I am finally going to start learning alto sax
I am having a hard time deciding what I should do next, please help me decide.
The choices I have narrowed it down to are:
I Bet My Life-Imagine Dragons
Viva La Vida-Coldplay
The Greatest Show-The Greatest Showman
From Now On-The Greatest Showman
Dragonhearted-Tryhardninja & Captainsparkles
Post your thoughts as to which one I should do.
(Please make it easier for me, if someone has already put the song you want in the thought, just comment on that thought, thank you)
Who has LET IT SNOW for sax quartet
...please I need it...
https://musescore.com/user/31782077/scores/5695001 A chamber piece... almost done...
Wow, this group just went totally idle, so I decided to make discussion #85.
So next time you're in a group and it goes idle for about a week, make a discussion in memory of #85, I guess... (btw, if this actually happens to a group, the discussion number doesn't actually have to be discussion number 85, so don't spam just to get there, lol)
I'm not a string player. Any feedback, especially concerning playability, is welcome and encouraged.
I am currently working on arranging some more Mozart sonatas, since Public Domain scores don't count towards my non-pro score total and unlike Beethoven sonatas that seem to get me overwhelmed, Mozart sonatas never do that. A few people suggested that I shrink the quartet into a trio in my K 545 arrangement to get a more full sound. I didn't though because save for the second movement, where I would have to do some harmonizations, I saw and heard 4 melodic voices, 2 per hand in the sonata.
However, I did find a sonata that Mozart wrote 4 years before his K 545 sonata that I figured would be perfect for a trio arrangement, his Piano Sonata in C minor, another well known sonata of his. I noticed that the first movement tends to be where I get the most arrangement mistakes. A few of the triplet passages, I took up an octave to avoid the cellist having to do double duty. The violinist playing eighth notes over a sustained quarter note is one thing, The cellist having to do triplets while sustaining a whole note is a totally different story and is an impossible task.
Thus, I took some of the triplet passages up an octave. The triplet passages that I took up an octave all involve a cascade from the violin to the viola before the cello becomes the solo instrument for a while. Except for these triplet passages that involve the instrument cascades, I kept everything in the original octave unless it got too low(which was rare) and then of course I would raise it by an octave to keep it in range. I missed a few slurs here and there, I will fix those in the second draft of the first movement arrangement. In the development section, I tended to have the staccato figure in octaves because it was in octaves everywhere else. Even the Coda still had it in octaves, just scattered a bit.
Here is what I have arranged so far of the sonata:
Bars 1-185 are all the bars of the first movement. This is what I want feedback on. Are there any impossible double stops in there? Is there anything I can do about the dynamics to make it sound better? I would love some detailed feedback on what exactly I did wrong so that I can improve the first movement arrangement, and maybe have the entire second movement arranged at the same time(That did happen with K 545, I got feedback on the first movement, I improved the first movement and finished arranging the second movement at the same time).
i play piano