We need some more Korn songs
I just started composing (literally five minutes ago). I am very insecure, so there are only 2 lines and I already want feedback. I want this to be good, so all feedback (especially bad) is helpful!
Hey everybody, I was wondering if some of you guys could just give some feedback on this piece I wrote yesterday. It would be greatly appreciated. Thanks!
P.S - Don't worry, it is for clarinet :D
A simple guitar composition.
I'll keep it short and sweet: I orchestrated a waltz here, and spent a lot of time on it. Feel free to take a look at it :) https://musescore.com/user/31989152/scores/5899962
A remake of Desert Outbreak, a score I composed some time ago. I incorporated a lot more instruments this around and made some other changes. https://musescore.com/user/31293714/scores/5898621
Let me know what you think.
This is Vash Hartman's alternate account because google hates me.
check out my score for string quartet
tell me what you think
I am pretty new to composing (only started 2-3 years ago) and I would like any critique, feedback, or suggestions, etc. for some of my original comps.
This would be greatly appreciated Thanks :)
| LAKE OF SERENITY |
| RISE AND FALL |
4 2017 Original Comps
Any of my kind present?
can someone give me tips on composing classically in the likes of Mozart, Dvorak, Beethoven etc.
Check out " I Can Hear You" by Joseph Pugh
Hi! I seem to recall there used to be a way to specify/choose various muted brass timbres, but I'm having trouble relocating that info: am I misremembering? (My present need is for an F-horn "con sordino," but I'd appreciate the general knowledge of either how to or where to find such timbre mods.) Thanks!
Clarinet 1, 2, and 3 all play as separate sections. The Clarinet 1 section always has all of the try hards on that row. They can never really play together with each other because they are always trying to show that they can play their parts better than all of us sitting behind them. Whenever there is a really technical part (With lots of INK! LOL!) they are the ones who are NEVER afraid to try it, while playing confidently at full volume. Basically these are the only players you can hear out of the entire section for most of the piece. The Clarinet 2 and 3 sections are more unified than the first. We are the players that sit behind and we are the first to be ok with not knowing how to play our part and pulling our clarinets down and letting the firsts handle those difficult parts. The ONLY thing these two rows can do better than first is stay playing together. This is because before even discussing, it is understood that when it comes to the difficult parts we all collectively REST. while they continue. You can never hear us when we are playing by ourselves, and you won't ever hear us playing over the Clarinet 1 row like we are supposed to, because we are always unsure of how our parts are supposed to sound.