Do you have some compositions with weird or funny soundfonts or effects? If so, you might want to post to "composers group for fun soundfonts and effects"
Share your soundfonts/effects and get feedback from others.
Do you have some compositions with weird or funny soundfonts or effects? If so, you might want to post to "composers group for fun soundfonts and effects"
i am working on a piano sonata
What is the nature of music?
What constitutes good music?
Why is musescore such a great place to compose music and hear what others compose?
Why does this iPad keep trying to change my words? In the last question, instead of "compose" it tried to change it to "can moose"
What do mooses have to do with music composition?
Is there anything wrong with writing monologues?
Why do I write monologues?
Why do I use the word "monologues" instead of "monologue"
Why is monologue spelled "monologue" instead of "monolog"?
Why are there so many questions?
When am I going to stop writing these annoying questions?
Why are you still reading this if it is so annoying?
When will this end?
Is that a question?
big thanks to the anonymous person who gave me a month of free pro musescore. so kind and wonderfully wonderfully generous.
Useful musical notations with some translations as well
Accelerando – to gradually get faster since you are such a slow poke; 急いで、私は私の歯科医の予定に到達する必要があります
Andante – a walking tempo, temporarily, until you trip over a sixteenth note; 足にけいれんがありました
Basso continuo – a form of bass line from the baroque period, noted with numbers that indicate chords, probably in a random nonsensical fashion according to the whims of the composer; あなたは生の魚を食べたことがありますか
Berceuse – a lullaby, causing you to doze off and miss your cue. Then the conductor throws his or her baton at you, stabbing you through the heart, and forever after you mournfully haunt the concert hall; matur nuwun sewu lulla, aku wis wektu swell
Crescendo – growing as in a swelling of sound, short for "Criminy, close the blooming window"; te recomendamos a good restaurant
Expressive – play expressively, sometimes with tears, grimacing, and much gnashing of your teeth; Har du noen kippers, jeg er sulten
Fugue – contrapuntal, someone's contrary uncle; غوريلا قليلة في العالم
Gigue – a lively dance form from the baroque, and when the music stops, everyone yells "gique!" and everyone falls down laughing: uma ingaphukile ungayilungisi
Giocoso – play the piece cheerfully or in a playful way, what other way is there? আমার পায়ের আঙ্গুল ব্যাথা, এটা কিছু মাখন করা
Leggiero – lightly without force, also a type of linguini; hvis du kommer til at trykke mig på skulderen, gør det forsigtigt, tak. Jeg er hele fra mudderbrydning i aftes
Legno – for string players to use wooden side of bow to hit the strings, and sometimes the heads of other players; fass mein Bein nicht an NEIN!
Mezzo – half, what the conductor says you will be paid for a performance; Hatagan ko ikaw niini nga donut
Passacaglia – baroque dance form with a short melodic phrase, usually in the bass, and sometimes in the basement; 海龜是很棒的寵物
Poco a poco – little by little, you poka me, I poka you to the tune of a polka; ти ме тласкаш и аз ще те съборя
Rallentando – gradually slower, since we get tired during a performance such as one of Wagner's 8 hour opera performances; когда я становлюсь старше, я становлюсь медленнее
Ritenuto – slow down, obviously a curse word in Italian meaning "addle-brained musician who can't stay on the beat" but few will admit it ; Εγώ θα puke εάν δεν οδηγείτε πιο αργά
Rubato – play with freedom, deviate from strict tempo to get more expressive playing, also another curse word, loosely translated "you are a fat pig"; onde fica o banheiro?
Scherzo – joke, fast light-hearted, the sound an Italian makes when he or she sneezes (I'm part Italian so I am allowed to do Italian jokes); La tua faccia sembra un formaggio ammuffito
Sarabande – in baroque, a slow, genteel dance in triple time, also a small musical group led by the famous singer, Sara; Ég stakk upp á hundinn þinn
Triple time – three beats to a measure like ¾, also, multitasking, doing three things at once like drinking a soda, texting and driving causing you to rear end a truck; Эмнэлэг хаана байна вэ?
Yeah, another contest, but not necessarily with musical compositions. A number of banana recipes have already been posted in the comments to "banana, signature edition" and you are invited to submit your own unique/strange/fascinating banana recipes in this new contest. First, second, third, and honorable banana mention awards will be given. No rules ('rules? we don't need no stinking rules'). So let the merriment begin. The contest will end January 1, 2015.
Congrats on earning your Eagle Scout! It is a high honor! Introduce yourself here. Things like: what was your Eagle Project? What were some of your favorite merit badges? Did you receive your Order of the Arrow award? Have a great time.
A double bass goes to a psychiatrist.
Double bass: Doctor, someone told me I sound depressed.
Doctor: Let's hear it!
Double bass: G - D - ,A - 'E.
The psychiatrist's face darkens.
Doctor: I refer you to a good friend of mine. He will operate on you.
Double bass: And what will become of me then?
Doctor: A cello, a viola and a violin.
One says: "Hey you, the other day I gave a concert and had to play with someone, who had built a harp like you and me into a wooden box and knocked on it with felt hammers."
Write a ringtone for a phone using any instruments you want. It can't be more than 45 seconds though. Deadline July 22, so you have one month.
EDIT: Deadline July 12
Below are song titles from a "transcription plan" that was being pursued by this group in 2017-2018. The idea was to take the top 100 jazz standards appearing on the jazzstandards.com list and provide lead sheets. The jazzstandards.com list was compiled statistically, and is ordered by frequency of recording (see the site for more details).
As of this writing, lead sheets for about 2/3 of the top 100 songs on the Jazzstandards.com list have been submitted to the group. (The full jazzstandards.com list includes 1,000 tunes, in case you were wondering.) At the bottom of this message are the titles that have not been done.
You are welcome to work on the remaining titles, or any other titles considered to be jazz standards (or popular song standards from the classic jazz/swing era--roughly 1910 to 1960). If your song isn't one of the 1,000 songs on the full jazzstandards.com list, it's probably not what most musicians and jazz fans would consider a jazz standard. That doesn't mean it's not a great tune, but in most cases it means the tune is not widely performed. (Perhaps we need a Musescore group dedicated to overlooked and under-appreciated jazz tunes and traditional popular songs.) We will try to be as inclusive as possible when adding submissions to the group, while still keeping the focus on tunes that you might hear played and sung in jam sessions or on gigs by relatively mainstream jazz performers.
You are also welcome to submit improved versions of any songs that have already been done for the group. Perhaps a song previously submitted is missing lyrics, or missing the introductory verse, or has chord changes that are not widely used by musicians in performance. So far, the group has not been flooded by multiple versions of any given song--if we were to get, say, 10 charts for "I Got Rhythm," we might need to pick the best 2 or 3 for the main listing, but currently that's not an issue.
Note that if you are starting a new chart, you may save yourself some time by working with an existing "Wikifonia Archive" chart and adding your own corrections, improved formatting, and missing sections / lyrics as needed. See the following discussion for more details: https://musescore.com/groups/jazz-standards-leadsheets/discuss/5019538
To add a score to the group's collection, open the score in Musescore.com or find it in your account's list of scores, click the "three dots" action icon at the top right, and then choose type in "Jazz Standards Lead Sheets" to search for and choose this group. You can then leave a comment here with the song title and the URL for the link to let us know you've added a new score. If your chart has notable features or corrections, add a note about it when you post, and consider adding the details to the comments on the score page as well.
Jazz standards not currently in the collection of this group (ranking from jazzstandards.com)
19. In a Sentimental Mood
25. On Green Dolphin Street
53. You Don't Know What Love Is
69. Lover Come Back to Me
72. More Than You Know
74. Just One of Those Things
79. Polka Dots and Moonbeams
80. Easy Living
81. Pennies from Heaven
82. I Didn't Know What Time It Was
84. It Don't Mean a Thing
87. Star Eyes
89. Alone Together
90. Just You, Just Me
92. Things Ain't What They Used to Be
93. Do Nothin' Till You Hear from Me
94. Blue Moon
95. I Surrender Dear
96. You Stepped Out of a Dream
97. My One and Only Love
98. 'S Wonderful!
Lead sheets are of course disappointing to listen to in MuseScore because there is no built-in facility for generating accompaniment based on the chord symbols. Programs like Impro-Visor, iReal Pro, and others excel at this, and maybe some day MuseScore will have this ability. Meanwhile, I have created a resource you might find useful. It's a "cheat sheet" score with typical jazz piano voicings (as well as more generic voicings for folk/pop etc) for a wider variety of chords. Just add a piano part to your lead sheet (using Edit / Instruments), copy and paste from the "cheat sheet" to the piano, then mark the piano invisible (also in Edit / Instruments).
Here is the "cheat sheet":
You can download it here: https://musescore.com/marcsabatella/scores/5236325
check out me playing it
here's the sheet music
Please check it out, comment, and follow my channel!!!
hi i've been learning flight of the bumblebee i'm currently and 8th grader i was wondering if this sheet music is good i made it my self https://musescore.com/user/30181883/scores/5295037
here is an idea for a film music contest.
here is the scene:
Supergirl and wonderwoman are in a face-off and are getting ready to fight.
Write themes for each character.
incorporate the themes into suspenseful music to accompany the scene showing them getting ready to fight.
Any one interested?
Deadline is July 31.
Hi, guys! I'm eager to know what is your impro/jazz practicing routine? What exactly do you practice and how much time do you devote to each topic (patterns, licks, scales, solos, etc.)?
The following are resources that might be useful when creating a jazz leadsheet.
* The fakebook tune index at Seventhstring.com is a very comprehensive and user-friendly index of many commercial and non-commercial fakebooks. It can be useful to compare various existing leadsheets when making one of your own.
Several other fakebook indexes are listed at the bottom of the following page:
The Joy of Fakebooks
* The website JazzStandards.com has a list of the top 1000 most commonly recorded jazz tunes (a mix of popular song standards and jazz pieces written specifically for jazz performance). The website doesn't say exactly how the recordings used as the data set were chosen (for example, whether or not "jazz adjacent" artists like Frank Sinatra were included), but the resulting list will certainly be recognizable to anyone familiar with the mainstream jazz repertoire as it was played and recorded from the 1920s to the 1960s. This group's "transcription plan" is based on the top 100 songs on this list.
JazzStandards.com also has articles and book reviews, including articles like "Performance Practice vs. Composer’s Intention" and "Harmony and Form of Jazz Standards" that would be of interest to people learning about how to document a tune in a leadsheet.
* The website Cafe Songbook has a "Catalog of The Great American Songbook" that documents several hundred songs commonly performed by jazz and cabaret artists, giving composer details and background information on them in many cases. They don't claim to have any kind of criteria for inclusion beyond the judgment of the editors (unlike JazzStandards.com, which has a list based on how frequently songs made it to commercial recordings).
* The Joy of Fakebooks (web page): This is an illustrated historical overview of fakebooks, written by Bob Keller, going back to "Tune-Dex" cards used by gigging musicians of the 1940s.
This page also contains a link to a Google Docs spreadsheet by Keller that ranks fakebooks by all kinds of criteria. For example:
# number of tunes
# consistency of layout
# presence of song verses (introductory sections)
# chord substitutions
...and many others.
The spreadsheet reviews some 120 fakebooks. Just by reading the criteria Keller uses to evaluate fakebooks, you can learn a lot about what stylistic decisions you will be making as you put together a leadsheet.
* "It’s Time to Get Rid of Your Real Book" (blog post)
Experienced jazz musicians are well aware of the fact that the original 1970s Real Book has many errors in the charts. But younger musicians, and musicians in places where jazz is not very common, might not know this. This blog post makes the case that it's time to get rid of the Real Book and use other, more accurate alternatives when learning jazz tunes (or creating a lead sheet yourself).
Chord Symbol Voicings for Playback - This resource created by Marc Sabatella provides you with copy and paste chord voicings that you can use in in your own score to get basic chord symbol playback. Leave a comment below if you have incorporated chord playback into a lead sheet (successfully or unsuccessfully), and tell us the way you went about it.
* A two-part tutorial exists for creating a leadsheet in MuseScore. This tutorial was written by Marc Sabatella prior to the release of the 2.0 software, and is slightly out of date (particularly regarding the need for plugins), but most of the information remains current.
https://musescore.org/en/node/11723 (Part 1: The Basics)
https://musescore.org/en/node/11726 (Part 2: Advanced Topics)
Marc is responsible for coding many of the nice features currently available in MuseScore for creating jazz charts, including the software's jazz chord symbol features. Marc also wrote a user guide to Musescore 2.0 (Mastering MuseScore), if you want to get something a little more refined than the community-authored user guide on MuseScore.org. Marc tirelessly answers new users' questions (including many of mine) on the MuseScore.org forums. His MuseScore user's manual is available for puchase here:
* Poor Butterfly and 'What Makes a Good Chart?' (blog post): In this two-part article, Peter Spitzer offers guidance on the art of creating a successful 'vanilla' leadsheet, using the standard 'Poor Butterfly' as an example. He starts with the original 1916 sheet music, then moves on to discuss leadsheets and chord changes published by Hal Leonard, Jamey Aebersold, Ralph Patt, and Dick Hyman. He then looks at the chord changes used on recordings by several jazz greats, comparing these arrangements to the leadsheet chords. It's an excellent demonstration of the kind of analysis and background research that can be used to create an accurate, general-purpose leadsheet that reflects both the composer's intentions and jazz as it is actually played in the real world. It's also very similar to the process used by the music editor of Chuck Sher's New Real Book series for putting together jazz charts of traditional popular songs, as described in Vol. 1 of that series.
http://peterspitzer.blogspot.com/2012/06/poor-butterfly-and-what-makes-good.html (part 1)
http://peterspitzer.blogspot.com/2012/06/poor-butterfly-and-what-makes-good_07.html (part 2)
* Jazz musician and educator Stuart Smith has put his text Jazz Theory: 4th Revised Edition online for free. This text can be useful when you are trying to understand and make decisions about things like enharmonic equivalents (e.g. "Is this chord a D#7 or an Eb7? Why does it matter?")
http://www.cs.uml.edu/~stu/JazzTheory.pdf (.pdf file)
* The Jazz Theory Book by Mark Levine (Sher Music Co.). Available for purchase at Amazon and many other books stores and music stores. "A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc." says the Amazon copy. Also recommended by jazz pianist and educator Billy Taylor and this group's Paul Ukena.
* Jazz Theory Resources (Volumes 1 & 2) by Burt Ligon (Houston Publishing, Inc.) is another well-reviewed resource for jazz theory.
* MuseScore's own Marc Sabatella has written a book titled The Harmonic Language of Jazz Standards that may be useful to helping you understand why certain harmonies or chord substitutions are used by practicing jazz musicians, and what chords to choose when creating a leadsheet. Marc is a college-level jazz educator, and an excellent writer and communicator. His book is available for purchase here:
If you have an interest in popular songs written prior to 1960 (which most jazz musicians do!), there are many online collections of sheet music, including the following:
Most online archives feature only public-domain works, which in the United States tends to mean works published prior to 1923 (so, a few early-jazz age pop standards like "After You've Gone" and "Alexander's Ragtime Band", but don't expect to find "All the Things You Are" or "'Round Midnight")
* "Review: The Story of Fake Books and the 6th Edition Real Book": A book review on Jazz musican and writer Peter Spitzer's blog concerning two works: a book chronicling the history of fakebooks, and the Hal Leonard Real Book (6th Ed.). Interesting nuggets taken from the history book included the fact that there was no known 4th edition of the Real Book (the 5th edition was apparently produced by parties not responsible for the first three Real Book volumes), and the fact that the FBI investigated the publication of the Real Book.
* "The Vocabulary of Tin Pan Alley Explained" (journal article): A 1949 glossary of terminology related to the popular sheet music industry, with a few definitions related to jazz (including 'leadsheet', and one for the brand-new movement of be-bop). One amusing footnote: around the time this article was published, Downbeat had a contest to see who could come up with the best name to replace the old-fashioned term "jazz". The winner received $1000 ($10,000+ in 2018 dollars). The winning entry? "Crew-cut".
More resources to be added to this list as I come across them. Suggestions are welcomed.
Hello everyone! I am a professional improvising sax player (mainly tenor sax). Created this group to post sax solo transcriptions synchronized with youtube videos/audios.
Have posted first 2 solos - check out them in "sheet music" section of the group, here they are:
Please feel free to post solos transcribed by you and sync them with original recordings on YouTube.
See the post below on synchronizing scores with youtube videos/audios
So, I just hit the big 300 mark! What should I do? I Was thinking of revamping/ finishing the old old old Phantom of the opera string quartet I had done a million years ago Lol So If you have a suggestion of a piece I should arrange, or an interesting idea for an original, Then feel free to share! Thanks!!!