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[article] Breathing

One of the most important, even the most important aspect of saxophone playing technique is producing sound. Well, that’s obvious: after all, music is the sequence of sounds, and if some musician can’t produce full, nice, let’s say “high-quality” sound, then it’s not worth practising anything else - both the performer and the listener won’t like any music such musician could ever play. But the good news are: with “right” breathing and embouchure (position of lips and everything that is in and around your mouth) anyone can produce the sound he or she really happy with. So let’s deal with the first part of it in this overview: breathing. I’ve been playing saxophone for 17 years and would like to share the information on the topic I find extremely useful.

Actually there are three breathing methods that we use during our day-to-day life. Those are: clavicular (colar bone), chest (throatic) and diaphragmatic. In order to get a full-supported sound on saxophone we need to combine all three methods, but the accent should be put on the diaphragmatic breathing, as this one is the most efficient for our goal: wind instrument playing.

So, what is diaphragm? I don’t feel like inventing something new here, but just referring to wikipedia article instead: it is ” a sheet of internal skeletal muscle that … separates the thoracic cavity, containing the heart and lungs, from the abdominal cavity and performs an important function in respiration: as the diaphragm contracts, the volume of the thoracic cavity increases and air is drawn into the lungs.”

The idea is simple: the air flows naturally to the place with less resistance. So all we need is: 1) Exhale as much air as we can, thus making our lungs a low resistance area 2) Inhale expanding our chest cavity as much as we can to get more air (for our future use in playing instrument) - that is done by lowering of the diaphragm. When playing saxophone during exhaling we “support” the air column contracting the stomach muscles, meanwhile preventing the diaphragm to get quickly to the initial “upper” position, That enables us to play long musical phrases with steady tone/sound.
Here are some exercises on the topic.

To feel the diaphragmatic breathing

  • Ex.1 While lying on the floor (or on the bed or couch if your floor is too dirty:) place an average sized book on your abdomen area. Just breath in a regular way and you will notice the rise of the book when you breath in and the fall of it when you breath out. So the whole breathing process consists of expansion during inhaling and contracting on exhaling

  • Ex.2 To feel the diaphragmatic floor extending: bend over, place your hands on the back of the abdomen area and inhale.Then slowly straighten up and try to get the feeling in the abdomen. For more extreme example try panting like you are out of breath while you are bent over.

To practise the diaphragmatic breathing

  • Ex.3
    1. Place your hands on the abdomen or on the back of the abdominal area
    2. Breath in.with your mouth. I visualise it like being a balloon filling with air (under high pressure) by some pump. So the idea is the quick and powerful air flow to your lungs; quick sip of air, kind of “sucking” it through some imaginary straw.
    3. Breath out with a loud whispered sound, something like “ah”. Try to do that as loud as you can and don’t interrupt the sound. In several days you should be able to reach at least 10-15 seconds of sounding this way.

In this exercise feel the muscles in the abdomen squeezing more and more until you run out of breath. Try to exhale all the air you have, think of it as of squeezing out a sponge. At first squeezing is gentle, but when the sponge runs out of water it becomes more tight. And then - back to step 2. Do it several times, from 10 to 20.

Remember: when inhaling don’t raise your shoulders. Of course they will rise( but just a little !) as the chest cavity expands filling with air, but our goal is diaphragmatic breathing, so focus primarily on the expansion in your abdomen area.

Very thorough study of breathing process and its connection with saxophone player I found in David Liebman’s “Developing A Personal Sound” book, also John O’Neil’s “Jazz Method For Saxophone” contains some useful information on the topic. I’ve mentioned only some pieces of information from the books in this article.

Share more thoughts, breathing exercises in comments. I am eager to know your experience on the topic as well.

Thanks

Thanks to all the new members for joining our banana party. There seem to be quite a few 'banana' composers here at musescore, whether ithe music is about the fruit banana or banana fish or banana fairies or whatever or if the music is just plain banana silly. Post your music, tell your friends. I even heard that some higher up in the government was thinking of joining since they have lots of experience in being completely bananas.

HELP, PLEASE!

Can someone please tell me how to make a score? I have no idea and I have a beautiful piano and violin duet to be made.I have looked it up on my iPad and I still do not know how.Can someone please tell me step by step.Thank you, and sorry to bother you!☺️

I need some new song ideas

A friend and I are seniors in high school and we have a band. I play alto saxophone and he plays drum set. We have played at basketball games, in school concerts, and background music at various school events. Our next (and possibly last) performance is going to be at our graduation, so obviously we want it to be our best performance yet. Our problem is we cannot seem to find a good song/songs to play. We are looking for something fast, upbeat, and fun. Somewhere between 3 to 15 minutes would be perfect. Some of the songs we have played before include: Shipping Up To Boston, Megalovania, Blue (Da Ba Dee), 300 Violin Orchestra, Harder Better Faster Stronger, Eye Of The Tiger, ect. Hopefully that gives you a good idea of the type of music we enjoy playing.

Any song suggestions would be very helpful. Also, if you have any other places I could post this question please let me know. Thanks in advance for any suggestions anyone gives.

K 545 Second Draft

I decided to revisit one of my older string quartet arrangements. As you can probably guess, it is the K 545 sonata. This time, I had a harmonic  analysis to help me stay more true to the original harmony. I decided, for now at least, to have the sixteenths in the second movement be played by the second violin.  The countermelody method that I went right for in my first draft is tricky, especially to keep consonant with both the melody and the harmony. So, as I try to figure out a good countermelody, I have the sixteenth notes in the second violin in this draft. Hopefully, I will figure out a good countermelody so that I can  put the sixteenth notes into the viola, and not have to do octave alterations as you can see I did in certain places in the second movement. Until then though, the sixteenths will be in the second violin, with the viola harmonizing the bass line.

Here is the second draft of my string quartet arrangement of K545:

https://musescore.com/user/50070/scores/5816202

Hi y'all!

I uploaded a scherzo for solo violin , check it out:
 
 
https://musescore.com/user/30906161/scores/5815070

It's really horrendous !
Hope you enjoy!


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Vibrato for Trumpet

in Brass

Hey all!
This one is mainly a question for high brass but if any other could help me that would be great. I'm in 11th grade and I am a 3rd year trumpet. Right now, we are focusing on marching songs, but after Football season, we mainly play concert songs. One of those is a pretty well known trumpet piece called "A Trumpeter's Lullaby". I normally am a second chair but my band director "surprised me" and gave me solo. I've played it before but never solo. Since I am doing the solo, should I use vibrato at the appropriate times? If so, what method should I use? I obviously wouldn't use the wind speed method. So I would either use my hand or move my jaw slightly. Which one should I use? Let me know!
Thanks!
TheBlueTrumpeteer