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Melody Notes

in Banjo

Hey guys! Any idea how to highlight the melody notes for banjo tab? Not necessarily for playback purposes, but for a visual for students. I've selected certain notes and turned the color of the melody notes "red", but circling the notes or "bolding" the notes may be a better choice if only able to print in black. 

who is chinadoll?

Some folks have wanted to know, "who is chinadoll?" These one or two folks are musescore members with an abundance of free time and curiosity about trivial issues that have nothing to do with music composition. That said (written), let us (me, this is confusing) be clear, they are very nice people and chinadoll is deeply touched (in the head, most likely) by their interest. So here goes.
  
Chinadoll has beautiful glossy golden brown hair, large soft eyes, a very quiet shy disposition along with an exceptionally sweet and gentle nature. Chinadoll loves loves fresh fruit (especially bananas) and vegetables. Yes, chinadoll is a Syrian Hamster with a bit of a talent for composing music. Late at night when everyone is asleep, chinadoll will tap out the notes on the home computer using her little paws. She loves attention and lots of gentle petting (especially if you give her a treat).

Polonaise in Bb, Feedback Wanted

I have been composing a polonaise in Bb for the past few days. The A section of the polonaise is what I have written down. The A section of the A section is what my first few questions are about and is the exclusively diatonic section. The B section of the A section is more chromatic. I am asking these questions because they came up to me after listening to my own polonaise a few times.

1) Is the bass in the A section of the A section(bars 1-8 and 23-30) too dense?

2) In the consequent phrase(bars 5-8), is the bass too close to the melody? Should I bring it down an octave?

3) In the B section of the A section(bars 9-22), am I handling my chromaticism correctly or not?
 
4) Is it too much of me to expect a pianist to play a polonaise rhythm in octaves for the whole B section of the A section?

5) Do I smoothly transition into the inversion(left hand becomes right hand kind of inversion) or not?
 
6) Is my A section too repetitive with 2 periods and a motive sandwiched between the 2 periods and the repeat sign?

7) Is 30 bars enough for the A section of a piece that I expect to be 200 or so bars long, or should I extend my A section further? 

Here is the link to my polonaise score:

https://musescore.com/user/50070/scores/5682039

How else do you think it could be improved? Right now, I'm thinking of what to put in the B section of my polonaise.

What Do You Notice About Vivaldi’s Concerto “Il Grosso Mogul”?

It’s a strange concerto. I have already made a list in the piece’s transcription of “noteable characteristics”. If anyone has anything to add, I guess you could suggest something here or in the comments. Harmony, melody, rhythm, and anything else—I just want to know as much as possible about this intriguing piece!

(Please use the YouTube playback! Click on the mixer and change “MuseScore audio” to “YouTube playback”. I think you need to be on a computer and not a phone for this.)

https://musescore.com/jaydenfta/scores/5679437

@Caters I’ve seen your own transcriptions and thought you might be interested!

Stuck in my harmonic analysis, need some help

So everything went fine in my harmonic analysis of Rondo a Capriccio. That is, until I reached bar 281 in my score. I know that there are 4 sequences in a row. And I know that during these 4 sequences, it modulates from G major to Ab major.

Sequence 1:
Bars 281-288
Trill sequence

Right hand

Scale step down, Scale step up, Scale step down, Third down


Left hand
Same as or inverted relative to the right hand(it changes and about half of it doesn't include the third but instead has a rest)


Sequence 2:
Bars 289-292
Scale sequence

Right hand
3 scale steps down(4 sixteenths), third up


Left hand
Step up, third down


Sequence 3
Bars 293-303
Chromatic diminished 7th sequence

Right hand
Diminished 7th Alberti bass for 2 bars, going up 1 half step per bar, Major scale on second half step, skip of a third between lower note of second and third diminished seventh 


Left hand
Minor third, minor third up a half step, single note up a half step, skip of a third between single note and next minor third


Sequence 4
Bars 304-312
Dominant sequence
C minor chord breaks it off from the previous sequence

Right hand
Minor third above the octave in the first bar, skip by a third to the next 3 bars, all of it Alberti bass except the scale in the last 2 bars


Left hand
Octave in first bar, Major third in second bar with bass note up a fourth, Bass note up a half step in third bar, Bass note down a half step in the fourth bar


I'm not sure how to analyze all these sequences except the last one, the dominant sequence. Could somebody help me with this part of my harmonic analysis? Here is the link to the score:

https://musescore.com/user/50070/scores/5667301