That's a little thing I wrote, I would love to get some advice from you
There is debate in the Bodhrán community, as to whether the playing should be written down or not. No Bodhrán player I know plays a tune the same way twice, and it is very much playing with the feel of the music.
Having said that, when I first started Bodhrán drumming I found it useful to have a guide as to what to do, so adding Bodhrán to MuseScore may help beginners. Also it would be useful to have the drumming added to a Tin Whistle score, for example, which gives a feel for what the two instruments will sound together.
However if you are dead set against Bodhrán notation, then I understand :-)
hey, what's going on? except for Mozart Forever (yay!), no one wants to post to this group? did the bananas all turn brown?
anyone have ideas on how to improve the group?
I was working on a score on the software when it closed unexpectedly.
because of that I lost my score of more than 100 (!) measures.
I tried but I couldn't find him again.
does sombody know a solution?
In addition to MDL, I think many could agree that MuseScore also needs MFE (MuseScore Front Ensemble), to work in conjuction with MFE as a soundfont. I understand it is hard to get nice sounds on an open-source software, but it would be nice to have. Here are suggestions for the soundfont in mind:
- Marimba (with 3 hardnesses); the marimba sounds a little bit like a toy xylophone with a deeper voice. It doesn't sound very rich.
- Vibraphone (with 3 hardnesses); the vibes don't exactly sound metallic enough
- Xylophone (with 2/3 hardnesses)
- Glockenspiel (with 2 hardnesses)
- Chimes/Tubular bells (with 2 hardnesses); the chime sound isn't round enough and is a bit abrasive in timbre
- Gong (PLEASE)
- Suspended/China cymbals with pre-recorded rolls and hits on different sizes (similar to what VDL does)
And as well, a nice function that could be EXTREMELY useful is the ability to upload samples into a score by mp3 or wav.
I have been using Musescore for 2 years now and I have been looking for ways to implement drags into snare parts and I haven't been able to figure it out. Does anyone know how to add them in?
Hey, I am currently super busy!! Before I start, I'll lay out what my week tends to be:
Monday: Double/triple up on schoolwork. Once a month is nursing home music night (which I can't miss, considering I'm the pianist)
Tuesday: Currently I'm going to my aunt's. Soon will be Piano & Choir (if I go, which I am leaning more towards not going)
Wednesday: Work in the morning, Omnibus in the afternoon, Skating at 3pm, and will be home only for supper
Thursday: I go to my aunt's all day.
Friday: School (double/triple up as needed), Youth in evening.
Saturday: House cleaning
Sunday: Depending on which Sunday is: play piano for both services, nursing home services (I can't miss, I'm the pianist), go to my grandparents for lunch, have company over.
My problem I'm almost too busy for myself to do school.
How do you guys live with being super busy and having heavy schoolwork to do!?!?!?!?
I need advice!!!!!!!!!!
Please message me or comment what tends to work for you.
P.S. with the nursing home service/music night, that are highlights of my month!!!!!! and I can't quit now, consider i leave without them having any accompainment, 'cept a clarinet.
I have been composing a polonaise in Bb for the past few days. The A section of the polonaise is what I have written down. The A section of the A section is what my first few questions are about and is the exclusively diatonic section. The B section of the A section is more chromatic. I am asking these questions because they came up to me after listening to my own polonaise a few times.
1) Is the bass in the A section of the A section(bars 1-8 and 23-30) too dense?
2) In the consequent phrase(bars 5-8), is the bass too close to the melody? Should I bring it down an octave?
3) In the B section of the A section(bars 9-22), am I handling my chromaticism correctly or not?
4) Is it too much of me to expect a pianist to play a polonaise rhythm in octaves for the whole B section of the A section?
5) Do I smoothly transition into the inversion(left hand becomes right hand kind of inversion) or not?
6) Is my A section too repetitive with 2 periods and a motive sandwiched between the 2 periods and the repeat sign?
7) Is 30 bars enough for the A section of a piece that I expect to be 200 or so bars long, or should I extend my A section further?
Here is the link to my polonaise score:
How else do you think it could be improved? Right now, I'm thinking of what to put in the B section of my polonaise.
Write a song about a lonely tarantula that lives in a banana bunch.
The grand price is a vierual bunch of ripe bananas. Now, for a limited time, as a added amazing bonus, a free virtual tarantula. No, I'm lying. Must be the toxin from the tarantula bite that's affecting me. Dizzy dizzy it's all going dark.
I had created this piece in about a day, please provide feedback so that i may improve
Oh, I said it in the title. Anyone?
like best friends brother, make it shine or shut up and dance
create lyrics then say the notes and I well make 2 a score.
I've been working on this sheet music for our church symphony. it's my first time writing a drum part and I'm not quite sure if I'm doing this right. Feedback is appreciated :)
It shares some resemblance to The Beautifully Short No.19
Only 4 more songs to go!