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Icons not showing up correctly

Same computer and browser that I have been using every time I report these issues(Windows 10 OS, Dell Inspiron 15 laptop, Mozilla Firefox browser).

This icon issue started several days back. But at first, it only affected me when I initially logged in and as soon as I went to another page, the icons would show up correctly(like the arrow for the upload icon, the bubble for the comment icon, and everything else).

Today, it is more permanent. No matter what page I'm on, the icons look like gibberish. Like the upload icon looks like F0RR in a little box instead of the upload icon. Only time on the site makes the icons look normal. What is causing this and when will the icons get back to normal without me having to wait to see the normal icons?

Just to clarify, the reply and like icons aren't affected and neither is the notification icon but pretty much every other icon is affected.

Plz help!

I just started playing alto sax last week for a summer program and I think all in all it’s an easy instrument to start off on (maybe because I have been playing clarinet for 3 years). But I am still struggling with holding it. It’s very heavy and sometimes my thumb is swollen from holding it. My friend who has been playing alto sax for 4 years says my sax is bigger than hers. I’m sure its alto because my music teacher gave it to me and I can’t switch it out for a different one. Does anyone have any tips on how to hold the sax? Thxxx and I appreciate it- Flutinetist ^~^

Are Fugues really easier to write than canons?

I have written full canons before and I have attempted writing fugues. But every attempt at writing fugues, at least 4 voice fugues leads to parallel octaves because I'm like:

Okay, I have reached an octave, now what? Going down to a 7th won't work  because that will lead me back to the same octave. Going to a 9th also won't work unless it is between the tenor and the alto because I can't play a 10th interval with a single hand so if the 9th is between the tenor and the bass or between the alto and the soprano, my only choices are either to go back down to an octave or to leap. Going back to an octave seems like the better option because I conserve leaps, but it just delays the resolution of the octave. Contrary motion to a 6th might work, but what if that doesn't fit with the harmony? Only other solution I can think of that doesn't break the parallel octaves rule is a leap in 1 or both voices involved in the octave. And in general I want to use as few leaps as possible outside of maybe a subject entry, and if I have to use a leap, I would prefer a third over a sixth. 


And I end up not finishing the fugue

Now I've been told that the distribution of 4 voices in a keyboard fugue is generally that the bass voice is alone in the left hand and that the other voices are generally in the right hand. But, it seems to me, that having 2 voices per hand just feels more balanced. I have also been told by a few people that fugues are easier to write than canons. Now this seems very counterintuitive to me. In a canon, you have the same melody, just delayed by a certain amount in each line. Sometimes this has a ground bass below it. I won't give an example from Pachelbel because you all know it. Instead, here is a 4 voice canon by Mozart played by a string quartet:

 

As you can see, every voice is playing the same exact melody until the cadential section is reached.

In contrast, fugues seem in all ways more complicated than canons. If I had to describe it as a cross between 2 forms, I would say that it is a cross between the canon and Sonata form. It has the main melody in multiple voices, just like a canon. And sometimes there are 1 or more countermelodies that also appear in multiple voices. There is also motivic development which is similar to what you find in Sonata form. 1 thing that differs the fugue from both canons and Sonata form is that the voices are like completely independent even if you don't take time into consideration. Time is what makes the lines of a canon independent. Fugues have lines that are independent through melodic shape alone. Sonatas rely on the relationship between melody and bass. No such relationship in fugues. In that sense, sonatas are closer to a ground bass canon.

And like I said before, I have never written a complete fugue, just a few complete canons. Even something like Fugue in C minor WTC I seems easy for a fugue but hard for counterpoint in general and especially compared to canons. Here is the fugue I'm mentioning and this video uses color to show the 3 independent voices:



So are fugues really easier to write than canons if they are almost like a cross between the canon and the sonata? If canons are hard, then wouldn't fugues be even harder? 

I need some new song ideas

A friend and I are seniors in high school and we have a band. I play alto saxophone and he plays drum set. We have played at basketball games, in school concerts, and background music at various school events. Our next (and possibly last) performance is going to be at our graduation, so obviously we want it to be our best performance yet. Our problem is we cannot seem to find a good song/songs to play. We are looking for something fast, upbeat, and fun. Somewhere between 3 to 15 minutes would be perfect. Some of the songs we have played before include: Shipping Up To Boston, Megalovania, Blue (Da Ba Dee), 300 Violin Orchestra, Harder Better Faster Stronger, Eye Of The Tiger, ect. Hopefully that gives you a good idea of the type of music we enjoy playing.

Any song suggestions would be very helpful. Also, if you have any other places I could post this question please let me know. Thanks in advance for any suggestions anyone gives.

Maybe a new function? Chord Analyser and creator of e new voice

Hi all, i would like to have a chord analyser :-)
it should works like this steps:
- Import a Midifile
- 1. function -> Analysis of the Harmony
- 2. function -> write the chord at right part on the score

maybe with the same function(analysis of harmony) it's possible to create a new voice for example the 3. or the 5. -> it would be a great help for choir scores.

Thank you for your great work.
By Francesco

Add "Beat" Information in .xml import

Hello! New member here. I have been doing some research on drum beats and been using Musescore for my transcribing. For analysis, I think it'd be very useful to have information on the onset of notes in drum beats. Musescore provides this in the information in the bottom left hand corner when a note is selected, i.e "Beat: 2.5" for an eighth note played on the "and" of 2, but for some reason this information doesn't make it to the xml files I've exported. Those files include the type of note and duration among other things, but for percussive notes it's much more useful to have information of when in a measure the note starts rather than just the duration of note, as, other than some cymbals, most percussive sounds are instantaneous. Is there any workaround to get this information in the exported .xml files? I've found this page: https://musescore.org/en/node/288539
which points to an external plug-in but I've had some trouble getting that to work, and I feel like it should be simpler.
Any help or pointers in the right direction would be helpful. Thank you! 

Help needed: Can't open mscx - file (wanting to create midi)

I (and my choir) want to add "Elanor Rigby" (Version King Singers) to our program. I've been looking for a midi - file to create rehearsal- aids, found nothing!
Soooooo - I tried the pdf - converter and actually did get a mscx - file back, only I can't open it. Apparently it was created with MS 3.0

I'm running Ubuntu 18.04 with MS 2.3.2  No matter what I've tried so far ,y computer refuses to update to MS 3.0

Any chance that anyone can / will / would help me and convert the mscx - file to midi?

Thank you so much in advance.
Chr.