haven't did this in a while
I uploaded a scherzo for solo violin , check it out:
It's really horrendous !
Hope you enjoy!
~FEEDBACK IS M
I wanted to make a multi track recording and wanted some suggestions for some more slow pieces, they don't have to be super easy but i am looking for something more like legato and beautiful as i figure the faster the notes are the more of a hard time i would have with keeping in time
Does anyone want a piece of music for a certain instrument ?
What instruments do you play?
still, a work in progress need feedback and a name for the piece I'm open to ideas I'm not going to get offended if you say it's not that good
Hi, I recently completed two movementa of a classical suite that I am currently composing for the String Orchestra. I intend to play it in my school's String Ensemble in the future. Any feedback and thoughts are deeply appreciated. Thank you!
I have finished a composition that I plan to hand to the Academy Flute Choir, however I would appreciate any feedback on it before I do so,
I am arranging Beethoven's Moonlight Sonata for a string quartet. I might add a double bass if I think it is necessary, but so far, no issues with it being a quartet, at least not in the first and second movements. Now I'm arranging the Presto Agitato and as if it wasn't hard enough with the need to smoothly transition from the viola to the violin in those sixteenths, if I keep the interval relationship, the notes are going to be too high. I could get away with this octave displacement in the previous 2 movements(With the first movement, I basically did this octave displacement for the entire bass line to fit it into the cello), but now, the octaves the sixteenths are in are crucial to getting the right sound out of the Presto Agitato.
There are 2 things I can think of as to how to get the Presto Agitato to sound right, one of which keeps the instrumentation, and another of which keeps the original octaves.
Option 1: Add Double Bass
This would keep the original octaves, and I could have it play the bass line and have the sixteenths start in the cello and rise upwards to the viola and second violin.
Option 2: Move bass line to Viola for first measure of each arpeggio run
This would keep the instrumentation I have going of a string quartet and for everything except the bass line, the original octaves would be kept as well.
Which one of these 2 options do you think would be better? Any other suggestions?
NOTE: I'm only asking about the arpeggio runs, the scales and Alberti bass are easier to arrange.