Hey! I just joined this group because I hoped I could find people who loved mallet percussion as much as I do. I just added six of my pieces I've made to the group and hoped I could get some feedback on them. Thank you and I hope to be able to help future composers and mallet percussionists! :D
Hi guys I am a intermediate flute player, please give some seggestions for sight reading peices! Thanks!
I'm a bassoon player and composer who would appreciate advice on writing for strings. Please comment some general rules and techniques for string composition. Any help is appreciated. Thanks!
Hey guys! This is a new ensemble I created a few days ago and we have a serious woodwind deficit as of now... we have three total woodwind players, compared to 7 violins and 14 synths.
I've posted this in a few other MuseScore groups in hopes of attracting a bit more attention to it, and it's worked so far! Here's the rest of the original post.
I'm creating an online orchestra dedicated to performing the works of young composers and putting the videos on YouTube. In the process, composers will get feedback from performers, performers will get more experience playing in different settings, and both will form connections that will be extremely useful (hopefully) in the music industry long-term! It's also a great chance for publicity.
Currently, I'm looking for performers, composers, and editors alike willing to help make this happen.
If you want to join, here's a link to a Discord server dedicated to making this happen!
In anticipation of a few questions, here's an FAQ.
How will you coordinate this?
Our current plan is to have one major piece every two months. Pieces will be member-submitted and member-selected. Parts, an MP3 of the piece being performed by synth instruments, and a metronome MP3 will be sent out. Members will have these two months to work up their part(s) and record themselves playing in time with the metronome that was sent. All members will submit their parts to an official email for the orchestra, which will be made at a later date. Editors will then take over and edit the tracks together.
It will then be posted to an official YCOO YouTube channel with credits to the composer and performers in the description.
What instruments can join?
Currently, standard orchestra and wind ensemble instruments. Non-standard instruments may be accepted, but should not expect a part in every major piece. Right now, we especially need woodwinds, specifically on flute/picc, saxophone, clarinet, and bassoon. We'd also love more low strings, like string bass and cello. But we won't turn you away if you already play an instrument we have lots of. The more, the merrier!
What kind of music will be played?
Orchestral music, wind ensemble music, chamber music, solos. We currently plan to only do original music by young composers but may be open to doing covers once the group has been established.
Chamber music and solos? How will that work?
While the major projects will happen every other month, members will be allowed to arrange small ensembles. Chamber ensembles and solos will be entirely member-run: members will choose a piece, form a small ensemble, send out parts on their own, come up with their own deadlines, and edit the audio and video on their own. Only when the product is complete will it be sent up to us admins to publish it on the YouTube channel.
Is there an audition required?
No. However, if you submit a track of low quality, it may not be used. (Low quality can be defined as: badly out of tune, very bad audio quality, not with the metronome, or played with a bunch of mistakes.)
Video? Will we have to submit videos of ourselves?
No. Submitting videos of yourself playing is entirely optional.
Do you have to play in every major piece?
Nope. We won't kick you out for inactivity.
If you have any other questions let me know and I'll do my best to answer! In case you don't want to scroll back up, here's that link again.
Here's a link if you're interested but can't join the Discord so we can still get your information.
I really would love some feed back on these two original compositions. Please let me know if I can do anything to make these better. The pieces arn't really that hard, but if there is something as is odd, please point it out.
Thanks in advance!
here is one of my works
please give me your thoughts.
I'm trying to arrange a string quartet cover of Bird Set Free by Sia and I have most of it done. I just need help with some of the parts where, in the song, Sia is just riffing and singing kind of free in the background. Her doing that makes it really dramatic and highlights the climax which is why I want to try and imitate it. But I can't figure out the notes or how to write it (the rhythms, ornamentations, etc.). So if anyone would be interested in helping me out I'd really appreciate it! Just let me know and I'll send you the piece.
Artie Shaw - Begin The Beguine https://musescore.com/user/15949686/scores/4838425
Artie Shaw - Moonglow https://musescore.com/user/28533401/scores/5157250
Benny Goodman - Bugle Call Rag https://musescore.com/user/27675080/scores/5013328
Benny Goodman - Don't Be That Way https://musescore.com/user/28203240/scores/5040076
Benny Goodman - King Porter Stomp https://musescore.com/user/15949686/scores/4888735
Benny Goodman - Let's Dance https://musescore.com/user/28203240/scores/5056650
Benny Goodman - Sing Sing Sing https://musescore.com/firefly_1026/scores/4488746
Benny Goodman - Stompin' At The Savoy https://musescore.com/user/27675080/scores/4978025
Bob Crosby - March of The Bobcats https://musescore.com/user/30820781/scores/5384690
Bob Crosby - Muskrat Ramble https://musescore.com/user/30998215/scores/5652370
Charlie Barnet - Cherokee https://musescore.com/user/28533401/scores/5375044
Charlie Barnet - Skyliner https://musescore.com/user/28533401/scores/5152338
Count Basie - 920 Special https://musescore.com/user/30998215/scores/5429209
Count Basie - One O'Clock Jump https://musescore.com/user/27675080/scores/5015851
Count Basie - Swinging The Blues https://musescore.com/user/30820781/scores/5402187
Count Basie - Topsy https://musescore.com/user/30998215/scores/5469141
Duke Ellington - Cotton Tail https://musescore.com/user/30998215/scores/5625439
Duke Ellington - Don't Get Around Much Anymore https://musescore.com/user/28203240/scores/5036429
Duke Ellington - Perdido https://musescore.com/user/32889124/scores/5685436
Duke Ellington - Take The A Train https://musescore.com/firefly_1026/scores/4798345
Fletcher Henderson - Christopher Columbus https://musescore.com/user/30998215/scores/5403489
Glenn Miller - A String Of Pearls https://musescore.com/firefly_1026/scores/4069741
Glenn Miller - American Patrol https://musescore.com/firefly_1026/scores/4827801
Glenn Miller - Chattanooga Choo Choo https://musescore.com/user/27675080/scores/4990560
Glenn Miller - In The Mood https://musescore.com/user/15949686/scores/4834474
Glenn Miller - Little Brown Jug https://musescore.com/user/28203240/scores/5018623
Glenn Miller - Moonlight Serenade https://musescore.com/user/27675080/scores/4908130
Glenn Miller - Song Of The Volga Boatmen https://musescore.com/user/15949686/scores/4835592
Glenn Miller - Tuxedo Junction https://musescore.com/user/28533401/scores/5066591
Harry James - Ciribiribin https://musescore.com/user/30820781/scores/5389157
Harry James - You Made Me Love You https://musescore.com/user/30820781/scores/5380116
Tommy Dorsey - I'm Getting Sentimental Over You https://musescore.com/user/28533401/scores/5164668
Tommy Dorsey - Opus One https://musescore.com/user/30820781/scores/5383955
Tommy Dorsey - On The Sunny Side Of The Street https://musescore.com/user/15949686/scores/4882152
Tommy Dorsey - Song Of India https://musescore.com/user/28203240/scores/5055557
I'm new to musescore. I'd like to add wire brush sounds to my jazz pieces. I don't see them in the drumset. Am I missing something? Thank you.
Hey, I'm relatively new to composing and I would really appreciate feedback on this piece. Especially on the beginning transition. But other than that please enjoy it.
What soundfont do you use? I tried many but still not happy. Thanks.
Can we have a thread where people post all of the different things about how to play woodwinds, starting with the basics of how the sound is produced and how the keys work, and going to various techniques such as fluttertonguing and other things? I think it would be a help for composers who want to write for woodwinds but don't play them (such as myself). I know the basics from Orchestration by Samuel Adler, but it would be nice to have them explained from actual wind players.
i am new here.
please can you hear to my music
and tell me your thoughts.
perhaps i can improve it.
So, I just hit the big 300 mark! What should I do? I Was thinking of revamping/ finishing the old old old Phantom of the opera string quartet I had done a million years ago Lol So If you have a suggestion of a piece I should arrange, or an interesting idea for an original, Then feel free to share! Thanks!!!
Is anyone interested in co-writing a song?
i recently made an arrangement from ravels piano trio for a percussion show and i need some feedback, advice, and suggestions on how to make it sound better. please listen and leave a like if you loved and and add comments on what you would do. Much appreciated:)
I have a song for a percussion chamber ensemble. I plan for it to be played live but need some opinions and advice on it first. Please comment and tell me what you think of the score and read the description to see what it's about. Please enjoy and I'll soon post a Expert-Level Mallet quartet.
Writing for strings can be a difficult process and there are so many variables whenever you delve into writing for string players. This strategy may help with some problems, but not all problems will be fixed automatically.
Use counterpoint to help add to your melodies. Keep in mind that you need to be acquainted with counterpoint and counterpoint isn't always easy. If you need help with counterpoint, I'll give you some advice.
- Whenever you have only one line [melody], use the following intervals: Unison, major/minor seconds, Major/minor thirds, Perfect fourths/fifths (watch out and don't use fifths more than once), Major/minor sixths, Octaves or perfect eights... Notice there aren't any Dissonant or augmented values [you're allowed to write them If you don't want strict counterpoint]!
- If you have two voices and want to make each voice singable, be sure to use the following intervals: Unison, Major/minor thirds, Perfect fifths [watch out for paralles] (fourths make it harder for your singers), Major/minor sixths, and Octaves/perfect eights... Notice there aren't any Dissonant or augmented values [you're allowed to write them If you don't want strict counterpoint]!
That's all you need to know. Start with writing for solo instead of a duet. After you learned a little more about counterpoint from that; Write one (more) solo for viola. Afterwards, write a duet piece for any 2 string instruments; Follow the advice for singable voices.
NOTE: THIS ISN'T ALL THERE IS TO COUNTERPOINT IF YOU WANT TO LEARN MORE, GO TO THIS VIDEO SERIES ON YOUTUBE: https://youtu.be/JcqrGLvs95M?list=PLA660D90FB432BD69. TURN UP YOUR VOLUME CAUSE IT'S A BIT SILENT.