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Also If you have any ideas on what could make this group more interesting let me know.

Hope y'all are having a great day!
Please check out my new piece for solo piano ( Rondo Comique):

 
https://musescore.com/user/30906161/scores/5731389

FEEDBACK IS MORE THAN WELCOME AND MUCH APPRECIATED!

https://musescore.com/user/13492261/scores/3087976

Hey all!
This one is mainly a question for high brass but if any other could help me that would be great. I'm in 11th grade and I am a 3rd year trumpet. Right now, we are focusing on marching songs, but after Football season, we mainly play concert songs. One of those is a pretty well known trumpet piece called "A Trumpeter's Lullaby". I normally am a second chair but my band director "surprised me" and gave me solo. I've played it before but never solo. Since I am doing the solo, should I use vibrato at the appropriate times? If so, what method should I use? I obviously wouldn't use the wind speed method. So I would either use my hand or move my jaw slightly. Which one should I use? Let me know!
Thanks!
TheBlueTrumpeteer

https://musescore.com/user/31124069/scores/5798844

https://musescore.com/user/6595486/scores/5772600
I just finished another piece for guitar solo, and found this instruments able to play rather complex structure when its strings are arranged manually. I cannot play this instrument, what I did is just to keep the position of the left hand in a small range. Is this right?
Also, I still have some questions about the string arrangement on a very fast part. For example, in bars 152-170 in this piece, is  using different strings alternately helpful/necessary to maintain the speed?

noticed that i couldn't find a 100% correct or close to it transcription of megalovania of careless whisper for alto sax.
made one of each.

Careless Whisper:
 https://musescore.com/user/29770260/scores/5725315
Megalovania:
 https://musescore.com/user/29770260/scores/5726705
They're both also in the group sheet music

Hi guys I just started playing alto sax about 2 months ago and could anyone post any easy sax music, thx😀

i don't know

I really want to play Netflix trip for my school talent show. but there is no marching band or concert band version of it. i f someone could help me find one or compose one for me plz. It would be greatly appreciated.

Hi, I recently completed two movementa of a classical suite that I am currently composing for the String Orchestra. I intend to play it in my  school's String Ensemble in the future. Any feedback and thoughts are  deeply appreciated. Thank you!

https://musescore.com/user/32160457/scores/5791393

https://musescore.com/user/32160457/scores/5791397

https://musescore.com/user/30631690/scores/5787953

https://musescore.com/user/30631690/scores/5557329

https://musescore.com/user/28097553/scores/5784579

musescore.com/user/28097553/scores/5784579

i've been meaning to ask this for a while, but what is patrick doing in the group icon?

If you listen to this score it will be stuck in your head for the rest of the week 
 
https://musescore.com/user/32767089/scores/5720115

and probably fill you w/ memories from your childhood 

I am arranging Beethoven's Moonlight Sonata for a string quartet. I might add a double bass if I think it is necessary, but so far, no issues with it being a quartet, at least not in the first and second movements. Now I'm arranging the Presto Agitato and as if it wasn't hard enough with the need to smoothly transition from the viola to the violin in those sixteenths, if I keep the interval relationship, the notes are going to be too high. I could get away with this octave displacement in the previous 2 movements(With the first movement, I basically did this octave displacement for the entire bass line to fit it into the cello), but now, the octaves the sixteenths are in are crucial to getting the right sound out of the Presto Agitato.

There are 2 things I can think of as to how to get the Presto Agitato to sound right, one of which keeps the instrumentation, and another of which keeps the original octaves.

Option 1: Add Double Bass

This would keep the original octaves, and I could have it play the bass line and have the sixteenths start in the cello and rise upwards to the viola and second violin.

Option 2: Move bass line to Viola for first measure of each arpeggio run

This would keep the instrumentation I have going of a string quartet and for everything except the bass line, the original octaves would be kept as well.

Which one of these 2 options do you think would be better? Any other suggestions?

NOTE: I'm only asking about the arpeggio runs, the scales and Alberti bass are easier to arrange.

I'd like to play it with my sister, we are both Grade 8 ABRSM. I've trained making it myself but it's not good at all :(

I know I do.