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Brass

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How are the effects written on the score with musescore?

Greetings, please, help me to know where I should  access to use   pizzicato, arc, sul ponticello, sul tasto, collegno, etc  ... the  program  does not mark the options, does musescore help me?
I  share  the  following score for the purpose of serving as an example, so  that   someone please tell me how to place those effects in musical  cells  and  that in addition to visuals, they are reproduced by the  audio,  thank 
https://musescore.com/user/32774288/scores/5914693

html commands.

here are some html commands.
[put them in brackets like this.] [/to end them add a slash to the start.]
b=
bold

i=
italic

u=
underline

s=
strikethrough

h1=

size 1


h2=

size 2


h3=

size 3


h4=

size 4


h5=
size 5

h6=
size 6

color=red=
Red text
For other colors, replace 'red' in the html command with another color, to make...
Orange text
Yellow text
Green text
Blue text
Purple text
Pink text
...and more! (For this command, to end it, type /color.)

Nocturne in Eb arrangement, feedback

This is the first time that I have arranged a Chopin piece. Not only that, but it is the first Chopin piece I ever played, so I am very familiar with this piece. I know, I need a countermelody or something along those lines for the first violin. But there is a bit of a problem stopping me from doing this. That is just how close the second violin  gets in pitch to the flute.

Typically, there is less than an octave of space between the second violin and the flute in any given beat. That doesn't allow for many countermelody notes if I want to keep things relatively consonant. And of course I want to keep things relatively  consonant because of the beautiful melody in the flute. I also don't want to have the countermelody have so many short notes that it becomes the main melody. The flute is playing the main melody and I don't want  to underwhelm that(I already get close to that with some of the forte dynamics).

There are no slurs in what I have written, mainly because the phrasing of the bass line is super clear just from the notation and, I have no idea where a flutist would take a breath. I can only barely get the first and second octaves to sound right, still doing that C major octave scale exercise and the staccato exercise on my flute. And this is after more than a month of flute practice, so while I technically can play  melodies on the flute at this point, I am limited to legato melodies with short phrasing that aren't super elaborate.

What do you think of my arrangement of Chopin's Nocturne in Eb?

https://musescore.com/user/50070/scores/5895090 

What is your favourite violin concerto?

Happy new year everyone! 

Did you know, on this day, the German composer Johannes Brahms premiered his Violin Concerto in D major with Hungarian violinist, Joseph Joachim in 1897? This concerto which has been claimed by Polish violinist, Henryk Wieniawski as an "unplayable" work while Spanish violinist, Pablo Sarasate refused to play the work. Now it is one of the greatest violin concertos ever written and it is very famous today.

Here is a link to my favourite recording of this concerto played by Itzhak Perlman:
https://www.youtube.com/watch?v=7C_U7eUbVd8

What is your favourite violin concerto? Tell me below.

Help Needed!

I'm working on a masquerade themed show (first draft of opener is posted on my profile) and am looking for front ensemble and drumline writers! 

Listen to the opener, leave a comment and send me a message if you're interested in working on it with me.

New Show Concept - Would love some feedback

Hey all, I'm still new at writing and am in high school still but truly love the marching arts as a whole. I thought of a neat concept for a show with one of my friends and we would love some feedback on the first movement of the brass book. 

Here's the link to our score: https://musescore.com/user/25285951/scores/5911043

Let us know what you think and if you have any suggestions!