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Any bored composers?

 I wanted to play Kelly Clarkson's 'Underneath the Tree' with my sax ensemble for our Christmas concert coming up, but the sheet music just doesn't seem to exist out there for the arrangement I need, or anything close. My ensemble includes Alto Tenor and Bari saxes, and we have somewhere around 8 members who play whichever one we need for a part. If someone has the time to make an arrangement of this song with these parts it would be greatly appreciated and I can also send you a recording of the performance if you'd like. The arrangement would have to be at least somewhat simple, and if the solo in the middle isn't quite right, or just has space for improv that's fine. I would probably need the piece in about 2 weeks in order to actually perform it, and if someone does take up the challenge, I do apologize for the time crunch.
Thanks y'all 

Bug or not?

Hello, I have been having this problem of when listening to a song on Musescore, the red bar that highlights bars are like, off. The bar is going to the next bar before the music actually goes there. Sorry, I have horrible explanation skills. If you can fix this listening to music would be more satisfying. Thank you.

List of available jazz standards

Here is the alphabetical list of jazz standards lead sheets that are already done and available in our group. Titles that have been contributed by two or more different group members have additional links to the alternate versions of the leadsheets (noted with "alt chart").

Note that everything can be downloaded as .mscz file and transposed to the key of your choice.

About a Quarter to Nine
After You've Gone || (alt chart) 
Ain't Misbehavin' || (alt chart, Eb)
All Alone
All of Me
All the Things You Are || (alt chart)
Among My Souvenirs
Angel Eyes || (alt chart)
April in Paris
As Time Goes By
Autumn Leaves (Les Feuilles Mortes)
Bag's Groove
Begin the Beguine || (alt chart)
Black Coffee
Body and Soul
But Not for Me
Ballin' the Jack
Best Thing for You
Born to Be Blue
Call Me Irresponsible
Caravan
Charleston
Cheek to Cheek
Cherokee
China Boy || (alt chart)
Come Rain or Come Shine
Crazy Rhythm
Christmas Song, The
Darn That Dream
Dream a Little Dream of Me || (Mamas & Papas arr.) 
Do You Know What It Means to Miss New Orleans
Don't Be That Way
Don't Blame Me
Don't Get Around Much Anymore
Don't Take Your Love from Me
Drop Me Off in Harlem
East of the Sun
Embraceable You || (alt chart)
Estate
Fly Me to the Moon (4/4) || (3/4) || (alt 4/4 chart)
Flying Home
Foggy Day, A
Frim Fram Sauce, The
Georgia on My Mind
Ghost of a Chance, (I Don't Stand) A
Girl from Ipanema, The (Garota de Ipanema)
Groovin' High
Here's That Rainy Day
Honeysuckle Rose
How Am I to Know?
How Deep Is the Ocean?
How High the Moon
I Can't Believe That You're in Love with Me
I Can't Get Started
I Cover the Waterfront
I Got It Bad (And That Ain't Good)
I Got Rhythm
I Let a Song Go Out of My Heart
I Should Care
I Wish You Love
I Won't Dance || (alt chart)
If I Had You
I'll Remember April
I'll See You in My Dreams || (alt chart)
Indian Summer
Indiana
Isn't It Romantic
It Could Happen to You
It Had to Be You
It Might as Well Be Spring
Joint Is Jumpin', The
Just Friends
La Vie En Rose
Laura
Lester Leaps In
Let's Fall in Love
Let's Get Lost
Louisiana Fairytale
Love for Sale
Love Is Here to Stay || (alt chart)
Lover Man (Oh, Where Can You Be?)
Lush Life
Man I Loved, The
Manhã de Carnaval  (also known as A Day in the Life of a Fool)
Maple Leaf Rag
Mean to Me || (alt chart)
Memories of You
Misty
Mr. PC
My Funny Valentine
My Romance
My Ship
Nardis
Nearness of You, The
Night and Day
Night in Tunisia
Nightengale Sang in Berkeley Square, A
Oh, Lady Be Good
Old Country, The
On a Misty Night
On a Slow Boat to China
On the Sunny Side of the Street
Only the Lonely (Jimmy Van Heusen song)
Over the Rainbow
Out of Nowhere
Perdido
Pick Yourself Up
Poinciana
Prelude to a Kiss
Puttin' on the Ritz
Que reste-t-il de nos amour?
Rosetta
Round Midnight
Royal Garden Blues
Satin Doll
Secret Love
Sentimental Journey
September Song
Shiny Stockings
Skylark
Smile
Smoke Gets in Your Eyes
Sophisticated Lady
Someone to Watch Over Me
Sonnymoon for Two
St. James Infirmary
St. Louis Blues
Stardust [with verse] || (alt chart)
Stars Fell on Alabama
Stella By Starlight
Stompin' at the Savoy || (alt chart)
Summertime
Sweet Georgia Brown
Sweet Lorraine
Take the 'A' Train
Taking a Chance on Love
Tea for Two
There Is No Greater Love
There Will Never Be Another You || (alt chart)
These Foolish Things
They Can't Take That Away from Me
This Can't Be Love
Topsy
Turn Out the Stars
The Two Lonely People
Two Sleepy People
Walkin My Baby Back Home
Way You Look Tonight, The
What Is This Thing Called Love?
What's New?
When You're Smiling
Where or When
Willow Weep for Me
Wrap Your Troubles in Dreams
Yesterdays
You Go to My Head || (alt chart)

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Almost reached 50 follower milestone

If you don't know already, I am now almost at 50 followers. Currently I have 39 followers so just 11 more and I will have reached the 50 follower mark. I had maybe like 4 followers 2 years ago. So clearly, I'm doing something right. My most recent score called The Storm just brought me 2 more followers. I suppose they followed me hoping to someday see the entire suite that I plan on The Storm being a part of. That suite I call Weather Music. Maybe I should compose another part of the suite for that 50 followers mark, upload it when I reach 50 followers, and then whenever I have finished the suite, upload it in its entirety.

If you want to listen to what I have so far of The Storm, here it is:

https://musescore.com/user/50070/scores/5611423

It just so happens that I have been getting rain for 3 days straight here in Ohio.

Update 1: 6/18/2019

Oh my goodness, 4 followers in a single day. That is a record for me, I am now at 43 followers. I don't know if the follower milestone or finishing the composition will come first. If the follower count does come first, that's fine. I'm not pushing myself to finish the 50 follower composition.

Update 2: 6/19/2019

Wow, 5 followers in 1 day. I don't think I will finish my 50 follower composition before I reach 50 followers. Often my composition process is slow, so don't be surprised if a week has passed and I still haven't finished the composition yet. I will get it done when I get it done. I emphasize quality over quantity with my compositions.

Using a major 7th to modulate, yeah, it doesn't sound right

So, I'm working on another piece and there is this area where via a chord progression, I modulate from G major to D major. The penultimate chord there is a 7th chord with the leading tone. Now this could mean several different chords. It could be a dominant 7th, in which case the leading tone is the chordal third. It could be diminished or half diminished, in which case, the leading tone is the chordal root. Or it could be a major 7th in which case the leading tone is the chordal seventh.

Here is the chord progression I use:

G -> Em -> Bm -> F#m -> DM7 -> D

Each pair of chords, I alternate between violins and cello and viola and piano. I write the piano chords in both hands. And I make sure that the voice leading is as smooth as possible. So here is what the cello and violins play:

G -> Em, Bm -> F#m


And here is what the viola and piano play:

Em -> Bm, DM7 -> D


Now, I only have the D in the DM7 in the right hand, but when I reach the D major chord, I have the D in both hands as well as in the viola.

Since with the DM7, I already have the major chord right there in root position, and the 7th is the only note that needs to resolve, and it does resolve up a step to D, it should sound fine. But it doesn't. And I think I know why. I'm doubling the chordal seventh in the viola and the piano. So while the viola does this:

C# -> D


which on its own, sounds great, the piano does this:

DM7 -> D


with all the notes of the seventh chord being played.

So, while I could change it to an A7 or even a C#°7, I'm thinking of keeping the DM7. But I obviously need to change something about how the 7th chord is played. The only route here I can think of is to get rid of the 7th in the piano and just have the piano play a D major chord twice while the viola plays the C# -> D motion to remind us that it is a major seventh resolving to D, not just D major.

But, is there another way that I could make this sound nicer while keeping the major seventh harmony? Here is the snippet where the Major 7th occurs:

some pieces

hey! so i just composed two pieces, and i'm not looking to change anything but i wrote these for my girlfriend and i just wanna share these pieces, i know they're not the most mature sounding piano pieces but i've been trying to find my own style and as a 16 y/o it's like pretty oof but anyways, here they are:
https://musescore.com/user/1603516/scores/5585962
https://musescore.com/user/1603516/scores/5593900

some pieces

hey! so i just composed two pieces, and i'm not looking to change anything but i wrote these for my girlfriend and i just wanna share these pieces, i know they're not the most mature sounding piano pieces but i've been trying to find my own style and as a 16 y/o it's like pretty oof but anyways, here they are:
https://musescore.com/user/1603516/scores/5585962
https://musescore.com/user/1603516/scores/5593900

some pieces

hey! so i just composed two pieces, and i'm not looking to change anything but i wrote these for my girlfriend and i just wanna share these pieces, i know they're not the most mature sounding piano pieces but i've been trying to find my own style and as a 16 y/o it's like pretty oof but anyways, here they are:
https://musescore.com/user/1603516/scores/5585962
https://musescore.com/user/1603516/scores/5593900

some pieces

hey! so i just composed two pieces, and i'm not looking to change anything but i wrote these for my girlfriend and i just wanna share these pieces, i know they're not the most mature sounding piano pieces but i've been trying to find my own style and as a 16 y/o it's like pretty oof but anyways, here they are:
https://musescore.com/user/1603516/scores/5585962
https://musescore.com/user/1603516/scores/5593900

How do I make a stem "cross staff" on piano?

The notes I have here are, not in that order: C right below the treble clef, D on the treble clef again, G on the treble clef and another G, an octave below, still on the treble clef. I'd like this lower G to be on the bass staff and the stem to extend.

And I can't figure out how to do that. I have looked online for the best part of three hours and still cannot figure out. And no, I won't use voices. How do I do that?