Hello! I'm searching for someone to make transcriptions of some rock pieces for solo Viola. I will be really happy with something like Roman Kim's version of ,,Highway Star".
Hi, I'm new here and am looking forward to meeting y'all. I play viola (As you might have guessed) and have been playing since I was 10. I am a mediocre player, I think. But anyways, I am looking forward to meet y'all.
This one is mainly a question for high brass but if any other could help me that would be great. I'm in 11th grade and I am a 3rd year trumpet. Right now, we are focusing on marching songs, but after Football season, we mainly play concert songs. One of those is a pretty well known trumpet piece called "A Trumpeter's Lullaby". I normally am a second chair but my band director "surprised me" and gave me solo. I've played it before but never solo. Since I am doing the solo, should I use vibrato at the appropriate times? If so, what method should I use? I obviously wouldn't use the wind speed method. So I would either use my hand or move my jaw slightly. Which one should I use? Let me know!
Hey guys, I'm a trumpet player who was also a self-taught horn player for a year. I haven't played in a while but I'm thinking of picking it up again. I know most beginners start off with a single F horn, and that's the route I plan on taking. For those of you who have switched from single to double F/Bb horn, was it difficult in terms of learning the new fingerings? I know they are very different, does anyone have any way to learn the new fingerings quickly? Thanks!
noticed that i couldn't find a 100% correct or close to it transcription of megalovania of careless whisper for alto sax.
made one of each.
They're both also in the group sheet music
I just made an arrangement of Salut d'Amour for the viola and am open to suggestions and feedback!
Here's the link:
Hi guys I just started playing alto sax about 2 months ago and could anyone post any easy sax music, thx😀
i don't know
I really want to play Netflix trip for my school talent show. but there is no marching band or concert band version of it. i f someone could help me find one or compose one for me plz. It would be greatly appreciated.
Hi, I recently completed two movementa of a classical suite that I am currently composing for the String Orchestra. I intend to play it in my school's String Ensemble in the future. Any feedback and thoughts are deeply appreciated. Thank you!
So at my high school, we have our own orchestra (and band, but Orchestra's better). We only have Violin, Viola, and Cello. So when people talk about Violins and Cellos I simply say: "Violins are too high, Cellos are too low, and Violas are the cream of the Oreo." What's usually the favorite part of the Oreo? The cream! Do you agree?
i've been meaning to ask this for a while, but what is patrick doing in the group icon?
If you listen to this score it will be stuck in your head for the rest of the week
and probably fill you w/ memories from your childhood
I am arranging Beethoven's Moonlight Sonata for a string quartet. I might add a double bass if I think it is necessary, but so far, no issues with it being a quartet, at least not in the first and second movements. Now I'm arranging the Presto Agitato and as if it wasn't hard enough with the need to smoothly transition from the viola to the violin in those sixteenths, if I keep the interval relationship, the notes are going to be too high. I could get away with this octave displacement in the previous 2 movements(With the first movement, I basically did this octave displacement for the entire bass line to fit it into the cello), but now, the octaves the sixteenths are in are crucial to getting the right sound out of the Presto Agitato.
There are 2 things I can think of as to how to get the Presto Agitato to sound right, one of which keeps the instrumentation, and another of which keeps the original octaves.
Option 1: Add Double Bass
This would keep the original octaves, and I could have it play the bass line and have the sixteenths start in the cello and rise upwards to the viola and second violin.
Option 2: Move bass line to Viola for first measure of each arpeggio run
This would keep the instrumentation I have going of a string quartet and for everything except the bass line, the original octaves would be kept as well.
Which one of these 2 options do you think would be better? Any other suggestions?
NOTE: I'm only asking about the arpeggio runs, the scales and Alberti bass are easier to arrange.