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notes from the game darkwing duck

 

[h] hi! maybe someone has sheet music for ensemble three Alto saxophones and one flute soundtrack levels game darkwing duck. Or maybe someone can help with writing scores, for a small fee?


hi! maybe someone has sheet music for ensemble three Alto saxophones and one flute soundtrack levels game darkwing duck. Or maybe someone can help with writing scores, for a small fee?

GROUP HISTORY

I will update this weekly

4/7/19:
1 Member
1 Discussion
Group is created today! Woohoo! *confetti and stuff falls from sky*

4/15/19:
8 Members
2 Discussions
Eek! I forgot to do this yesterday. The group is already dying, so uhh… :o
@Jaybird1 is one of the first truly active members, I told him I would give him a shoutout here, so here you go :P

4/26/19:
14 Members
3 Discussions
I haven't updated this in a while, this group is blowing up now...

4/30/19:
22 Members
5 Discussions
Holy cow, this group is blowing up. 8 members in 4 days, wow...

5/13/19:
30 Members
4 Discussions
Hmm...Starting to die again...

5/16/19
35 Members
5 Discussions
Welp...I was wrong...

5/17/19
41 Members
7 Discussions
I was very wrong, this group is really blowing up, welp

5/18/19
47 Members
7 Discussions
Again, welp

5/22/19
55 Members
8 Discussions
So I had to kick a member (Indy500) for spamming a link to an unsecure website. Sorry, but spam for no purpose is not tolerated. 

Should I let my canon modulate?

So I am writing a 2 voice canon so that I can get your feedback on it(and in this case it is literally 2 voices as I am using soprano and tenor voices, an octave apart from each other). It is a canon at the octave, one of the simplest interval canons, though you certainly can have a canon of the second and so forth. A canon of the tritone is theoretically possible but without being super careful, it is going to be dissonant throughout and the key will be ambiguous. Thus, this is usually not considered when talking about interval canons. Maybe someday I will try to do a canon at the tritone but for now I'm sticking to canons of consonant intervals.

Here is the progression that I am basing my canon off of:

V IV iv ii° V i


A typical progression for a minor key. My canon is in C minor. I have done 3 harmonization iterations(making sure to make it a smooth melody as I am doing the harmonization and making most leaps outline either a triad or a dominant 7th chord) and I am finding that my canon is wanting to go to Eb major. But ii° doesn't make sense in Eb major because it is chromatic(B natural in the chord where there is a Bb in the key signature) Also, the iv chord kind of makes sense, especially since it comes after IV in a plagal progression but going to tonic is delayed by 2 chords. And the tonic is minor, not typical for a major key unless you are like Beethoven and love those sudden shifts from major to minor. 

And Eb minor is a weird key to end up at from C minor. It is only a 2 step relation because it is Cm -> Eb -> Ebm, a relative modulation followed by a parallel modulation. If going by key signature alone, Eb minor and C minor are very distant keys(3 flats distant) I would want to avoid this sudden jolt into Eb minor(especially given that the last note in the tenor that I have so far is a C). So it is like, at the beginning of it, it wants to modulate to Eb but then towards the end it wants to go back to C minor. I will upload and post my incomplete canon so you can hear it for yourself and also give feedback on any mistakes that I have.

But should I let my canon modulate or should I keep it in C minor for it's entire length(which is 50 bars)?

Ys seven

Hello, I'm Olivia Wicker and I was wondering, if any member could make a ys seven song for me because I do not  know how. Could someone please make the song called vacant intefereance and Innocent Primeval breaker. I would love it If someone were to make this a score. Please and thankyou for your time.