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YCOO - very badly needing English Horns, Violas and Double Basses!!!

Hello everyone.
You may already heard about us. We're the Young Composers' Online Orchestra ("YCOO"). Recently, we've started a new project - we're gonna play Elliot Butler's Drama for Orchestra No. 6.

In the process of preparing the parts for our members, we found out that we don't have any English Horns, Violas and Double Basses!

If you can play one (or more :P) of those instruments, please consider joining us either forever, or for the current project only. You could save a LOT of effort and hope we're all giving in our orchestra.

Have a great day,
Milan Steklý, moderator of the YCOO

Epic Piccolo Parts!!

Has there ever been a song or a piece that you have played in school band or Symphonic Band where the piccolo part during full FORTE Tutti sections was just so EPPICCC that you wished that there were more than 2 Piccolo players currently playing at once in your Symphonic Band at that moment!! If so name the piece.
The piece I played Piccolo in is called "The Witch and the Saint" by Steven Reineke

Does anyone have a ballad suggestion?

SO

I have had this project in the works, and have all the pieces lined up, except for a ballad, because I cannot find a ballad piece that fits the theme of this project. I will provide a link and the piece selection below for you to look up/listen to.

Theme Idea: https://www.youtube.com/watch?v=tpU_yjsGkHs

Repertoire:
ThE sMiLeR - Kübler, Wunsch, Krause, de Moura, and Heidicke
In the Hall of the Mountain King - Edvard Greig
Bird & Bela in Bb (1st Movement) - Don Sebesky
Asphalt Cocktail - John Mackey
**INSERT BALLAD HERE**
ThE sMiLeR Reprise
Dense - Univers Zero

And no, am not trying to make a Bluecoats show, even though it looks like it. These are just the best pieces that fit with this theme.

Any suggestions would be appreciated.

This is how all high school Clarinet sections are.

Clarinet 1, 2, and 3 all play as separate sections. The Clarinet 1 section always has all of the try hards on that row. They can never really play together with each other because they are always trying to show that they can play their parts better than all of us sitting behind them. Whenever there is a really technical part (With lots of INK! LOL!) they are the ones who are NEVER afraid to try it, while playing confidently at full volume. Basically these are the only players you can hear out of the entire section for most of the piece. The Clarinet 2 and 3 sections are more unified than the first. We are the players that sit behind and we are the first to be ok with not knowing how to play our part and pulling our clarinets down and letting the firsts handle those difficult parts. The ONLY thing these two rows can do better than first is stay playing together. This is because before even discussing, it is understood that when it comes to the difficult parts we all collectively REST. while they continue. You can never hear us when we are playing by ourselves, and you won't ever hear us playing over the Clarinet 1 row like we are supposed to, because we are always unsure of how our parts are supposed to sound.

Saxophones - The Traitors

A long time ago, there were peace between the woodwinds and the brass. No one disturbed one another, no one interacted with the other. It was until a clarinet got rich and married a trumpet. This was how the saxophones were created, - those disgusting brass clarinets, who once were part of us, but now are part of our past.