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What's Your Favorite John Denver Song?

Take Me Home, Country Roads
Rocky Mountain High
Calypso
Mother Nature's Son (Remastered)
Annie's Song
Grandma's Feather Bed
The Eagle and The Hawk
Wild Montana Skies
Wild Flowers in a Mason Jar
Sunshine On My Shoulders
Eagles and Horses
Sing Australia
Homegrown Tomatoes
The Harder They Fall
The Cowboy and the Lady
Druthers
Pickin' The Sun Down
Downhill Stuff (Remastered)
Around and Around
Paradise
Some Days Are Diamonds (Some Days Are Stone)
I Guess He'd Rather Be in Colorado
Today
Toledo
For Baby (For Bobbie)
Windsong
Darcy Farrow
Looking For Space
Forest Lawn
Shanghai Breezes
I Want to Live
Whispering Jesse
Catch Another Butterfly
High, Wide, and Handsome
Starwood in Aspen
It Amazes Me
Daydreams
Fire and Rain
Let It Be
This Old Guitar
Cool an' Green an' Shady
Wrangle Mountain Song
Johnny B. Good (Remastered)
Alaska and Me
Islands
Steel Rails
On the Wings of an Eagle
River
Rita Ballou
Dance Little Jean
Nobody Can Take My Dreams From Me
The Gold and Beyond
On the Atchison, Topeka and the Santa Fe
Spirit
Everyday (Remastered)
Anthem
Leaving On A Jet Plane
On The Road
Thank God I'm a Country Boy
It's Up To You
Amazon
Follow Me
Foxfire Suite
Tenderly Calling
Late Nite Radio
Love is Everywhere
Earth Day Every Day
Never a Doubt
The Flower That Shattered The Stone
Stonehaven Sunset
The Ballad of St. Anne's Reel
Come and Let Me Look Into Your Eyes

and much, MUCH more. XD

What to do when there are 3 voices?

So, I am arranging K 545 for a string quartet which is why I am asking this question. What should I do when I come across an area with 3 voices like for example bars 1-11? It is easy for me to decide what to do for 4 voices or for 2 voices or for a single voice. But the 3 voice situation is more complicated. Here is what I do for different numbers of voices:

4 Voices(such as bar 12):

1 voice per instrument, no octave doublings

2 Voices, both treble(such as bars 18-20):

Have first violin take up the higher voice and have second violin take up lower voice

2 Voices, both bass(which doesn't occur in the sonata):

Have viola take up the higher voice and have cello take up the lower voice

2 Voices, 1 treble and 1 bass(such as in bars 31 and 32):

Have either of the violins take up the higher voice and have either the viola or the cello take up the lower voice depending on how low the bass voice goes

1 Voice(such as in bar 13):

Simplest situation of all, just look at the range and see what instrument is best for that range.

In either the 2 voice cases or the 1 voice case, there may or may not be octave or unison doublings. Partly depends on whether there have been any rests recently.

But the majority of the sonata is in 3 voices. Sometimes, it is 2 bass and 1 treble and other times it is 2 treble and 1 bass. This is way harder to decide on, because the viola can partner up with the cello as a bass instrument or it can partner up with the violins as a treble instrument. And the 3 voices situation brings up the question of whether I should have the other instrument double by the unison or the octave or whether I should just leave it out. 

I was wondering if someone could give me some advice here on what to do when I see 3 voices in the sonata that I am arranging for string quartet.

Would like some feedback on K 545 arrangement

I have arranged Piano Sonata K 545 for a string quartet. It only took me 2 hours to arrange the entire first movement. The last time I have made an arrangement this quick was when I arranged The Four Seasons for a flute and piano duet. All my other arrangements have taken days to months to complete.

I only have the first movement of K 545 finished so far but if it took 2 hours to arrange the first movement(which is by far the most complex movement of the sonata), then it shouldn't take all that much longer to arrange the second and third movements. Maybe I will even get the sonata arrangement finished by tonight.

I would like some feedback on my arrangement for string quartet. Here is the link:

https://musescore.com/user/50070/scores/5553807

Needed! Experienced SAX Composers!!! PLEASE READ ALL

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