can someone give me tips on composing classically in the likes of Mozart, Dvorak, Beethoven etc.
Clarinet 1, 2, and 3 all play as separate sections. The Clarinet 1 section always has all of the try hards on that row. They can never really play together with each other because they are always trying to show that they can play their parts better than all of us sitting behind them. Whenever there is a really technical part (With lots of INK! LOL!) they are the ones who are NEVER afraid to try it, while playing confidently at full volume. Basically these are the only players you can hear out of the entire section for most of the piece. The Clarinet 2 and 3 sections are more unified than the first. We are the players that sit behind and we are the first to be ok with not knowing how to play our part and pulling our clarinets down and letting the firsts handle those difficult parts. The ONLY thing these two rows can do better than first is stay playing together. This is because before even discussing, it is understood that when it comes to the difficult parts we all collectively REST. while they continue. You can never hear us when we are playing by ourselves, and you won't ever hear us playing over the Clarinet 1 row like we are supposed to, because we are always unsure of how our parts are supposed to sound.
I just arranged a version of Bach's Cello Suite no. 1 Prelude.
Could really use any opinions!
I arranged another piece from Morse. Check it out, let me know what you think. Chances are, if you comment on mine, I'll take a look at yours. https://musescore.com/user/31989152/scores/5882300
I arranged another piece from Morse. Check it out, let me know what you think. Chances are, if you comment on mine, I'll take a look at yours. Let me know if any of the viola parts need to be changed! https://musescore.com/user/31989152/scores/5882300
I have a challenge!!! Who can write / re-write Bonobo : Black Sands into sheet music?
I wrote my first score, a quartet, to possibly play with some friends. I would like some feedback though, https://musescore.com/user/27939993/scores/5726577
Do you guys have a discord server??
I arranged a piece by Samuel Morse for orchestra from piano. I thought it was pretty good. feel free to take a listen! let me know how the viola part looks both in terms of playability and readability! https://musescore.com/user/31989152/scores/5869389
I arranged a piece by Samuel Morse for orchestra from piano. I thought it was pretty good. feel free to take a listen! it would be nice see the playability factor from some of you guys, I don't really know it that well cuz I play cello. thanks https://musescore.com/user/31989152/scores/5869389
I arranged a piece by Samuel Morse for orchestra from piano. I thought it was pretty good. feel free to take a listen! https://musescore.com/user/31989152/scores/5869389
just asking because im really bad :D
Hello! I am a cellist & I have been arranging pieces into duet & trio form, both for use in ensemble performances as well as for students to play with me in their lessons. I am going to upload a couple of Christmas tunes to see how they work for you. These are easily transposed into viola - cello duets & generally work very well (though you may have minor adjustments on notes that go below the normal instrument range).
Carol of the Bells
Il Est Ne - cello duet
Wassail Songs ( Here We Come a-Wassailing / Wassail, Wassail)
I've got a new concept I've finished drawing up, and I'm wondering if anyone's willing to give some feedback to help it improve. That's it, thanks :)
I am looking for theme for an imaginary annual award ceremony for animation. If you are interested please say so. If you already have a piece in mind, get it to me asap. Thanks. Also the name is the Spring Creek Awards for Animation, if it helps. I would prefer a fanfare, but anything goes.