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Flutes are AWESOME!!!!!!
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Discussions
The blessing of Abraham
https://musescore.com/user/31782077/scores/5695001 A chamber piece... almost done...
Bohemian Rhapsody String Quartet
https://musescore.com/user/29112095/scores/5694074
I'm not a string player. Any feedback, especially concerning playability, is welcome and encouraged.
Thank you!
C minor sonata by Mozart for String Trio, Feedback
I am currently working on arranging some more Mozart sonatas, since Public Domain scores don't count towards my non-pro score total and unlike Beethoven sonatas that seem to get me overwhelmed, Mozart sonatas never do that. A few people suggested that I shrink the quartet into a trio in my K 545 arrangement to get a more full sound. I didn't though because save for the second movement, where I would have to do some harmonizations, I saw and heard 4 melodic voices, 2 per hand in the sonata.
However, I did find a sonata that Mozart wrote 4 years before his K 545 sonata that I figured would be perfect for a trio arrangement, his Piano Sonata in C minor, another well known sonata of his. I noticed that the first movement tends to be where I get the most arrangement mistakes. A few of the triplet passages, I took up an octave to avoid the cellist having to do double duty. The violinist playing eighth notes over a sustained quarter note is one thing, The cellist having to do triplets while sustaining a whole note is a totally different story and is an impossible task.
Thus, I took some of the triplet passages up an octave. The triplet passages that I took up an octave all involve a cascade from the violin to the viola before the cello becomes the solo instrument for a while. Except for these triplet passages that involve the instrument cascades, I kept everything in the original octave unless it got too low(which was rare) and then of course I would raise it by an octave to keep it in range. I missed a few slurs here and there, I will fix those in the second draft of the first movement arrangement. In the development section, I tended to have the staccato figure in octaves because it was in octaves everywhere else. Even the Coda still had it in octaves, just scattered a bit.
Here is what I have arranged so far of the sonata:
https://musescore.com/user/50070/scores/5692897
Bars 1-185 are all the bars of the first movement. This is what I want feedback on. Are there any impossible double stops in there? Is there anything I can do about the dynamics to make it sound better? I would love some detailed feedback on what exactly I did wrong so that I can improve the first movement arrangement, and maybe have the entire second movement arranged at the same time(That did happen with K 545, I got feedback on the first movement, I improved the first movement and finished arranging the second movement at the same time).
String Quartet under working, advices are welcomed.
https://musescore.com/user/6595486/scores/5693865
I just decide to finish a piece I started a long time ago, and have already made some modifications. Hope that I can find the time to finish it soon.
Comments and advices are welcomed, including those on notation.
Pumped Up Kicks, by Foster The People
My new arrangement for string quartet:
https://musescore.com/user/3696666/scores/5692085