Hi, i'm new on this site and i was searching for a Turkish March (Mozart) transcription. I really like playing the guitar, especially classic one, so please, could someone help me?
Is it just me or is the group at a stalement? It only to me a few seconds to reach comments from 7 years ago. I play clarinet btw.
Bonjour la Famille,
Je suis un nouveau dans ce groupe. j'aimerais avoir quelques briefings sur ce groupe. Questions de m'adapter au groupe...
I need new strings on my guitar unfortunately...😭
Hey guys, I have been playing for a little less than a year now on an acoustic guitar and haven't been taught by a teacher. I have been attempting to teach myself and am wondering about how frequent I need to change strings. Also is their any tips on cleaning my guitar/ take caring of it after I play? Thanks for the help.
I'm trying to do an arrangement of Goldfinger for 5 classical guitars. I'm finding it quite difficult and i'm not sure the piece is suited. What does everyone else think?
I am seeking a score for the song "Visions of a Sunset" which was featured on the soundtrack to 'Mr. Holland's Opus'.
I am interested in the lead vocal being transposed for the flute, and the original sheet music which features the flute.
Please share a link to it if you come across or develop it. Thanks!
Hi guys I am a intermediate flute player, please give some seggestions for sight reading peices! Thanks!
Hey guys! This is a new ensemble I created a few days ago and we have a serious woodwind deficit as of now... we have three total woodwind players, compared to 7 violins and 14 synths.
I've posted this in a few other MuseScore groups in hopes of attracting a bit more attention to it, and it's worked so far! Here's the rest of the original post.
I'm creating an online orchestra dedicated to performing the works of young composers and putting the videos on YouTube. In the process, composers will get feedback from performers, performers will get more experience playing in different settings, and both will form connections that will be extremely useful (hopefully) in the music industry long-term! It's also a great chance for publicity.
Currently, I'm looking for performers, composers, and editors alike willing to help make this happen.
If you want to join, here's a link to a Discord server dedicated to making this happen!
In anticipation of a few questions, here's an FAQ.
How will you coordinate this?
Our current plan is to have one major piece every two months. Pieces will be member-submitted and member-selected. Parts, an MP3 of the piece being performed by synth instruments, and a metronome MP3 will be sent out. Members will have these two months to work up their part(s) and record themselves playing in time with the metronome that was sent. All members will submit their parts to an official email for the orchestra, which will be made at a later date. Editors will then take over and edit the tracks together.
It will then be posted to an official YCOO YouTube channel with credits to the composer and performers in the description.
What instruments can join?
Currently, standard orchestra and wind ensemble instruments. Non-standard instruments may be accepted, but should not expect a part in every major piece. Right now, we especially need woodwinds, specifically on flute/picc, saxophone, clarinet, and bassoon. We'd also love more low strings, like string bass and cello. But we won't turn you away if you already play an instrument we have lots of. The more, the merrier!
What kind of music will be played?
Orchestral music, wind ensemble music, chamber music, solos. We currently plan to only do original music by young composers but may be open to doing covers once the group has been established.
Chamber music and solos? How will that work?
While the major projects will happen every other month, members will be allowed to arrange small ensembles. Chamber ensembles and solos will be entirely member-run: members will choose a piece, form a small ensemble, send out parts on their own, come up with their own deadlines, and edit the audio and video on their own. Only when the product is complete will it be sent up to us admins to publish it on the YouTube channel.
Is there an audition required?
No. However, if you submit a track of low quality, it may not be used. (Low quality can be defined as: badly out of tune, very bad audio quality, not with the metronome, or played with a bunch of mistakes.)
Video? Will we have to submit videos of ourselves?
No. Submitting videos of yourself playing is entirely optional.
Do you have to play in every major piece?
Nope. We won't kick you out for inactivity.
If you have any other questions let me know and I'll do my best to answer! In case you don't want to scroll back up, here's that link again.
Here's a link if you're interested but can't join the Discord so we can still get your information.
here is one of my works
please give me your thoughts.
Can we have a thread where people post all of the different things about how to play woodwinds, starting with the basics of how the sound is produced and how the keys work, and going to various techniques such as fluttertonguing and other things? I think it would be a help for composers who want to write for woodwinds but don't play them (such as myself). I know the basics from Orchestration by Samuel Adler, but it would be nice to have them explained from actual wind players.
i am new here.
please can you hear to my music
and tell me your thoughts.
perhaps i can improve it.
i'm trying to get a classical guitar society off the ground in south london, and find it all a bit slow.
We're doing a launch with Georgina Whitehead and a full prog from others wish me luck. i'm gonna need it!
p.s it's on 27th November at the Priory Arms Stockwell london.
My new album "Rag Tales" is out now. You can find it on Spotify, ITunes, Apple Music, and Google Play among others. I got started right here on Musescore when I was invited to the ragtime players group. Please check it out. I think you will enjoy it. Thank you friends. Just search for " CJ Brandt" or "Rag Tales". Thanks again
I don't actually play guitar, but I assume most people in this group do.
Can anyone who plays guitar tell me whether this is possible to be played on guitar, or not, or only for 'extreme experts'.
Any help is greatly appreciated.
be trying out "shallow shadows" live in room above pub on 27th nov 2011
to mic or not ?
I abhor the use of "c" for the RH "q" finger. "q" is for quattro, pequen~o or men~ique, but the problem with "c" is ambiguity. I need to customize the fingering palette provided in musescore:
loco, I II III IV etc. for positions
timaq for RH fingering
I don't care who else likes it, but that's what I have
been using, and will continue to use.
However, although I won't use it myself, EADGB, which
Villa Lobos used, is superior for string indications
because there are too many numbers in guitar
notation already. When you become used to it,
it is quicker to read with the string letter.
I don't want to use this either, but it should be
available for anyone who might want to put
out a historical bilingual edition. Back in the
day, RH fingering was in the language of
the text, so this was for bilingual editions:
x or +, . .. ... for RH
A very popular piano method of the 19th century
used X1234 instead of 12345 for fingering.
Also, I hope that it is possible to do tab with
notation with nothing but numbers on the
tab, no stems, beams, ties, or slurs, because
they are just clutter when the notes are
I have not even started using musescore,
but it looks like a good prospect as long
as I can customize it.
Also, does the copyright notice appear
in the MIDI output? It should. LilyPond
doesn't do that, last I checked. For shame.
IAC, this is how I start. Can I customize or
not? I don't want to ask developers for features
which already exist.
My site is openguitar.com
Kindest regards, Rale
How many subscribers share my belief that the sound font for classical guitar which comes with the new version of Musescore is terrible - very harsh and percussive. I wish Musescore would re-instate the old version sound font which, to my mind, was perfectly acceptable.