Top Groups

Discussions

Saxophone scores and groups

 Welcome to the Saxophone group! Here is some Information for you and links to sax scores and other sax-related groups on MuseScore.  

First of all, this particular group (Saxophone) is kind of “basic” saxophone group, containing discussions and articles about saxophone. To read an article - just scroll down after clicking the "discussions" section. You will recognize an article in "discussions" by the [article] prefix in its title.

You are very welcome to make more posts!  

Then, here are some links to other saxophone-related groups including sets of valuable saxophone scores:  

1) Saxophone ensembles group (quartets,quintets,etc.) - 
https://musescore.com/groups/saxophone-ensembles
2) Jazz Standards Lead Sheets
https://musescore.com/groups/jazz-standards-leadsheets
3) Sax arrangements group - saxophone arrangements of rock/pop music or movies’/games’ soundtracks      
https://musescore.com/groups/sax-arrangements
4) Sax solo transcriptions
https://musescore.com/groups/sax-solo-transcriptions
5) Collection of scores: sax solo or with accompanying instrument - https://musescore.com/groups/saxophone/discuss/5015764

Feel free to create discussions and articles, to add your scores and to comment! 

Help With Arrangement

I'm trying to arrange a string quartet cover of Bird Set Free by Sia and I have most of it done. I just need help with some of the parts where, in the song, Sia is just riffing and singing kind of free in the background. Her doing that makes it really dramatic and highlights the climax which is why I want to try and imitate it. But I can't figure out the notes or how to write it (the rhythms, ornamentations, etc.). So if anyone would be interested in helping me out I'd really appreciate it! Just let me know and I'll send you the piece.

Solo transcriptions

Hello everyone! I am a professional improvising sax player (mainly tenor sax). Created this group to post sax solo transcriptions synchronized with youtube videos/audios.

Have posted first 2 solos - check out them in "sheet music" section of the group, here they are:
https://musescore.com/user/27845251/scores/4993696
https://musescore.com/user/27845251/scores/5008464

Please feel free to post solos transcribed by you and sync them with original recordings on YouTube.

See the post below on synchronizing scores with youtube videos/audios

Guaranteed Feedback on Saxophone Scores

Hey, everyone!

This is Joshua, and I'm a composer and a performer and a new admin for the group Saxophone Ensembles. I just wanna generate some discussion and get some activity for these forums. Alex has done a really great job so far with his helpful information. Now, it's my turn: to do this, I think the best way to start would be a feedback form: post your scores to the group or just post a link in this chat and I'll do my best to give feedback. Arrangements or original compositions, I'd love to look at all of them and give feedback. This is just to raise some awareness for this community and also get activity going. Expect more discussions and whatnot in the near future.

So, if you want any feedback, I'd be happy to give some to your saxophone score. Post to this discussion or just send to me and I'll take a look at it.

Collection of scores: sax solo or with accompanying instrument

This is a collection of scores for sax+accompaniment (sax+piano or sax+guitar) or solo scores, mostly of classical style, provided by ORWELL6 ( https://musescore.com/user/139709 ), checked by me. I also added some scores there. Please feel free to post more scores of this type (post in this group for now and paste the link to it in comments).

The idea is: If we get more shit music of this type, we will create a separate group of classical sax scores, which will contain this set as a part of it.

Lower lip position moving?

It is not discussed too often, but in fact each note fingered on the horn has an “optimal” spot (for lower lip) on the reed. It’s worth covering the edge of the reed with your lower lip for lower notes, whilst uncovering the read is done for higher notes - this allows more of the higher overtones to come out. That is accomplished by lower lip forward and backward movement (not up and down, which results in “biting”): less of the lip’s fleshier area and lip rolling away from the edge of the reed for higher tones (let’s say beginning with higher B - above the staff) and more of the fleshier area and rolling in the direction of the edge of the reed in case of lower tones. You can read more about the lip movement and embouchure in Chapter 6 of David Liebman’s “Developing a personal saxophone sound”

What do you think about this suggestions and what is your experience? I am eager to know how the stuff with lower lip works for you.

[article] The Embouchure

Embouchure is one of the main things affecting the quality and timbre of our sax sound. It includes lips,teeth,jaw tongue as well as almost all the muscles contained in our mouth and face. Embouchure affects both the air stream (finally) coming to your mouth and the characteristics of reed’s vibration. If one has some embouchure faults, it immediately results in unsteady, week and muffled sound and lack of control. Who wants to listen to and to produce that kind of sound ? I bet no one does. So here are a few words about embouchure appropriate for sax playing,

In other words, saxophonists’ embouchure is basically just “how do we hold the mouthpiece in our mouth”. Here is a simple algorithm:

  1. Place the top front teeth on the mouthpiece making sure they are centralized. You can figure the distance between the tip of the mouthpiece and your teeth only by trial and error, as it varies from player to player. Perhaps a good point to start with is about 10 millimeters and then to “find your own place” on the mouthpiece you are comfortable with.

  2. Slightly turn in the lower lip as if you are saying the syllable “v”.

  3. I prefer to obtain the right position of my tongue and lips by imagining that I am pronouncing ö (german o umlaut), as it combines approved and advised by saxophone pedagogues “o” position of lips with “ee” (like in english word “eat”) position of tongue, which makes the air stream (and, consequently, the sound) more focused.

  4. Finger the middle C or B note and blow your horn pronouncing “four” (according to Sonny Rollins) or “vo” (according to Eugene Rousseau) or “vö” (according to me)

But the main thing to keep in mind is that the embouchure should be “natural”. That means firm but relaxed, feeling maybe like putting a popsicle in your mouth; and let’s remember to avoid putting pressure on the reed with your bottom lip.

Playing long tones every day in the beginning of your sax practise session is an indispensable exercise for both our embouchure and breathing.

[article] Tonguing

Most of the sounds played by saxophonists start and end with tonguing, so I want to share with you some exercises which helped me (and, I hope, will help you) to achieve good tonguing technique. Feel free to add your exercises and suggestions as well.

  • Ex.1 Sing the “doo” syllable (pitch is not of importance for the exercise, but don’t change it during the process) repeating it but not interrupting, think of it as singing one long note. But don’t move your lips or jaw. Imagining that you are a ventriloquist really helps to get the right feeling. Notice that your tongue moves straight up and down. That is exactly the way notes are to be tongued on sax

  • Ex.2 Blow some note from the middle range of your horn for 3-5 seconds and then move your tongue up and touch the edge of the read still maintaining air pressure. Then pull the mouthpiece quickly out of your mouth. You should get a rush of air that quickly “escapes” your mouth cavity. If the air stream is weak, then you didn’t manage to keep the pressure behind your tongue. Practise this exercise till you succeed in it, as keeping the pressure even when you don’t play a sound is of much importance for right tonguing

  • Ex.3 Blow again some note from the middle range for 3-5 seconds and then move the tongue up to the read touching it (remember touching somewhere near the edge but not the middle part or the end of the reed) and then immediately down. Keep the speed of tonguing (it’s worth starting from “note tonguing” every 4 seconds). Strive for continuous sound, tonguing should not affect the quality of it.

That exercises I found in John O’Neil’s book long time ago and I felt I benefited from practising them even though I had been already playing saxophone for many years.

When actually playing some music, remember thinking of tonguing like separating long tone into parts (but not making separate sounds, so not splitting in any case) rather than ending every note and beginning another one. The air pressure should be constant and the sound stops immediately when you put your tongue on the read but it continues again immediately when you put it off.

As a warm-up I practise finishing notes both with tongue or without it (maybe adding a small vibrato on the end of the tone for jazz music).

I’ve described the basics of tonguing, but, of course, “in real life” sometimes you need to tongue something stronger and not only “touching the very tip of the read”. In fact different areas of tongue when touching different areas of reed (not only the tip) provide wide range of articulations. See Chapter 5 of “Developing A Personal Saxophone Sound” by David Liebman.

Transposing standards

You can easily transpose any standard found here using MuseScore notation software:
1) Download the score
2) Check out the links on "how to transpose":
a) If you need to actually transpose:
https://musescore.org/en/handbook/transposition#by-key - our handook
https://musescore.org/en/node/11708 - short howto video
b) If you need not to transpose, but just to make a part for transposing instrument (i.e. saxophone, clarinet, etc.):
https://help.musescore.com/hc/en-us/articles/360000367469-Making-sheet-music-for-transposing-instrument
3) That's it!)

Thematic sets of scores

Here are some links to arrangements grouped by topics in alphabetical order (thanks to Mr.Sax-O-Beat).

Arctic Monkeys https://musescore.com/user/1488461/sets/3961316
Blink-182 https://musescore.com/user/1488461/sets/3954021
Christmas Scores https://musescore.com/user/1488461/sets/3961291
Coldplay https://musescore.com/user/1488461/sets/3961256
Fall Out Boy https://musescore.com/user/1488461/sets/3954016
Gorillaz(https://musescore.com/user/1488461/sets/4808640
Marching Band Arrangements https://musescore.com/user/1488461/sets/4802554
Panic! At The Disco https://musescore.com/user/1488461/sets/3961221
My Chemical Romance https://musescore.com/user/1488461/sets/3953461
Rock (classic rock) Scores https://musescore.com/user/1488461/sets/3961331

Composed Works by Mr. Sax-O-Beat (https://musescore.com/user/1488461/sets/3961351)

Post your arrangements in the group, paste the link and description in comments here, and we will add your score and/or topic to this post, so it would be easy for all interested users to find it