I combined claves and castanets from percussion set and got a pretty good sounding finger snap! Let me know what you guys think.
Does anyone here have a PPL? I was considering getting one...
how was your day?
Is there a way i can find pianists that are intrested on learning my compositions ? what do i have to do in order to finally hear someone else playing my music.. Thanks and let me know what you think.
can someone please help me with the piano sheet music of AAHIQUI 2 PIANO SHEET MUSIC
Chopin polonaise fantasy
Schumann piano concerto
Prokofiev scherzo (op. 10 no. 12)
Bach toccata F sharp minor
Beethoven op. 109
Recently, Musescore.com users have noticed an increase in the number of scores blocked on the website. This is due to the requests of the copyright holders who own and control the rights to these songs. We fully understand your frustration and inconvenience, and we would like to tell you a few words about our attitude towards the situation and what we are doing to fix it.
Back in 2017, when Ultimate Guitar acquired Musescore, it was questionable whether Musescore was going to be allowed to continue its operations. Copyright holders, music trade associations and governments were aggressively working to shut down the website entirely.
However, because Ultimate Guitar had decades of experience in solving such problems and strong working relationships with right holders, it was confident that it could solve this problem. Ultimate Guitar created the concept of licensing tabs and felt that it could also solve the problem of licensing sheet music. Twenty years ago, right holders and governments were able to shut down almost every other guitar tab website, but Ultimate Guitar and its founder were able to accomplish something that was impossible - to make thousands of deals with songwriters and publishers to legalize Ultimate Guitar. Thanks to Ultimate Guitar, the guitar tablature market has become fully digital with every subsequent website following the model created by Ultimate Guitar.
After Ultimate Guitar acquired Musescore, we faced the necessity to once again negotiate license agreements with songwriters and music publishers. For the right holders, the market of scores is even more complex than the market of guitar tabs; there are many players who make money on score sales and are not ready to distribute them in an ad-supported model.
The current sheet music market has a simple model: either sell scores by the piece or grant access by subscription. This is why ad-supported access to scores often causes misunderstanding and rejection from the copyright owners. It’s just too innovative for the current market.
There are quite a lot of right holders and all of them have different attitudes towards the licensing of these rights. In some cases, it causes certain difficulties. Example: at this point, we have no right to publish scores related to certain popular films and some songs by a few major rock stars. There is one main reason for this, songwriters and publishers expect to be fairly paid for their songs, rewarded economically. Musescore must respect their position.
Right now we are actively negotiating with right holders, and we have made great progress. We have already reached agreements with almost 1500 music publishers, including almost all of the major music publishers, and every day we are working on licensing more content.
The biggest obstacle we have faced so far is our goal to keep the content free for download. We tried to find various solutions to this problem, but unfortunately, all options related to the free distribution of content are problematic for the copyright holders and artists. It’s the main reason for scores to get blocked.
This is why from now on the option to download scores in any format is no longer free.
We, as a company, strongly promote and support the open digital world and the free distribution of information. But we also respect the right of the artists for their work and livelihood. Without songwriters and artists, there is no music.
Why do we have to take this step? First of all, it will bring us closer to the model to which the current market is accustomed. At the same time, we will still have very flexible conditions for working with content. For example, the fact that we are the only ones who give access to digital files, which was and still is our most popular "feature".
Among other things, this step will reduce the amount of plagiarism and unfair downloads of your scores on the website.
We will continue to work with the right holders, and try to achieve more favorable license terms and hope that the current state of things will not be final.
This step will allow us to speed up the negotiation process and keep your work safe. We also hope to unblock the scores that have been blocked from the website earlier.
Author's original works and compositions from Public Domain
At the moment, unfortunately, we do not have a trustworthy tool to distinguish songs under copyright from songs available for distribution. It's a big problem we're working on. The value of our product lies in such scores and the authors of this content are very important for us. The current situation promises to be a major boost for development. We made a lot of effort recently to improve the catalog/listing of the website. We will now focus on working with independent authors and users who work with Public Domain music. We will release updates in the near future that will allow to open original scores to everyone.
We ask you to be patient with this process. Most likely we will need a lot of help from the community in order to be able to move forward and contribute to the free distribution of digital music in every way possible.
YouTube is cracking down on bogus Copyright Claims and "Claim Jumpers". This makes my job easier in defending my work. Maybe other sites will learn from this:
If you get a manual claim, that means a copyright owner identified that their copyrighted content has been used without their permission and used the Manual Claiming tool to claim your video. A manual claim is different from an automated Content ID claim, which is generated when a video uploaded to YouTube is scanned against a database of files that have been submitted to us by content owners and the system finds a match between the audio or visual reference files and the video.
The Manual Claiming tool lets select copyright owners who have demonstrated an advanced working knowledge of YouTube’s Content ID matching system to manually make claims on their content in uploaded videos not otherwise made by the Content ID matching system. Copyright owners can’t use manual claiming for any other purpose. Improperly claiming content that they don't own can result in penalties including legal liability and termination of partnership.
It’s important that creators always have detailed knowledge about who is claiming content in their videos, where it appears, and what they can do to resolve the claim. That’s why all new manual claims will require copyright owners to provide timestamps to indicate exactly where their copyrighted content appears in videos they claim, and we’ve updated our editing tools to make it easier to automatically release a claim.
Moving Classics TV have decided to record my piece and interview me!
Anna, who hosts a channel and website called: MOVING CLASSICS TV http://movingclassics.tv/ reached out to me a few months ago, beacuse she really loved my piece, Opus 34, titled ''Longing''.
In their (Moving Classics) own words they ''follow new trends of driving interest in piano music: new and younger audience discovering their music through social media... ''
I am really grateful that contemporary and young composers who often are not heard at all anymore, can get this type of recognition.
I have no segway into this, but, here is the sheet music, including video, audio and interview (to be found in the description) here:
This piece was inspired by a photograph of sculptures in Picasso's Boisgeloup studio. I imagined the sculptures coming to life at night. The piece is for Flute, Oboe, Clarinet, Bassoon and Harp.
If you enjoy listening to my music please leave me a comment to let me know!
I am so grateful to everyone who has left encouraging and helpful comments on my pieces - it makes such a difference to me and inspires me to write more music to share. :)
can someone please help me with the piano sheet music of AAHIQUI 2 LOVE THEME , PIANO SHEET MUSIC
Inspired the game over at MyAnimeList (http://myanimelist.net/forum/?topicid=1518596), let's count upwards and see how far we can go until a count breaker (listed below) comments and makes us start over.
(The title is kept for historical significance. Count breakers were Pro users with 200+ followers in Season 1)
- A player may only post once every 24 hours** or after another player has posted, whichever comes first.
- A post by a count breaker (listed below) restarts the count (that post is 0).
- The count must go up in order (no missing numbers).
- A counter who holds the last post of a run of at least 10 becomes a place holder.
- A counter can only hold one place at a time. If they win a run that is higher than their record on the board, their record is updated; otherwise, the run is ignored and not placed.***
- Top 3 place holders become count breakers next season (this includes staff).
- The season restarts every 12 pages.
- A run is allowed to spill into the next season, up to a maximum of one page. The new count breakers start as soon as the count is broken or when the count reaches the second page, whichever comes first.*
- MuseScore staff (those with the "staff" badge) count as normal, but they can additionally nullify a count breaker's 0 post and turning it into a regular count post by posting immediately after it (i.e. with no post in between). The staff's post should be x+2, where x is the number in the post immediately before the count was broken.****
* Introduced in Season 3
** Introduced in Season 6
*** Introduced in Season 7
**** Introduced in Season 10
As a courtesy, if your post is wrong because someone posted before you, edit your post instead of deleting it.
Current Season: Season 11
Next Season: Page 133
Count breakers for Season 11:
Example (* means a count breaker, ** means staff):
1. A: 1
2. B: 2
3. C: 3
4. D*: 0
5. C: 1
6. E*: 0 :P
7: F**: 3 :P :P
8: A: 4
... and so on.
Records for Season 10 (records start at 10):
All-time record: 630, mike320 (Season 4): https://musescore.com/groups/discussion-group/discuss/2380751?page=49#comment-3297911
Records for Season 1: https://musescore.com/groups/discussion-group/discuss/2380751?page=13#comment-2905856
Records for Season 2: https://musescore.com/groups/discussion-group/discuss/2380751?page=25#comment-3227841
Records for Season 3: https://musescore.com/groups/discussion-group/discuss/2380751?page=37#comment-3290251
Records for Season 4: https://musescore.com/groups/discussion-group/discuss/2380751?page=50#comment-3297916
Records for Season 5: https://musescore.com/groups/discussion-group/discuss/2380751?page=61#comment-4241411
Records for Season 6: https://musescore.com/groups/discussion-group/discuss/2380751?page=74#comment-4877543
Records for Season 7: https://musescore.com/groups/discussion-group/discuss/2380751?page=85#comment-4925782
Records for Season 8: https://musescore.com/groups/discussion-group/discuss/2380751?page=97#comment-4948484
Records for Season 9: https://musescore.com/groups/discussion-group/discuss/2380751?page=109#comment-4980393
Records for Season 10: https://musescore.com/groups/discussion-group/discuss/2380751?page=121#comment-5097112
I'll start: 1
Does anyone around here still play Minecraft?
I would like to know your favorite game
I was wondering what the most common saxophone variant is, whether is be soprano, alto, tenor, or baritone. Can you tell me your type.
I am having trouble thinking of song ideas to compose, I am trying to create a remix kind of like the kinds I play in marching band, Ideas would be really helpful!!!!
I can't decide if I should switch to Baritone or Tenor Sax, or if I should stay an Alto Sax. Can you help me decide