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Auditions for The Musescore Virtual Orchestras

I want to start on a huge project, that requires the help of everyone! Much like Eric Witacres's Virtual Choir, I will be compiling recordings of a large number of people, into one track.
Auditions have started and will run through the 13th of June. The piece we will be performing is most likely going to be one of my original compositions and will be a huge undertaking.
As of right now, we are short of String players and Vocalists. If you are interested or would like to audition, the link is below and you can email me, at the email below.
The link is http://musescore.com/groups/virtual-orchestra-group
My email is: xak_robinson@hotmail.com
Thank you for everyone's support !!!
Hope to see you in The Musescore Virtual Orchestra!

Strings and Winds Needed

If you haven't heard already, I will be holding auditions for "Musescore's First Virtual Orchestra".
I want to start on a huge project, that requires the help of everyone! Much like Eric Witacres's Virtual Choir, I will be compiling recordings of a large number of people, into one track.
Auditions have already started and will continue until june 13.
I need a large number of string players and wind players, so if you're interested, join the group below and comment on the "Yay or Nay" Discussion

If you are interested, the link is http://musescore.com/groups/virtual-orchestra-group
If you have any further questions, my email is: xak_robinson@hotmail.com
Thank you for everyone's support !!!
Hope to see you in my orchestra

Violin concerto:Secondmovement almost finished slow&fastsections

My entry in the post-romantic postBarber violin concerto stakes!I love the 2nd movement.
Still working on orchestrating the first movement which at 382 measures seems too short.It has 3 main themes in exposition but they are not developed are they?Old-fashioned sonata form doesn't have to be followed but I did want to have some guide for structuring the material. the recap comes with 1st subject repeated in F major instead of opening Gmajor.There was other material I wanted to repeat :maybe I will.It flows very well (the way I want it to)so maybe I should let it alone -it ain't a big post- romantic concerto- it's a small one .I like it very much .I have a theme for the finale but haven't felt like composing anything new! i would like some sophisticated listeners for it but I feel it flows so well maybe anyone would like it.

Is 'Laugh Silly' a legitimate art form?

Laugh Silly is a group on Musescore. What is really meant by the question is: Can music that focuses on being silly just to provoke a laugh, music that seems to enjoy depreciation and decomposition as laugh-worthy themes, music that further seems to work hard at avoiding being serious, be considered a serious art form worthy of respect? And wouldn't this be totally counter to the point? How can anything that doesn't want to be serious, be considered serious? How can anything that doesn't want respect, accept any form of respect? How can anything that simply wants to be silly be an art form? Once it becomes serious, respectful, and an art form, it basically disintegrates and is no longer what it sets out to be. It is a quandary. Are we asking the wrong question?

Interesting Quartet Pieces

Hello!
I am an eighth grade viola player. ME and 6 other people are looking for a song to play at GMEA Solo and Ensemble this year.

If you can help me, the song:
-Must have 1st and 2nd violins, Viola, Cello, and Double Bass Parts.
-Cannot be an arrangement of a modern tune.

Are there any other middle school students who can give us a fairly simple song to learn and master, hopefully earning us a high rating.

(We play fairly well, so don't be afraid to give us something challenging. :)


THANK YOU!!!

The ultimate musescore songbook

I have just created a group to compile a songbook of songs from Musescore (See group description for more detail, here's the link: http://musescore.com/groups/ultimate_songbook_of_musescore. We need all the people we can get to join, as it 30+ people to really kick start the path to publishing the song book, so it would be great for everybody to join!

Thanks in advance!
-Second_Rachmaninov

The ultimate musescore songbook

I have just created a group to compile a songbook of songs from Musescore (See group description for more detail, here's the link: http://musescore.com/groups/ultimate_songbook_of_musescore. We need all the people we can get to join, as it 30+ people to really kick start the path to publishing the song book, so it would be great for everybody to join!

Thanks in advance!
-Second_Rachmaninov

A Chance to get YOUR Music Played and Heard!

Okay, So I have a concert coming up at the end of the year and I need a solo piece, a duet piece and a trio piece ALL for Flute. Not too hard but not too easy. If they are easy, make them SOUND hard. If your piece is selected, when the piece is played, YOUR name will be announced as the composer, along with the piece's title that you feel is appropriate for it. If I choose the piece and all goes over well, you may have to write and compose a piece for a full band setting for a concert for my concert band. So PLEASE participate! It's a great way to get your name out there and have your music played and finally heard!!
Submit your piece with the title you that have selected (must be original).

The Subtitle must be one of two options:
Option 1 - "Piece for Concert"
Option 2 - "Piece for Contest"
If your piece doesn't have one of the two selected subtitle, it will not be considered.

You must also have the composers name (YOU) and the instrument name (flute for the entrance piece). It may be for solo flute, duet, trio or even a flute quartet.
Due Date for the pieces is: Friday, March 30, 2012! :)
Any questions, feel free to ask! :) Good Luck!
AND make sure you have fun and try your best!! :))

Techniques

Can we have a thread where people post all of the different things about how to play woodwinds, starting with the basics of how the sound is produced and how the keys work, and going to various techniques such as fluttertonguing and other things? I think it would be a help for composers who want to write for woodwinds but don't play them (such as myself). I know the basics from Orchestration by Samuel Adler, but it would be nice to have them explained from actual wind players.