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Brass

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Question...

Hi, I'm just amateur composer and I want to ask you something: From which point do you consider score "experimental"? 
Aside of that, I started composing only this year and I would really appreciate someone else's opinion about my music. If you can take a look at my scores and tell me what U think I'd be really thankfull. 
Currently I'm working on piano piece called Rain. but I feel like the tempo chnges too many times. Do you think it's a problem?

musescore issue getting a composition to play

apparently, now all of a sudden, I can only get my music to play if it is the default soundfont. If I use another soundfont library such as the SChristian Collins 1.471, it just processes indefinitely when I press play. I do not see a solution to this. If I can only use the default soundfont in uploads, it makes no sense to upload anything anymore. So, unless I can fix this, I won't be posting any more. So it goes.

Need someone with an eye for French Horn: L'Arlésienne

in Brass

Hello!

I don't get on the forums much anymore, and this UI is garbage, but I could use a hand none-the-less.

I'm looking for someone who plays french horn specifically. Take a peek at this here arrangement:

 
https://musescore.com/thunder_skunk/l-arl-sienne-in-bb

I jammed it together from memory of playing it forever ago, snagging the main bits from ISMLP. Very often, my horn parts are the last to be arranged and usually get the worst hodge podge of voices. This is a great example of how not to write for any instrument in general, but it happens. This was in c minor, now it's in g minor, and the french horn is simply way to low.

I have a good sense of the comfort level for the other instruments as I play them, but I've done little more than fart around with horn. I'd greatly appreciate some cries of resentment and guidance on how it should be if you could.

Thanks!

Just finished a suite for solo cello, comments and advises are welcomed

https://musescore.com/user/6595486/scores/5826114

I started the first section as an exercise for modulation, and then decided to expand it into a dance suite. I wrote the sections in the following sequence: prelude, gigue, sarabande, allemande, and minuet.
The minuet was written yesterday during a day-long severe headache, which is a little different from the other parts. I am not sure if it sounds alright here, or I should replace it with a "normal" one.
Any comments about this suite is welcomed!

Also, I would be grateful if cellists can help me to correct the notation (many thanks to Teodor Lontos for his previous help).
And to you, I have 2 questions:
1. Above which pitch would you prefer a treble clef?
2. For a piece with changing tones, would you prefer key signatures or just mark it with the notes (as the present version does)?

Thanks and have a nice Sunday.