Hello all. Try as I might, I can't find a transcription for Leo P's solo of "get busy". Might anyone have an idea where to find it?
Thank you for any input!
This is my first string composition and honestly its not very good, I can't put my finger on what I need to improve and how to improve it though. Any and all tips help a TON. Thank you.
Hello! I've posted in this group a few times and I am a young composer in high school. My name is Ryan Guerra, and I still have no idea what the hell I'm doing.I would love any tips, notes or ideas anyone can offer, I want to learn as much as I can. Check out my music here! Thank you.
What is your favourite:
1. meal of the day (breakfast, morning tea, dessert, etc.)
2. simple meal/dish (4 or less ingredients, minimal cooking)
3. complex meal/dish (not a simple dish)
4. confectionery brand
Bacon in a toast sandwich with butter
Sweet & sour pork (it's chinese)
So my school is trying out a new program this year based off of a suggestion I brought forward, by starting a jazz choir. I figured I'd help cement it a little bit by bringing some arrangements and compositions forward so that they'd have something to sing. Tl;dr, here's my first choral composition, any constructive feedback is greatly appreciated!
You may already heard about us. We're the Young Composers' Online Orchestra ("YCOO"). Recently, we've started a new project - we're gonna play Elliot Butler's Drama for Orchestra No. 6.
In the process of preparing the parts for our members, we found out that we don't have any English Horns, Violas and Double Basses!
If you can play one (or more :P) of those instruments, please consider joining us either forever, or for the current project only. You could save a LOT of effort and hope we're all giving in our orchestra.
Have a great day,
Milan Steklý, moderator of the YCOO
Join my new banana group. Sure to be lots of sweet yellow slippery fun (whatever that means).
I've just published this score
anyone know the history of the alto sax
The local music store here, Groth Music (Also the biggest music store in Minnesota) has three different professional tenor sax models for sale, at least that’s what shows on their website. If they have more, I’ll look into it. For now, I just want to know if there are opinions.
The options are:
Selmer Paris Professional Model 54JU Tenor Saxophone
Selmer Paris Professional Model 84 Tenor Saxophone
Yamaha YTS-82ZII Custom Z Tenor Saxophone
Btw, I’m leaning towards the Custom Z because I want one with black lacquer so I can look cool at school :P
Hello everyone, this is my first ever original song, written for my brass/guitar hybrid band, there isn't a drum part because i leave that for the drummer to experiment with. I would love feedback and criticisms!
So my parents finally bought me an alto last March (I had 3 years under my belt then) and it's a student yamaha. I thought it sounded fine, and I played fairly decent with it. Marching band passed, and no problems. I got a new mouthpiece (Selmer c star) before auditioning for an all east TN honor band a few months ago in December (I made it), and I thought I sounded good still. My teacher said my sound was fine. Recently, for the past month or two, I've been noticing a subtle "buzzy" sound when I play, and at first I thought it was the reed. I changed reeds and found out that was not the case. I showed my band director, and he said it shouldn't be a problem. I showed my teacher, too, but he said he couldn't hear it. I even gave my friend a chance to play my sax, and we both could hear it. Fast track to a few days ago; I got my sax out to start practicing, and immediately I was hit with the very noticeable buzzy sound... but much worse than before. Almost every note has the buzzy sound in it; especially middle g through middle d. I'm going to meet my teacher about it in a few days. But, would anyone know any reason for this just suddenly happening? I feel like it could be my mouthpiece, since it has tiny scratches here and there, or my alto itself, or both. Any advice would be appreciated.
Hy guys, I play Alto Sax and I'm 14. I play it since I was 10 but I don't feel any improve in technique since 1 year ago. I was wondering how I improve. Thanks for who answers me!
it can be played by soprano sax too!
This is the first of them , more no the way!
I was sent a canned support email reply when sending a proven major catastrophic bug in V3 (tested Arch v3.2.3 latest build as an experienced Musescore user, developer, ui expert), which is preposterous and certainly not a solution. MuseScore 3 down the toilet, former v2 users sophisticated work scores inclusive of custom soundfont usage/mixer settings, essentially destroyed and not compatible with v3 - Warning to serious digital composers or people wishing to "save and preserve" their work with MuseScore.
#1 imported scores with soundfonts settings, patches (part properties + mixer patches/instruments) are either not retained or totally broken. And it's kind of a problem when you hit "load from score" in the Fluid soundfonts menu and then do not get a listing of the name of your saved soundfonts correctly. Blunder Developer Fail 101.
#2 patches under mixer are all reset to whatever default instruments is set in the first soundfonts. ALL SETTINGS LOST in v3 on opening a v2 score.
This is a nightmare and unrecoverable blunder.
"Soundfonts" previously saved to score do not correctly "load from score" and several scores i checked have missing or incorrect mixer patches [lost settings] or other mangled settings.
these open fine in v2 not v3
Contacted email support and wax given a total jerkwad ahole canned response to go to forums for help? Really? Huh, I suppose after years of using MuseScore now with 100+ scores, all set, verified and tested in v2 with proper settings as well as.. professional experience with ui/user experience, development and being an extremely proficient tech/web/application user that this is right way to go.
I tested on the latest build of v3.2.3 Arch.
Let's see if we can get any response beyond some stray moron or musescore cuck forum troll who think they want to challenge me or want to defend a total jerkwad group/company who obviously saw my email and decided to send me a BS request.
Way to destroy independent composers important work, some crucially saved with soundfonts, settings - now lost - we all can't afford to hire orchestras or ensembles you total idiots- Musescore destructive, unhelpful and irresponsible people behind them who obviously did not bother to test their build, nor can field email issues.
I recommend to revoke your support if you care about a serious tool of music scoring and preservation - MuseScore based on their completely blow-up absent support response don't care and worse have no integrity whatsoever.
Go pro?? How about No. At this point I hope MuseScore crashes and burns forever. All my work lost.
Time for someone else with responsible developers and integrity and user support steps in. What a joke, what can a community forum do on the technical end - nothing.
The only thing MuseScore can do now, it get one of their little cuck troll users to attempt to defend the situation on a forum, further deflecting and ignoring.
Those composers who can't hire an orchestra, an ensemble or ar a$$-kissed in the establishment sort of relied on using this software to preserve and demo output their work - the result - totally screwed over, digital scores mangled, “labels”/settings all lost from version 2. The reward for supporting MuseScore and being stabbed in the back and ERASED.
And MuseScore's answer - canned support reply to just go to forums for support and see the usage guide I am already an proficient (and of course I mentioned this in my email).
Moneygrubber, destructive scam artist company/developers who didn't even bother testing their application fully to v3, destroy older version users work and they think it's ok obviously.
MuseScore = ANTI-MUSIC/ANTI-INDIE COMPOSER, convert destructive application set to destroy work on further releases. No excuse.