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What is your composition style and who inspires you?

The composer that influenced me the most is definitely Claude Debussy. I compose in an impressionistic style, which means that my pieces evoke imagery and a sense of story when listening, with some unique chords and controlled dissonance.

Some other compositional styles (not all of them, but some general ones):

Baroque - very structured, rule-abiding, very much single note voices, court dances.
Classical - sonata, orchestral pieces, structured and with set phrases, repetition and controlled expression.
Romantic - feeling-evoking, dramatic, freedom of expression, strong and contrasting note choices.
Impressionistic - image-evoking, a flowing and free tone, more dissonance, more chord choices.
Contemporary, modern, post-modern - jazz, blues, rag, that kinda music, lots of dissonance
Popular/good sounding - repetitive chord structure, very easy to listen to
Technical - compose for the purpose of exercising the fingers

Making a convincing plagal cadence, how?

I am nearing the end of composing the first movement of my suite. And I plan to end the movement using a plagal cadence. But I know that a plagal cadence can be hard to make sound convincing, I mean after all, it is a subdominant to tonic motion. And most of the time if anything, the subdominant moves to the dominant for your classic IV V I or a slightly embellished version of the same cadence such as IV V vii°7 I

I know that part of making a plagal cadence sound convincing is to slow it down. V I could easily be convincing at quarter note speed. Not so easy for IV I to be convincing at that speed. But as you slow it down, IV I becomes more convincing. Another thing that makes the plagal cadence more convincing is having the upper voice move between scale degrees 5 and 6, implying a second inversion subdominant chord. 

Second inversion is the least stable form for any major or minor triad. And scale degrees 6 and 4 naturally want to move downwards. This leads to a convincing tonic resolution from the subdominant. Repeating the chords in a pattern like this

I IV IV I

as it is in the Messiah Chorus, makes the cadence even more convincing.

But do I need to do anything else to make the plagal cadence convincing? Would a leaping bass make it more convincing like it does for an authentic cadence?

Score download becomes a part of the Pro subscription

Hello!

Recently, Musescore.com users have noticed an increase in the number of scores blocked on the website. This is due to the requests of the copyright holders who own and control the rights to these songs. We fully understand your frustration and inconvenience, and we would like to tell you a few words about our attitude towards the situation and what we are doing to fix it. 

Back in 2017, when Ultimate Guitar acquired Musescore, it was questionable whether Musescore was going to be allowed to continue its operations. Copyright holders, music trade associations and governments were aggressively working to shut down the website entirely. 

However, because Ultimate Guitar had decades of experience in solving such problems and strong working relationships with right holders, it was confident that it could solve this problem. Ultimate Guitar created the concept of licensing tabs and felt that it could also solve the problem of licensing sheet music. Twenty years ago, right holders and governments were able to shut down almost every other guitar tab website, but Ultimate Guitar and its founder were able to accomplish something that was impossible - to make thousands of deals with songwriters and publishers to legalize Ultimate Guitar. Thanks to Ultimate Guitar, the guitar tablature market has become fully digital with every subsequent website following the model created by Ultimate Guitar.

After Ultimate Guitar acquired Musescore, we faced the necessity to once again negotiate license agreements with songwriters and music publishers. For the right holders, the market of scores is even more complex than the market of guitar tabs; there are many players who make money on score sales and are not ready to distribute them in an ad-supported model.

The current sheet music market has a simple model: either sell scores by the piece or grant access by subscription. This is why ad-supported access to scores often causes misunderstanding and rejection from the copyright owners. It’s just too innovative for the current market.

There are quite a lot of right holders and all of them have different attitudes towards the licensing of these rights. In some cases, it causes certain difficulties. Example: at this point, we have no right to publish scores related to certain popular films and some songs by a few major rock stars. There is one main reason for this, songwriters and publishers expect to be fairly paid for their songs, rewarded economically. Musescore must respect their position. 

Right now we are actively negotiating with right holders, and we have made great progress. We have already reached agreements with almost 1500 music publishers, including almost all of the major music publishers, and every day we are working on licensing more content. 

The biggest obstacle we have faced so far is our goal to keep the content free for download. We tried to find various solutions to this problem, but unfortunately, all options related to the free distribution of content are problematic for the copyright holders and artists. It’s the main reason for scores to get blocked.
This is why from now on the option to download scores in any format is no longer free.

We, as a company, strongly promote and support the open digital world and the free distribution of information. But we also respect the right of the artists for their work and livelihood. Without songwriters and artists, there is no music.
Why do we have to take this step? First of all, it will bring us closer to the model to which the current market is accustomed. At the same time, we will still have very flexible conditions for working with content. For example, the fact that we are the only ones who give access to digital files, which was and still is our most popular "feature".

Among other things, this step will reduce the amount of plagiarism and unfair downloads of your scores on the website.
We will continue to work with the right holders, and try to achieve more favorable license terms and hope that the current state of things will not be final.
This step will allow us to speed up the negotiation process and keep your work safe. We also hope to unblock the scores that have been blocked from the website earlier.


Author's original works and compositions from Public Domain

At the moment, unfortunately, we do not have a trustworthy tool to distinguish songs under copyright from songs available for distribution. It's a big problem we're working on. The value of our product lies in such scores and the authors of this content are very important for us. The current situation promises to be a major boost for development. We made a lot of effort recently to improve the catalog/listing of the website. We will now focus on working with independent authors and users who work with Public Domain music. We will release updates in the near future that will allow to open original scores to everyone.

We ask you to be patient with this process. Most likely we will need a lot of help from the community in order to be able to move forward and contribute to the free distribution of digital music in every way possible.

Country Music?

Do any of y'all like country music? If so, who are your favorite country musicians? Favorite song(s)?

Personally, I like George Strait, Johnny Cash, John Denver. For the most part, I prefer the music of the '80s, so I also like Keith Whitley, George Jones, Hank Jr., Alan Jackson, and so on.

Rondo giocoso for violin and orchestra

This is a very Paganini-inspired piece which I wrote, learned and eventually performed as my senior solo at my last high school orchestra concert. I used many Paganini-esque idioms like a B theme in parallel tenths and a lyrical middle section with extensive use of harmonics. But I also injected some Tchaikovsky at the end to deliver maximum energy!

Use the custom audio (don't have Pro yet so I can't set it as the default).
 
https://musescore.com/musicrafter12/rondo_giocoso

I wrote my own "senior solo" for my last orchestra concert

I'm still really proud of myself for having pulled this off. I composed, learned and then performed an original composition as my HS senior solo! I was heavily inspired by Paganini and so endeavored to make my part as difficult as possible. I copied a lot of Paganini-esque idioms like a B theme in parallel tenths, and a lyrical middle section with extensive harmonics use. But I took my inspiration for the coda from Tchaikovsky to get maximum energy at the very end!

When listening, use the custom audio. (Don't have Pro yet so I can't set it as the default.)

https://musescore.com/musicrafter12/rondo_giocoso