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What is your composition style and who inspires you?

The composer that influenced me the most is definitely Claude Debussy. I compose in an impressionistic style, which means that my pieces evoke imagery and a sense of story when listening, with some unique chords and controlled dissonance.

Some other compositional styles (not all of them, but some general ones):

Baroque - very structured, rule-abiding, very much single note voices, court dances.
Classical - sonata, orchestral pieces, structured and with set phrases, repetition and controlled expression.
Romantic - feeling-evoking, dramatic, freedom of expression, strong and contrasting note choices.
Impressionistic - image-evoking, a flowing and free tone, more dissonance, more chord choices.
Contemporary, modern, post-modern - jazz, blues, rag, that kinda music, lots of dissonance
Popular/good sounding - repetitive chord structure, very easy to listen to
Technical - compose for the purpose of exercising the fingers

Help?

in Piano

I'm trying to play Rondo Alla Turca by Mozart, and, as I am a mostly self taught pianist (I had a piano teacher two years ago, but then i went to a new school and learned clarinet because i wanted to be in band), I am having trouble with a few things that I am hoping someone can offer me guidance on
1- The left hand grace notes in arpeggios, can someone please tell me, how do i play those at that speed and correctly?
2- The right hand octaves. I am having a lot of difficulty with this, I try to play it and it makes my arm hurt while doing it, so i tried to relax a little and ended up completely missing the notes
Please help?

Anyone know this song?

in Piano

Hi folks. I'm a 70 year old who foolishly never bothered to learn keyboard from my Juilliard Candidate concert pianist/french hornist dad and am now trying to learn from scratch on my own. 
So I wonder if someone here might be familiar with a song I heard, which I would love to find sheet music for. I heard it once and tapped out as much of the melody as I could remember.
It's uploaded here to Musescore at:
https://musescore.com/user/6335926/scores/5225516
Thank you deeply to anyone who might know this piece. It's probably pretty old, because, you know, I'm pretty old ;-) 

Making a convincing plagal cadence, how?

I am nearing the end of composing the first movement of my suite. And I plan to end the movement using a plagal cadence. But I know that a plagal cadence can be hard to make sound convincing, I mean after all, it is a subdominant to tonic motion. And most of the time if anything, the subdominant moves to the dominant for your classic IV V I or a slightly embellished version of the same cadence such as IV V vii°7 I

I know that part of making a plagal cadence sound convincing is to slow it down. V I could easily be convincing at quarter note speed. Not so easy for IV I to be convincing at that speed. But as you slow it down, IV I becomes more convincing. Another thing that makes the plagal cadence more convincing is having the upper voice move between scale degrees 5 and 6, implying a second inversion subdominant chord. 

Second inversion is the least stable form for any major or minor triad. And scale degrees 6 and 4 naturally want to move downwards. This leads to a convincing tonic resolution from the subdominant. Repeating the chords in a pattern like this

I IV IV I

as it is in the Messiah Chorus, makes the cadence even more convincing.

But do I need to do anything else to make the plagal cadence convincing? Would a leaping bass make it more convincing like it does for an authentic cadence?