How do I remove voice from piano as I do not want to waste paper when printing as the voice throughout stretches out the score unnecessarily?
So after listening to Bach's Cello Suites and his Flute Partita, I figured I would do a similar thing but for bassoon. The fact that I am writing for bassoon is partly why I decided to start with an overture instead of a prelude(French overture if you want to get into the specific type based on speed pattern). That isn't to say that the slow section won't include some fast 16ths but I have been adding long notes as I see fit.
I only have 13 measures so far, so I'm not thinking of uploading the piece yet. But I can only use the singing method for the alto range and low soprano pretty much(my natural soprano has gotten limited and squeaky over the years, and not because I overused my soprano so unlike before where I could easily sing up to a high G in my soprano, I can barely get a high C out) which means that as soon as the notes are in the range of a bass voice or a low tenor, I can't use the singing method to check for slur placement at all and in the soprano range, it isn't going to be all that accurate(Not that I would have the bassoon going into a soprano range all that often anyway).
And I myself do not play bassoon, partly because the instrument, even at beginner quality is like $3000 worth. Whereas my beginner quality flute, I got for less than $100. That is quite the price difference between the cheapest and most expensive woodwind at beginner quality, excluding auxiliaries.
If I did play bassoon at an advanced level, I could just write down the notes that I want without worrying about slurs, play the notes as written, and see where I run out of breath and how I naturally phrase it. The breath and phrasing together would determine where to put the slurs. But because I don't play bassoon, and I don't have a friend who I know is a bassoonist, this method won't work either.
So if my vocal range is limited pretty much to alto and low soprano making the singing method not viable for bassoon and I don't play bassoon, nor know a friend who plays bassoon, how am I supposed to determine where to put the slurs in my Bassoon Suite?
A work in progress composition set by my music teacher. The brief was to write a ABA piece for an 'art exhibition' so pretty much up to interpretation.
I made this composition for Twoset Violin Application.
im starting rp for people that wanna know about undertale or love in general all ocs are welcome and just start
what is your opinion on this? what are your suggestions?
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Here is the first piece that I have composed for piano. I am a violinist, so this was fun. Please criticize my work so that I can improve myself; I really would like to compose more pieces on the piano.
Here is the piece: https://musescore.com/user/10904501/scores/5565813
I decided to write a piece with 3 completely random songs to challenge myself. I believe it will help me in the future when I write professionally and need to transition between movements.
Please critique this piece! Or at least some feedback (thoughts, opinions, requests) would be nice.
If you stick around for updates, expect a big run after where Moonlight Sonata left off. It will help to transition back into Hymn of Acxiom.
- The harp part is a sound effect, not an actual part to be played
- All diddled phrases are to be played as normal rolls
- I will update sticking soon
- This piece will eventually come full circle and will end with the ending of the first unoriginal piece
- I changed all the settings so the sheet music would look as close to Sibelius as possible, but they don't go through well online
- I used two soundfonts
- Hymn to Acxiom
- La Marseillaise (French National Anthem, only minor section)
- The second half of Beethoven's Moonlight Sonata mvmt. 3