I miss Ukulele as Instrument !
Hy guys, I play Alto Sax and I'm 14. I play it since I was 10 but I don't feel any improve in technique since 1 year ago. I was wondering how I improve. Thanks for who answers me!
I am having a hard time deciding what I should do next, please help me decide.
The choices I have narrowed it down to are:
I Bet My Life-Imagine Dragons
Viva La Vida-Coldplay
The Greatest Show-The Greatest Showman
From Now On-The Greatest Showman
Dragonhearted-Tryhardninja & Captainsparkles
Post your thoughts as to which one I should do.
(Please make it easier for me, if someone has already put the song you want in the thought, just comment on that thought, thank you)
I'm planning on auditioning for a fine arts high-school for 10th grade, and I wondering what you guys recommend for audition pieces. I need two pieces, one contemporary and one classical.
I would say I am mid-to-late intermediate, and am in Suzuki book 3 currently.
I need two solo pieces, without an accompaniment.
Thanks in advance,
Vina (literal mochi)
Clarinet 1, 2, and 3 all play as separate sections. The Clarinet 1 section always has all of the try hards on that row. They can never really play together with each other because they are always trying to show that they can play their parts better than all of us sitting behind them. Whenever there is a really technical part (With lots of INK! LOL!) they are the ones who are NEVER afraid to try it, while playing confidently at full volume. Basically these are the only players you can hear out of the entire section for most of the piece. The Clarinet 2 and 3 sections are more unified than the first. We are the players that sit behind and we are the first to be ok with not knowing how to play our part and pulling our clarinets down and letting the firsts handle those difficult parts. The ONLY thing these two rows can do better than first is stay playing together. This is because before even discussing, it is understood that when it comes to the difficult parts we all collectively REST. while they continue. You can never hear us when we are playing by ourselves, and you won't ever hear us playing over the Clarinet 1 row like we are supposed to, because we are always unsure of how our parts are supposed to sound.
This is where I will tell all of you the challenges and the due dates.
This is where you will be posted when you win the challenge!
A long time ago, there were peace between the woodwinds and the brass. No one disturbed one another, no one interacted with the other. It was until a clarinet got rich and married a trumpet. This was how the saxophones were created, - those disgusting brass clarinets, who once were part of us, but now are part of our past.
Hello, i just finished my small composition for string quintet (with pizz double bass). The first part is based on an theme by Jehan Alain (on organ, taken by ear) who was a composer and organist. He died in WWII. He is one of my favourite composers. The second par is in post romantic style. The name "la lettre" refers to a secret handwritten letter that could appear in an imaginary movie :
Thanks for listening and commenting.
Here is a small composition for two cellos. It is quite fun and I like it well.
Tell me what you think about it !
Please check this out if haven't already!
To print (due to musescore weirdness)
it can be played by soprano sax too!
This is the first of them , more no the way!
I'm starting a new set of oboe studies !
I will make them in a way that they will be playadle by violin.
the first one is a humorus miniature , give it a listen.