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despising Musecore 3

There are days when I absolutely hate Musescore 3. Sure, it is nice that things get automatically spaced in the score so nothing overlaps, so wow gee wiz, uh, isn't that just how it should be? What I hate is that they seem to have gone out of their way to make things more difficult compared with Musescore 2. They seem to have randomly changed things that didn't need changing just to make it frustrating for the use. It used to be easy to change the volume of a single note or chord in a score. But now, once I finally figure out how to do it, Musescore manages to hide it from me so then I have to start all over trying to find out how to do it again. Why!!!? It used to be easy to see the note in inspector and then modify the volume, but now, where the blazing biscuits is it?? And why is it impossible to find in the manual? Ultimately, there is no advantage to Musescore 3 other than the spacing thing. So, I should do everything in Musescore 2 and then when it is ready to be put online, open it with Musescore 3. Just be sure to give it a different name because once you open it in Musescore 3, they won't let you go back to Musescore 2. Oh, no. Why would they make it **&&**& easy?!!!!! And I paid good money for this kind of frustration????????!

interested in new soundfonts and soundeffects in your music ?

Consider joining https://musescore.com/groups/fun-silly-amusing-crazy-outrageous-hilarious-soundfonts-and-sound-effects
It's FREE
This has been a paid political announcement.
Not really.
I mean, yes join
But no, it has nothing to do with politics
Seriously.
I don't receive any compensation for this announcement
Except the warm glow of having you join our group.
Thanks

Banana contest 1

Write a song about a lonely tarantula that lives in a banana bunch.
The grand price is a vierual bunch of ripe bananas. Now, for a limited time, as a added amazing bonus, a free virtual tarantula. No, I'm lying. Must be the toxin from the tarantula bite that's affecting me. Dizzy dizzy it's all going dark.

Musecorps Drum Corps Recording #1

Link to the Full Score: https://musescore.com/themtcrew/scores/5217400

Hello! Mark and I have finalized the brass parts for the ballad of our original show, 2 + 2 = 5. The ballad we've chosen is The Hymn of Acxiom by Vienna Teng, as we believe it fits the theme of the show - George Orwell's "1984" - perfectly.

If you are unfamiliar with the project, here is a quick summary:
Mark and I plan to have as many of you submit recordings of yourselves playing through the show as we can. We will then compile the recordings into one large file, and place it over virtual drill that Mark is writing, to create a virtual drum corps of sorts. If you'd like to record, here's all the info you'll need!

1.) Parts
You can play through as many parts as you'd like. In fact, we would much appreciate it if you did! (For example, if you play the trumpet, it will be better for the end result if you record and submit all three trumpet parts, rather than just doing one) Of course, you don't have to do this! Mark and I will be listening through each recording of the trumpet soloist's part, and picking the one we think would best benefit the overall recording.
2.) Recordings
We would prefer if you submit one large (3-ish minute) recording, but if you find it difficult to play through the part(s) in one sitting, please refer to the recording guide below!
Here is the link to all the parts: https://drive.google.com/drive/folders/1CTplR1RBHZX2YCJZ80M35VF20sjaPI9u?usp=sharing
3.) Recording Guide
Recording One: Beginning to Letter D
Recording Two: Letter D to Letter F (Trumpets, include two measure pick-up)
Recording Three: Letter F to Letter I
Recording Four: Letter I to the end

Again, we'd much prefer your recording be from the beginning to the end, to simplify our own work, but we decided to include this in case some need the breaks in between. Trumpets obviously don't need a recording one/four, as they don't play at these points. Please play the part at the exact tempo that's listed. This can easily be done by playing along with the recording (preferably while wearing a headset!).
4.) Submitting
If you have recorded the entirety of the ballad at once, submit an MP3/MP4 file with this name as the format:
Username_PartName_Full
If you used the segmented guide above, use this format:
Username_PartName_RecordingNumber

ex. TheMTCrew_Trombone1_Rec1
OR
markmacri_Mellophone1_Full

Send submissions to themtcrewparts@gmail.com.

If you have any questions, ask them below! Thanks everyone!

*DISCLAIMER* Absolutely no profit is being made off of this project in ANY way. All rights to the music used go to their respective owners. 

Melody Notes

in Banjo

Hey guys! Any idea how to highlight the melody notes for banjo tab? Not necessarily for playback purposes, but for a visual for students. I've selected certain notes and turned the color of the melody notes "red", but circling the notes or "bolding" the notes may be a better choice if only able to print in black. 

Sleepytime for Phoebe

Scoring feedback/advice requested.
My first attempt at notating for guitar, therefore any constructive advice and feedback on this score from those who know a thing or two about the notation conventions for classical guitar would be great.   (My formal musical education comes from a wind-playing background, whereas all my guitar is self-taught).  Thanks daveneal already for demonstrating the guitar sim on this chart.   https://musescore.com/user/28956788/scores/5664629

A review of page rules.

This page was created for guitar players and any music related for the guitar. Style and genre is not important as long as the music posted is guitar related. However, scores that do include the guitar MUST actually be playable on the guitar or the score will be removed. No offense is intended toward anyone who uses the guitar for composition and tonal purposes only BUT the Everything Guitar page is intended for Guitarist and Guitar Composers who are interested in researching ,sharing, and discovering guitar oriented music that is actually playable on the guitar itself.  If these guidelines are not met the piece will be removed. These rules do NOT apply concerning seemingly impossible virtuoso techniques with proper practice and instruction to accomplish.  These rules apply to guitar pieces or guitar parts within scores that include chord structures legitimately impossible to execute on the instrument. If anyone feels as though their piece has been wrongfully removed due to these guidelines you may resubmit the piece with the fingering necessary to accomplish such techniques.  Using notes within the range of the guitar doesn't make the combinations of those notes or chords playable. Please do not take these rules as a message to not compose for the guitar if you are not a guitarist. DO take this message as an invitation to seek council How to properly notate passages for the guitar if you are not a guitar player.  Thanks again to all the members who support this group.