hi does anyone know of any medium level music
If you're a fan of the popular Hip-Hop Broadway musical Hamilton, then join this discussion! Share anything you want about it.
I recently finished writing a chamber piece for flute, oboe, and harp. I'm hoping to enter it in a competition this fall, so any feedback would be greatly appreciated!
Any of my kind present?
honestly i feel like the flute doesnt have much RESPECT in the woodwind section
Does anyone here have a PPL? I was considering getting one...
I play Bb clarinet what would be the next step up for a Clarinetist?
A bit impossible
Unless you're insane
They sound so good and help everyone else!
how was your day?
this is the best form of my mary had a little lamb parody (it sounds dumb, but it actually sis one of my better pieces)
Check it out!
Clarinet 1, 2, and 3 all play as separate sections. The Clarinet 1 section always has all of the try hards on that row. They can never really play together with each other because they are always trying to show that they can play their parts better than all of us sitting behind them. Whenever there is a really technical part (With lots of INK! LOL!) they are the ones who are NEVER afraid to try it, while playing confidently at full volume. Basically these are the only players you can hear out of the entire section for most of the piece. The Clarinet 2 and 3 sections are more unified than the first. We are the players that sit behind and we are the first to be ok with not knowing how to play our part and pulling our clarinets down and letting the firsts handle those difficult parts. The ONLY thing these two rows can do better than first is stay playing together. This is because before even discussing, it is understood that when it comes to the difficult parts we all collectively REST. while they continue. You can never hear us when we are playing by ourselves, and you won't ever hear us playing over the Clarinet 1 row like we are supposed to, because we are always unsure of how our parts are supposed to sound.
So, you know how I have been working on the 50 follower special composition right? Well, I am 2/3 of the way through it and even include a short bit of canon in the composition. But after this canonic moment, I can't seem to make further progress. I know that I want to go back to G major by means of a plagal cadence(which would require me to substitute C major for C#°) and that I want to end the piece with a plagal cadence.
I have been having this composers block for about a week now. I usually embrace it and just move on to composing something else, but this is a 50 follower special composition that I have been working on.
Hello! I am a new horn player switching from alto sax does anyone have any advice?