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Rag Tales album

My new album "Rag Tales" is out now. You can find it on Spotify, ITunes, Apple Music, and Google Play among others. I got started right here on Musescore when I was invited to the ragtime players group. Please check it out. I think you will enjoy it. Thank you friends. Just search for " CJ Brandt" or "Rag Tales". Thanks again

Rag Tales album

My new album "Rag Tales" is out now. You can find it on Spotify, ITunes, Apple Music, and Google Play among others. I got started right here on Musescore when I was invited to the ragtime players group. Please check it out. I think you will enjoy it. Thank you friends. Just search for " CJ Brandt" or "Rag Tales". Thanks again

Sixth edition of Sorodha Composition Competition belongs to MARIMBA

Composers!

Sixth edition of Sorodha Composition Competition belongs to MARIMBA. I will be honoured to perform five selected compositions at public concert 29th April in Antwerp, Belgium.

Apply now! The submission deadline is Friday 10th of March 2017!
More info www.sorodha.be

Good luck!

Ewelina Hajda
facebook.com/marimbalady
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Compositeurs !

La sixième édition de la compétition de composition sorodha appartient à marimba. Je serai honoré de réaliser cinq compositions sélectionnées au concert public le 29 avril à Anvers, Belgique.

S'appliquer maintenant ! La date limite de soumission est le vendredi 10 mars 2017 !
Plus d'informations www.sorodha.be

Bonne chance !

Ewelina Hajda
facebook.com/marimbalady
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Source : Facebook!

Followers

We (Joseph and Hannah) have decided that every time we double in the number of followers (so right now we're at 5, so it'll be 10, 20, 40, 80, maybe throw in something for 100, 160, etc.) we will alternate posting an original composition to thank you! (It may or may not be very good. We're certainly not experts ;)

The Best of Laugh Silly Each Month Contest

I'd like to try something fun in my new role as co-administrator of Laugh Silly. Each Month, I will name the best laugh-inducing, silly composition submitted during the month, at least according to me and then post the winners here.
You are also welcome to nominate what you think are the best of the month, also.

August 2016......

musescore college

wouldnt it be nice if musescore had a group devoted to educating members on music theory, arranging, orchestration...
yeah, I know that some high school classes use musescore for teaching music but that isnt exactly what I mean here. I mean a place totally here at musescore where members could make intelligent critical educated helpful comments about music.
there are certainly members who are very well educated in music who could help members out with their music, exchange helpful comments, a place where people could actually learn about music rather than the hit or miss experimentation alot of us do. I know I am just talking into the wind, but still, sigh.....oh well.....

Birthdays

note some important birthdays coming up. Send some flowers or candy.

June is a big birthday month!
June 6 Aram Khachaturian
June 8 Robert Schumann
June 9 Cole Porter, James Newton Howard
June 12 Richard Strauss
June 15 Edvard Grieg
June 17 Igor Stravinsky
june 18 Richard Rodgers
June 20 Jacques Offenbach
June 21 Lalo Schifrin
June 29 Bernard Hermann

WGI/Marching Band percussion template feedback

in Drums!

I've made a couple templates for marching band over at https://musescore.org/en/node/111531. I was looking for your ideas on them. Specifically:
1. How did your maching band handle percussion parts? Were they written with the wind parts, or were the parts that came with the arrangement usually re-written to suit your specific ensemble?
2. For the "WGI" scores (which could also double as the percussion parts for a marching band that writes them separately), do you agree with my selection of instrumentation? It's clearly nuts to try to believe that there's any "standard" pit, but do I have good starting points for both?
Thanks!

WGI/Marching Band percussion MuseScore template feedback

I've made a couple templates for marching band over at https://musescore.org/en/node/111531. I was looking for your ideas on them. Specifically:
1. How did your maching band handle percussion parts? Were they written with the wind parts, or were the parts that came with the arrangement usually re-written to suit your specific ensemble?
2. For the "WGI" scores (which could also double as the percussion parts for a marching band that writes them separately), do you agree with my selection of instrumentation? It's clearly nuts to try to believe that there's any "standard" pit, but do I have good starting points for both?
Thanks!

What is your pit writing process?

Over in the discussion for one of my suggested new score templates (at https://musescore.org/en/node/111531), the question of what the usual writing process for pit parts is came up. If you have some perspective, I'd like to read it.
Also, I have two templates WGI that could also be the templates for pit parts if you're in a marching band that usually writes their pit parts separately.

constructive criticism on my string trio please

Ive been playing music myself for a fair while now but never really done much composing so im giving it a go.
I play mainly clarinet, guitar and a little piano so would love to see if some people who are more familiar with strings and musical composition can give me an idea of how this first piece ive tried to write is like.
So yeh any comments would be great

thanks.

https://musescore.com/user/9450766/scores/2091476