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Sixth edition of Sorodha Composition Competition belongs to MARIMBA

Composers!

Sixth edition of Sorodha Composition Competition belongs to MARIMBA. I will be honoured to perform five selected compositions at public concert 29th April in Antwerp, Belgium.

Apply now! The submission deadline is Friday 10th of March 2017!
More info www.sorodha.be

Good luck!

Ewelina Hajda
facebook.com/marimbalady
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Compositeurs !

La sixième édition de la compétition de composition sorodha appartient à marimba. Je serai honoré de réaliser cinq compositions sélectionnées au concert public le 29 avril à Anvers, Belgique.

S'appliquer maintenant ! La date limite de soumission est le vendredi 10 mars 2017 !
Plus d'informations www.sorodha.be

Bonne chance !

Ewelina Hajda
facebook.com/marimbalady
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Source : Facebook!

What is your pit writing process?

Over in the discussion for one of my suggested new score templates (at https://musescore.org/en/node/111531), the question of what the usual writing process for pit parts is came up. If you have some perspective, I'd like to read it.
Also, I have two templates WGI that could also be the templates for pit parts if you're in a marching band that usually writes their pit parts separately.

WGI/Marching Band percussion template feedback

in Drums!

I've made a couple templates for marching band over at https://musescore.org/en/node/111531. I was looking for your ideas on them. Specifically:
1. How did your maching band handle percussion parts? Were they written with the wind parts, or were the parts that came with the arrangement usually re-written to suit your specific ensemble?
2. For the "WGI" scores (which could also double as the percussion parts for a marching band that writes them separately), do you agree with my selection of instrumentation? It's clearly nuts to try to believe that there's any "standard" pit, but do I have good starting points for both?
Thanks!

WGI/Marching Band percussion MuseScore template feedback

I've made a couple templates for marching band over at https://musescore.org/en/node/111531. I was looking for your ideas on them. Specifically:
1. How did your maching band handle percussion parts? Were they written with the wind parts, or were the parts that came with the arrangement usually re-written to suit your specific ensemble?
2. For the "WGI" scores (which could also double as the percussion parts for a marching band that writes them separately), do you agree with my selection of instrumentation? It's clearly nuts to try to believe that there's any "standard" pit, but do I have good starting points for both?
Thanks!